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      “Precipitated Double Sunset” by Felipe Pantone in Lisbon, Portugal

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      The mural evokes a powerful contrast—its striking colors and dynamic energy meet the softness of a sunset melting away before your eyes. Pantone explains that the decision to let it flow came from a desire to step away from precision, embracing a more natural, free-form approach. The result is a mural that feels alive, as if it’s in the process of transforming or fading away.This artwork not only enhances the Lisbon cityscape but also reflects Pantone’s ongoing exploration of themes like dynamism, transformation, and digital revolution. His work often touches on the fluid nature of the present moment, and this piece is no exception. By blending vibrant colors with the unpredictability of dripping paint, Pantone captures the essence of a fleeting sunset, while making a bold statement on the power of impermanence.Known for his innovative approach, Felipe Pantone has been pushing the boundaries of street art since he began graffiti at age 12. Based in Valencia, Spain, his works explore the intersection of art and technology, dealing with the fast-paced transformation of the digital age. With Precipitated Double Sunset for Lisbon, Pantone once again proves his mastery of creating visually dynamic, thought-provoking murals that leave a lasting impact on their surroundings. More

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      André Saraiva X Art of Ping Pong Collaboration

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      The Art of Ping Pong is excited to announce their collaboration with acclaimed graphic artist André Saraiva.Graffiti was the first way in which artist André Saraiva made his mark on the world. André was the first graffiti artist to paint a character in place of the traditional tag name, he quickly became known as Paris’ most active street artist.For this project, André embraced Art of Ping Pong’s ethos of blending contemporary art with play. His subversive characters dance across collectable ping pong bats and balls, replete with a signature pink ArtNet, designed to decorate your wall whilst being ever-ready to transform any table into an instant ping pong playground.At the same time, the limited edition ArtTable plays double duty—an iconic André design that acts both as art and a wall-mountable ping pong table. Crafted in black and pink, the ArtTables are a limited numbered, signed, and authenticated edition—hand-finished in the Art of Ping Pong’s London studio.The limited edition ArtTable – numbered, signed, and authenticated – featuring a pink design by André, is not just a ping pong table but a truly unique, wallmountable artwork that transforms into a ping pong table within seconds.Q: André, the current appetite for art collectables is no secret; you’ve been at the forefront of this for some time now. They are truly sought-after pieces and a great way for collectors to access an artist’s work.Not only are Art of Ping Pong’s pieces great collectables, but their desire is for these pieces to encourage a connection with others through play. Right now, it seems, the world desperately needs more moments of joy and connection. So, AoPP’s pieces have a heightened relevance.You’ve previously taken your own art into your hotels and clubs. Places that also draw people together and foster connection. But, as an artist, how do you feel about this collaboration going one step further and being used for play as well as art?— Algy Batten, AoPP co-founderA: For me, art and playing come together. Bringing people together in spaces has always been part of my art and my different projects. I consider the hotels and clubs as art pieces, the same as a subway, trains or walls; all of them are surfaces to spread Mr.A travelling around. It’s part of my graffiti philosophy; a train, a t-shirt, or ping pong balls is the concept of the idea of my art across the globe.— André Saraiva About André SaraivaAndré and his signature character have both appeared in many global brand collaborations and campaigns for over 30 years. André’s work has been shown in museums and contemporary art galleries around the world.He sees every one of his many ventures as part of the same irreverent lifelong art piece. One that he always approaches with a wink – just like his iconic graffitied alter – ego, Mr. A.About Art of Ping PongArt of Ping Pong has a simple mission to make art more playful; fusing art with functional design, they create vibrant art objects to populate our living spaces. Their pieces also have a real-life purpose to encourage connection with others through conversation and play. Inspired by modern compact living and a need to seize every available source of joy, their wall-hanging ping pong tables, nets and bats seamlessly transform your space into an immediate playground. Art of Ping Pong collaborates with creatives, brands and designers alike who share the spirit of their world, and collaborators have included Yayoi Kusama, Nike, Mira Mikati, Javier Calleja, Malika Favre, The Hoxton and Campbell Hay. More

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      “Chromadynamica Series” by Felipe Pantone in Hangzhou, China

