Italian scenographer and sculptor Edoardo Tresoldi recently presented Opera, his new public art permanent installation last September 12th on Reggio Calabria’s seafront, promoted and commissioned by the local Municipality and the Metropolitan City.
Opera was created to celebrate the contemplative relationship between place and human beings through the language of classical architecture and the transparency of the Absent Matter. The open wire-mesh structure – consisting of a colonnade of 46 pillars peaking at 8 meters within a 2,500-square meter park – will offer a new monument fully crossable and accessible to locals and visitors alike. The installation will be part of one of the largest European public spaces and aims to become a new landmark in the region.
During the opening weekend a series of free music, performance and poetry events was held. The sound installation by Italian musician and composer Teho Teardo narrated the fusion between Opera and the site through a sound design articulated through the different moments of the day: morning, sunset and night. In addition, poetry events curated by Italian poet and writer Franco Arminio and a secret concert by the well-known Italian songwriter Brunori Sas.
Opera is a monument to contemplation through which the place further defines itself. Tresoldi plays with the grammar of classical architecture – as well as with the transparency of the wire mesh – to research new visual poetics in dialogue with the surroundings and the viewer. The pillars, Western cultural heritage’s founding archetypes, compose a courtly frame allowing for a further interpretation of the park.
The installation generates a mental agora that leads visitors into an ever-changing perceptive dimension thanks to the park’s varying heights and depths. Operaopens up relationships in several directions within an already materially open space: the perspective corridors run towards the landscape while the transparent pillars define an open structure that accommodates, accompanies and defines the spatial experience and establish a direct relationship between earth and sky.
Opera is Tresoldi’s second installation in Calabria after Il Collezionista di Venti in 2013, and the second major permanent public artwork in Italy after the Basilica of Siponto in Apulia, commissioned by the Italian Ministry of Culture in 2016.
Take a look below for more images of Opera.
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Environmental activist groups from the ‘Brandalism’ network have installed over 100 parody car advert posters on billboards and bus stops in England and Wales. The guerilla artworks featuring brands such as Range Rover, Ford, Volkswagen, BMW, Citroen, Lamborghini and Vauxhall were installed without permission in Bristol, Birmingham, Cardiff, Leeds, London and Exeter.
The billboard posters criticise the car industry for misleading adverts that have driven up demand for polluting vehicles and private car use – resulting in increased carbon emissions from road transport and worsening air pollution and congestion in towns and cities.
“Car adverts promote private car ownership as a status symbol. Themes of power, success and social status are mixed with exotic locations and empty roads to promote a myth of freedom and mobility. The resulting problems of traffic congestion, worsening air pollution and climate breakdown are left out of these glitzy ads.
Outdoor advertising billboards are used to promote new cars to motorists stuck in traffic. It’s absurd.
Our towns and cities have become so dominated by private cars that we’re struggling to implement sustainable alternatives as the health and social costs mount. The active promotion of polluting vehicles through advertising campaigns isn’t helping the situation. We need a cultural shift away from cars,”Peter Marcuse from Brandalism said.
Over 30 international artists including Paul Insect, Jimmy Cauty, street artist Dr.D, Fokawolf, satirist Darren Cullen, Matt Bonner and Michelle Tylicki created 45 different artwork designs.
One poster by Birmingham street artist Fokawolf: “Ignore the Kids, Burn the Planet’ with a picture of an SUV.
Brandalism is an international collective of artists that challenge corporate power, greed and corruption around the world. Intervening into ad spaces that usually celebrate consumption, Brandalism use ‘subvertising’ as a lens through which we can view the intersectional social & environmental justice issues that capitalism creates.
In January 2020, 41 artists instigated Australia’s largest unsanctioned art campaign in Melbourne, Sydney and Brisbane in the wake of devastating wildfires and inaction on the climate crisis. In 2015, the Brandalism group replaced 600 bus stop posters in Paris ahead of the UN climate talks critiquing major polluters such as Volkswagen and Air France.
Check out below for more photos of the advert posters.
Another billboard featured the highly fuel inefficient BMW X5 reading “Embrace the traffic jam, Driving you into Climate Breakdown.”
A mock Lambourghini advert by 006 – Michelle Tylicki presented the bright SUV within a hellscape of 16th century artist Hieronymus Bosch
Artwork by Paul Insect
Artwork by Dave Walker
Artwork by satirist Darren Cullen
Artwork by Hogre
Artwork by Matt Bonner
Artwork by Paul Insect
Artwork by Matt Manson
Artwork by Dr.D
Artwork by Jimmy Cauty
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Australian artist Fintan Magee has recently finished another mural in Ipswich, Australia. This work depicts two rail-workers behind beveled glass. The Arctic glass pattern in the painting was common in middle-class Queensland homes in the 1960s and was used in French doors and windows.
“Some of my earliest memories of Queensland architecture was my father’s silhouette through the glass doors when he got home. The work explores the role of de-industrialization in urban communities and on the suburban fringes of Australia. The figures in the mural appear distant, disconnected, isolated, and breaking up.”
