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      “Lḗthē” by Pastel in Lisbon, Portugal

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      Argentinian painter Pastel recently worked on a new wall with Underdogs Gallery. The mural entitled “Lḗthē” (Greek term for forgetfulness or hiding) was developed to raise awareness about climate change and environmental sustainability.The project was based on the survey of the flora in extinction in Portugal, as part of the Public Art Program of Underdogs Gallery in association with the Museum of Natural History of Lisbon and the Botanical Garden of Lisbon. Curated by Vhils and Pauline Foessel.Francisco Diaz Scotto is a painter and architect (UBA). Far from conventional architecture, he understands public space work as urban acupuncture. Most of the mural contexts are the “non-places”. Those who are relegated from the irregular and non-inclusive urban designs. Many of his works are located in facades that operate as a canvas for his paintings. The main and most complex search is oriented towards creating a dialogue that is natural and respectful of the environment, since the limits of the work are understood between the painted space and its surroundings. The flora he uses as a reference in his paintings is that which grows in the cracks of sidewalks and facades. These cracks generated by a deficient construction process are reflection of the human need to control space for a rational and autarkic use. Taking these small plants and glorifying them with their change of scale can be a mechanism to question the modern methods we have as a society.Check out below for more photos of Pastel’s stunning work.Arte UrbanaArte Urbana More

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      “Szczecin Wars” by Mariusz Waras in Szczecin, Poland

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      Street artist from Poland Mariusz Waras, better known as M-City, just finished another mural in the city of Szczecin, Poland. The mural “Szczecin Wars” is an interpretation of  the Millennium Falcon, a fictional starship in the Star Wars franchise, highlighting the urban map of Szczecin city.Aerial view of Szczecin City, inspiration for the muralStreet artist Mariusz Waras have created more than 700 murals in Warsaw, Gdansk, Berlin, Paris, Budapest, Sao Paulo, Rio de Janeiro, Jakarta, Bolzano, London or Prague and exhibited in several solo and group shows.With urban landscapes as their main motif, m-city murals have a specific, recognisable style. Black and white Lego-like forms and shapes of modular, anonymous and similar houses stand in dense agglomerations portrayed from a distance. With the help of stencils, images of never ending cities are spray painted onto empty facades, bridge pillars, staircases, alleys, underground passages, metro stations.Scroll down below to view more photos of “Szczecin Wars” and stay in tune for more updates from M-City. More

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      “Amen” by Urka in Fermo, Italy

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      Street artist Urka recently worked on a new mural entitled ” Amen” in Fermo for the event 360° of Fermo Urban Museum. His piece features devout individual carrying a golden vehicle with a cross. Check out below for photos of the mural.Urka is a talented, satirical scetch artist who enjoys also creating on city walls. Based in Italy, Urka is an introverted, meteoropathic and misanthropic person most of the time. His painting subjects usually revolves around silly and satiric puppets about human behaviors. More

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      “Atlantis of the North” by Pener in Olsztyn, Poland

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      Street artist Pener recently worked on a stunning piece in Olsztyn, Poland. Pener, together with the director of the Municipal Public Library in Olsztyn, Krzysztof Dąbkowski, came up with the idea that the project should be embedded in the literary tradition of Warmia and Mazury, and specifically intertwined with the notion of “Atlantis of the North”, the author of which is the poet and writer Kazimierz Brakoniecki.“I am very open to this type of synergistic projects that can significantly encourage reflection on our identity. Thanks to this, we can bend down and reflect on our common history related to Warmia and Masuria. As a creator and artist, I wanted to create something more than just an illustration for a literary text……because the image itself is ambiguous – birds appear in it – they change into geometric shapes – which interpenetrate and saturate each other. I am inspired by the space in which the wall is located, its shape and context, but I run away from unambiguous associations and strong dominant illustrative motives” Pener stated.Polish artist Bartek Świątecki, aka Pener, is one of the many artists using their talents to transform the façades of buildings into public works of art. He uses overlapping forms—some transparent and others opaque—to create a sense of motion in his work. He is inspired by the digital world and uses a modern, architectural style to capture its dynamism on a large scale. By layering structural forms together in an ambiguous space, he explores the face of virtual reality.His work ranges from, paintings, walls, animation and site specific installationTake a look below for more images of the project and check back with us shortly for more updates on the international street art scene. Photo credits: Mateusz Świątecki / Kamil Iwańczyk More