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      Felipe Pantone Unveils First Public Sculpture in China at JNBY Headquarters, HangzhouFelipe Pantone, the renowned Argentinian-Spanish artist known for his cutting-edge fusion of vibrant color gradients, geometric shapes, and technological themes, has just unveiled his first public sculpture in China. The installation is located at the JNBY headquarters in Hangzhou, marking a significant moment in Pantone’s career and in the Chinese public art scene.This new piece is part of Pantone’s iconic #Chromadynamica series, a body of work that explores the interaction of color and motion through optical effects and dynamic forms. Produced in collaboration with the innovative @galleryallart, the sculpture encapsulates Pantone’s trademark style, blending futuristic aesthetics with a nod to kinetic and Op Art movements.Pantone’s work is celebrated globally for its ability to merge art, architecture, and design, creating a unique dialogue between the analog and the digital. His influence in the street art world continues to grow, with projects spanning from urban murals to public installations in major cities worldwide. This installation in Hangzhou further cements his reputation as a forward-thinking artist who bridges the gap between traditional public art and contemporary visual culture.Stay tuned for more coverage on this groundbreaking installation and its impact on the intersection of art and technology in public spaces. More

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      “Supernova” by Alex Senna in Mannheim, Germany

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      Created by Brazilian street artist Alex Senna, this mural is part of the @stadtwandkunst initiative, which aims to infuse urban environments with artistic expression. Senna’s signature style, characterized by bold black-and-white illustrations, speaks volumes despite the lack of color. In Supernova, the minimalist palette focuses attention on the story and emotions the art evokes, reflecting on human connections, youthful imagination, and the potential of individuals to make a significant impact.Senna’s work is renowned for its ability to narrate human experiences through simple yet profound visual language. His murals often explore themes of love, relationships, and emotional depth, using motifs drawn from childhood, such as birds, hearts, and music. This mural is no different—it combines the innocence of youth with the power of potential, creating a dynamic interaction between the art, the location, and the viewer. As students pass by this artwork every day, they are reminded that, like a supernova, they too have the ability to shine and inspire others.  More

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      “Guardianes del Agua” by Adry del Rocio in Chiapas, Mexico

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      Perched on the steep face of the Chicoasén Dam in Chiapas, Mexico, Adry del Rocío’s latest mural brings the structure to life with vibrant imagery and deep meaning. The mural, spanning 120 x 200 meters, depicts of a child cradling a glowing source of water surrounded by colorful parrots, honors both the natural beauty of Chiapas and the workers of the Comisión Federal de Electricidad (CFE). These workers have maintained the dam, a vital source of clean energy, since 1974.Adry’s mural is a symbolic celebration of life, harmony, and the rich biodiversity of the region. The parrots, native to Chiapas, soar across the mural, representing the freedom and abundance of the land, while the child symbolizes the future generations tasked with preserving this balance. In her artist statement, Adry describes the mural as a tribute to the “mystical heirs” of this legacy, those who work tirelessly to sustain Mexico’s clean energy.Collaborating with CFE Nacional and Privativo Social Strategy, Adry’s mural not only brightens the dam but serves as a reminder of the importance of sustainability and environmental stewardship. The project was a team effort, with Adry expressing gratitude to her brother Carlos Alberto and the many others who helped bring this ambitious vision to life.Adry del Rocío, a globally recognized street artist, has received more than 60 awards throughout her career. Her work on the Chicoasén Dam stands as a vibrant testament to the power of art to celebrate both culture and clean energy in Mexico.(adsbygoogle = window.adsbygoogle || []).push({}); More

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      “Burning Down” by Pener in Olsztyn, Poland

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      In the vibrant streets of Olsztyn, Poland, the mural “Burning Down” by Bartek Świątecki, aka Pener, stands as a striking fusion of abstract geometry and energetic movement. This large-scale artwork uses vivid shades of yellow, orange, and red to evoke a dynamic, almost explosive atmosphere, suggesting the idea of a cityscape consumed by flames. The sharp, angular forms typical of Pener’s signature style capture the eye, creating a sense of disarray that contrasts with the methodical precision of his lines and shapes.Pener, an artist known for his abstract deconstructions of traditional graffiti, blends his love for modernism and street culture in this mural. His unique approach to form and structure, influenced by virtual reality aesthetics, is visible in “Burning Down,” where futuristic architectural designs seem to collide and crumble. This mural, like much of Pener’s work, explores the relationship between order and chaos, reflecting the tension between the modern city and the natural forces that shape it.Born in Olsztyn in 1981, Pener has developed a minimalist style rooted in deconstructing graffiti and introducing elements from mechanical structures. Over the years, he has honed this technique, creating works that appear both futuristic and deeply grounded in the spaces they inhabit. “Burning Down” exemplifies this evolution, showcasing his talent for transforming public walls into canvases of bold abstraction.(adsbygoogle = window.adsbygoogle || []).push({}); More