“As middle-class homes become increasingly out of reach for working-class Australians and lower-pay and job insecurity continues to shape how we work, this painting explores how nostalgia shapes political views and how workers view their communities and the outside world. The work specifically looks at two rail workers from the city of Ipswich” the artist said.
Additionally, Fintan Magee says the inspiration behind the painting was honouring those continued to work essential jobs – keeping the economy functioning and food supply moving during the coronavirus lockdown.
Fintan Magee is a Sydney based social realist painter, specializing in large-scale murals. Magee has solidified his position as one of Australia’s leading public artists and has traveled extensively, completing projects in countries across the world, including Belarus, India, Jordan, Spain, Tahiti, USA, among many others.
Scroll down below for more images of the stunning mural.
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Contemporary artist Canyon Castator will be bringing us his distinctive visual universe of symbolic, complex and dreamlike scenery which he has created. Carl Kostyál & StreetArtNews collaborated with Canyon to create out this limited edition print entitled “A Clean Break”. This artwork will be released this August 19, Wednesday, 5PM UK time.
This screen print comes in an edition of 35 and measures 80 x 60 cm. It will be priced at 350$ and is signed and numbered by the artist.
“When LA locked down with shelter in place orders, later leading to complete beach closures, I found myself constantly having surf dreams. Surfing is by design social distancing and the fact that the state made it illegal was absurd to me. I became more obsessed than ever with checking the live surf cams of completely empty beaches and waves. I started following all of new swell moving into the LA area, knowing that it would fall on vacant shores. ‘A Clean Break’ grew out of that obsession.”
– Canyon Castator
“A Clean Break” will be available on StreetArtNews store on August 19, 2020, Wednesday 5PM UK Time. (12PM NYC, 9AM LA, 2AM Melbourne, 12AM HK, 1AM Tokyo)
Check out below for more images of the print.
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French artist 100taur just worked on a mural painting done in collaboration with the City of Montauban and the Ingres Museum. The mural is the 2nd part of the trilogy around the work of Jean-Auguste-Dominique Ingres.
For little background on the artwork, Roger delivering Angelique is a painting painted by Jean-Auguste-Dominique Ingres in 1819, inspired by a song by the furious Roland of Ariosta. Angelique was a princess of the kingdom of Cathay, India. She was later brought by Roland to France to fall in love with him. However, she ran away and was captured by pirates who abandoned her on an island to offer her to the Orquemarine. That’s when Roger stepped in to save her, mounted on the Hippogriff.
“I represented Roger as a vampire bat, riding the Hippogriff and waving his spear to the orca – dragon, as a sign of deadly attack. This is the part of the wall I made first. Whether it’s Roger, the hippogriff or the orca, they are represented in a way that evokes the unwavering bond that lies between human and the monstrous.” 100taur said.
100Taur’s work is halfway between innocence and horror. He explores the concepts of difference and imperfection by creating fantastical half human and half animal creatures, evolving in a poetical universe. Each tiny details of his work is a tribute pays to the famous sentence by Francisco De Goya “The sleep of reason produces monsters”.
He shows us frightening mythical creatures through is childish eyes and made his most terrific nightmares harmless, almost charming through his art. Behind each of his drawings, paintings, sculptures or settings, a story is waiting to be discovered. 100Taur was born in 1982 and works in Toulouse. He has been interested in nature, sacred art, Japanese culture and mythologies from all over the world.
Check out below for more photos of the mural.
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French graffiti artists Lek & Sowat have unveiled the second phase of their artistic intervention called ‘ Subway Art Breakthrough’ on the tunnel boring machine ‘Koumba’, building an extension to the underground tube line 14 in Paris.
For the artistic duo the ephemeral element has always played a part in their many years of practice working in the public space. Rust, erosion, erasure, destruction mingle, complete, sublimate their paintings in situ or in their artist’s studio.
In collaboration with NGE and Xpo Fmr their latest ‘Subway Art’ their latest ‘Subway Art’ production reflects their work. None of the works made during production have been permanent. They carried with them the signs of their inevitable destruction. During their brief existence, they proudly displayed the traces left by men, cuts, welds, shocks, drippings… The tunnel cutting wheel was cut, damaged, re-welded; the crushed piercing wall, destroyed by the teams of NGE and Webuild.
The new work produced for the breakthrough is no exception to the rule. Carried out during the last week, it was altered, transformed and improved by the men who worked on the preparation of the exit wall of the tunnel boring machine.The new work announces the tunnel boring machine by referencing some notable elements of the cutting wheel. The use of yellow colour and fluorescent blue are a tribute to industrial construction site colours , and alert us of the imminent exit of the machine.
For Lek & Sowat, it is this idea of an exquisite industrial corpse that represents the quintessence of their collaboration with the construction world. By including on their works the traces of the work from men who built the extension of the tube line 14, they wish to pay tribute to all the builders involved and to the raw beauty of their places of intervention. .
View more pictures of their work in progress.
Pics by NGE / Stephane Bouquet
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