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      “Sacral” by Edoardo Tresoldi in Ravenna, Italy

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      From September 1, “Sacral”, an installation by Italian artist Edoardo Tresoldi will be open to the public at the Mar – Art Museum of the city of Ravenna. The work is the preview of the exhibition “An Epic POP” inside the exhibition project “Dante. The eyes and the mind”.With Sacral, built in 2016 and rehabilitated in the 2016th-century cloister of the city’s Museum of Art, the audience has the chance to physically enter the work, ideally in the Noble Castle, and retrace the Divine Comedy’s journey in a quasi-performative action.Within the path of the exhibition, the work has in fact a link with the Divina Commedia, poem written by the poet buried in the Italian city. In particular, the typical skeleton of Tresoldi’s installations refers, in the vision of the curator Giorgia Salerno, to the theme of souls and the Castle of the Great Spirits, described by Dante in the Canto IV of the Inferno, in which live the spirits of historical figures of the past, pagans and therefore not destinated to salvation.In a dialogue between classical architecture and contemporary art, the work transports the visitor into an unprecedented space-time experience in which arches, columns and domes create symphonies and contrasts with industrial materials. In fact, Sacral brings together some traits that characterize the artist’s work: the language of transparency capable of weaving in space something that is not there; references to Renaissance masters and classical architectural elements such as arches, columns and domes; the use of wire mesh to give shape to a new dimension in dialogue with light, atmospheric agents and the surrounding environment.Edoardo Tresoldi is an Italian artist, sculptor and set designer , known internationally for his monumental sculptures. explores the poetics of the dialogue between human beings and the landscape, using the language of architecture as an expressive tool and as a key to reading space.The artist plays with the transparency of wire mesh to transcend the spatiotemporal dimension and narrate a dialogue between art and the world, a visual synthesis revealed in the fading of the physical boundaries of his works.Scroll down below to view more photos of “Sacral” installation in Ravenna. More

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      On Plane Air presents “Mile High Mural Project” by Jim Vision