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      Whimsical Parade of Banksy Animals Sends Fans on a Giddy Hunt

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      Each day for nine straight days, a new Banksy artwork appeared somewhere in London. For some, it became a citywide treasure hunt.The first Banksy piece to show up was a mountain goat, spotted by passers-by on a wall near the River Thames. The second work, a pair of elephants, appeared overnight on a house in southwest London. Then came some playful monkeys, a howling wolf, two hungry pelicans and a cat.For nine straight days, Banksy, the famed and elusive street artist, unveiled a menagerie of animal artworks around the city, a prolific outburst that thrilled Londoners.For Banksy fans, finding the works became a daily, citywide scavenger hunt.“It’s like an adventure,” said Daniel Lloyd-Morgan, an artist who sketches live street scenes. “It’s turned into a safari around London.”Every day since the first one appeared, Mr. Lloyd-Morgan checked social media to figure out the location of each new Banksy and pay it a visit. “This is like a happening,” he said. “So basically I put everything else on hold.”It was an unusually whimsical outpouring from Banksy, a British artist known for his socially and politically charged street art, which has appeared in New York City, the West Bank, Ukraine and other areas around the world. More recently, he sent an inflatable boat with dummy passengers to surf across a crowd at the Glastonbury Festival in England, a commentary on the plight of migrants crossing the Mediterranean Sea.But what message was Banksy trying to send with the animals scattered across London? That has spurred speculation, even as the works have delighted the residents of the neighborhoods they popped up in.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Manfred Kirchheimer, ‘Indispensable’ New York Filmmaker, Dies at 93

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      For decades, he meticulously crafted short films and documentaries in relative obscurity. Then, in his 80s, he enjoyed a burst of productivity and acclaim.Manfred Kirchheimer, a filmmaker who was drawn to stickball, jazz, subway graffiti, gargoyles on old buildings and the memories of aging immigrants, and who after decades of slowpoke perfectionism earned a reputation as a master of nonfiction cinema, died on July 16 at his home on the Upper West Side of Manhattan. He was 93.The cause was cancer, his son Gabe said.Mr. Kirchheimer often wrote, produced, directed and edited his movies as well as photographed them. He worked hard to get funding from nonprofit sources, and he earned a living as a freelance film editor and a film professor at the School of Visual Arts in Manhattan from the mid-1970s until the mid-2010s.His camera moved at the speed of people-watching: lingering for an extra moment to relish a certain scene, turning to something else in the bounty of street sights, then returning his gaze somewhere it had already been, hungry for a second helping.He found dignity and delight in what other New Yorkers overlooked or even disdained. Mayor Ed Koch, for instance, called subway graffiti blight, but Mr. Kirchheimer exulted in the subway exteriors of the late 1970s as traveling canvases. He made the subway the main character of his 1981 movie, “Stations of the Elevated,” with a soundtrack by Charles Mingus that suggested that graffiti could have the same rough, improvisational genius as his jazz.The subway cars that Mr. Kirchheimer filmed featured a portrait of a hitchhiking snowman; a verdant landscape overseen by a smiling, big-eyed sun; and cryptic messages in bubble letters — “HEAVEN IS LIFE,” “am nor disaster!” He followed the trains from Woodlawn Cemetery in the Bronx, at the city’s northern edge, past South Bronx tenements whose stoops hosted playing children, all the way to the beaches of Coney Island.Mr. Kirchheimer exulted in the subway exteriors of the late 1970s as traveling canvases and made them the focus of his 1981 movie, “Stations of the Elevated.”Manfred Kirchheimer/Cinema ConservancyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More