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      This summer on an airstrip in South Wales an aircraft due for demolition received an unconventional facelift from leading Welsh graffiti artist Jim Vision.‘On Plane Air’ is a creative partnership between EndoftheLine Productions and Plane Reclaimers seeking to give commercial jets a splash of colour before they are dismantled for spare parts and scrapped uniting art and aviation. This visionary concept is a reaction to the worldwide pandemic by creating monumental murals as part of the ‘Mile High Mural Project’ to resurrect the spirit of these airplanes and challenge the stereotypical idea of what a canvas might be. While dodging high wind conditions hitting the Vale of Glamorgan coastline Jim Vision completed one of his tallest works painting the tail fin and fuselage of a Boeing 777 aircraft.  Over four days Jim braved the weather to execute this extreme feat on a 300 tonne canvas. Working from a cherry picker at full extension to reach the tail, even a gentle breeze caused the 60ft platform to sway. With a 15 year career painting large-scale murals Jim had to stand on tiptoe to reach the top corner of the tail but remember not to step back to admire his work.Pilots have always decorated their planes with animals, mascots and pinup girls to bring them good luck. The new handpainted livery adorning the vertical tail fin of this Boeing 777 is a depiction of a female Celtic spirit warrior, a personification of natural phenomena and a tribute to the 50 million miles this airliner has covered in her lifetime. Many commercial planes are facing early retirement as the global Covid 19 pandemic continues to impact the aviation industry. Large Jetliners are facing the reality of an industry in crisis, global passenger numbers are decreasing as regulations restrict the free movement of people and newer fuel efficient models are brought in to replace the more polluting models of the past.   Plane Reclaimers plan to keep the newly painted tail section on site. As part of this project Plane Reclaimers also provided Jim with ten window sections to custom paint for a special auction. “We were so excited to welcome Jim Vision back to St Athan for the second time. Jim took on the incredible challenge of painting a giant Boeing 777-200 tail, at an impressive height of over 60 feet! The Plane Reclaimers team thoroughly loved watching Jim’s vibrant vision come to life. During his visit, Jim added his artistic touch to 10 Boeing 747 window cuts. These beautifully painted custom pieces will be going up for auction on our website on the 1st of September: www.planereclaimers.co.uk “ – Kirsty Gauder, Marketing & Media, Plane Reclaimers.Jim Vision is a visionary artist, a Post Modern Vandal and painter of large-scale murals and graffiti.  His personal drive has challenged the zero tolerance policies of local councils and progressed the Graffiti culture and Street Art industry of East London.A leading protagonist of London’s contemporary street art culture, Jim’s talent has taken him all across the globe, from Buenos Aires to Tahiti, Miami to Mexico. Jim’s subject matter often features thought-provoking issues, both environmental and political, intertwined with fantastical often apocalyptic visions of the past, present and future.  The prophetic nature of his work challenges cultural expectations and predicts an uneasy future. More

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      “Good Luck, Kid” by Joe Iurato in Aalborg, Denmark

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      American muralist Joe Iurato is another artist to join KIRK Gallery’s “Out in the Open 2021” Festival roster. His mural is entitled “Good Luck, Kid” which features his stencils and aerosol illustrative aesthetic.“Because I work with stencils, creating a mural at this scale is well planned out ahead of time and calculated precisely. A lot of the work for it happens in my studio prior to arriving at the wall. After I’ve conceptualized and illustrated the artwork, I need to scale my composition up to actual size and create the templates. The stencils for the mural are cut from sheets of paper that form the individual sections of each layer. Then, when I’m on location, I reassemble them on the wall in tiles, like a puzzle or grid, and spray. This step is done repeatedly, typically 5 or 6 times per mural to give the piece depth and details.When I saw photos of the wall early on, the very first thing that grabbed me was the obvious metal vent that runs the height of it. I love to create site specific works and saw the feature as an opportunity to have my painting interact with its environment. So, rather than try to work around and compete with the pipe, I became very excited with the prospect of working with it. And that became the starting point for the story I wanted to tell” Joe Iurato stated.“A common recurring theme in my work are the wondrous, curious and mischievous adventures of childhood. Things get so serious and difficult as we get older, sometimes I need to step back and away from my present self and revisit a simpler time. Right now, it’s easy for me to achieve because I watch my own children and their friends as they are growing up. They are often the subjects and inspirations for the works. In this case, the kid climbing the building is my youngest son, Maddox. Overstuffed backpack full of essentials and a monocular fashioned of cardboard, he’s off to somewhere. Where? I’ve no idea” the artist said.Joe Iurato is a multidisciplinary artist whose works are built on a foundation of stencils and aerosol. Falling somewhere in between simplistic and photorealistic, his multi-layer stencils offer a distinctly clean and illustrative aesthetic. While Joe’s murals have adorned neighborhoods along the east coast United States for years, he’s also become noted for the unique placement and photography of miniature painted wood cutouts in public spaces.Utilizing the outdoor environment to create site-specific installations, he creates windows into a narrative formed by personal experiences. Each individual work of art highlights the potential for interaction and storytelling within public space and transforms common landscapes into carefully crafted scenes. Before leaving each installation behind, he documents it with a photograph. The photographs offer specific and intentional viewpoints of the artwork in relation to its surroundings, manipulating our perception of scale and dimensionality. More