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    SOS – Dscreet

    SOS is a new body of work from Australian artist, Dscreet. The well-toured owl lover previously painted extensively in London, as part of the infamous Burning candy Crew, a collective that included artists such as Cept, Pegs, Sweet Toof, Cyclops, Tek33, and occasionally SickBoy. Now repatriated in his home country and forced to spend hours alone during Melbourne’s draconian lockdown, drunkenly trawling Tinder, Dscreet finally put down his phone and picked up a paintbrush, putting the many bottles of booze he’d drained to better use. This is the result.
    SOS – Dscreet‘I spent a lot of time in isolation walking around alone, first depressed, then I found a way tolook at things differently.’‘The world was upside down so it was time to discover new places to keep my mindoccupied. To find new uses for the detritus in my brain and on the streets. This city becamea strange jail with one hour of outdoor time to breathe, no painting and no surfing allowed,few outlets for anyone like me who funnels freedom into my art. I felt like we were allsharing a special kind of crazy. At first I began to go a little insane, listening to the media,trying to make sense of it all, trying to deny my relative misery, but there were a lot ofconflicting stories coming out, no-one really knew what was going on. I meditated, didyoga, breathwork, exercise and then drank a lot of alcohol. I felt the same conflicting storyin myself, trying to stay healthy and positive then destroying the good work with the polaropposite force. Somehow a balance evolved, staring into the empty bottles, I decided toput them to good use and decorate them with the profound lyrics of those who have beendrunk and isolated before me, after all, many of us creative types spend even the mostnormal times in isolation, sometimes confused and conflicted. Sometimes there’s thosemoments of clarity at the end of a cycle.’‘In memoriam to my personal journey, through the schizophrenic stasis of the world, eachof these painted bottles represents a piece of my creative therapy and struggle throughlockdown. The other pieces represent found objects and prose I’ve salvaged from personalhikes through the streets and wilderness and songlists. The surfboard is a monument tothose opposing forces that keep clashing in the media and in our minds, ready to flowbackwards or forwards, I reached an acceptance that nothing can be taken for grantedanymore and nothing is absolute. I’m happy to be sober and surfing and painting again.’– DSCREETView the full catalogue here.COLLECTOR ENQUIRIES: [email protected]
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  • Hiroyasu Tsuri aka Twoone – RAW MARK MAKING

    RAW MARK MAKING – Hiroyasu Tsuri (b. 1983)

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    Hiroyasu Tsuri aka Twoone – RAW MARK MAKING

    “Raw Mark Making is quite a simple idea. It’s literally the meaning of the words. Mark making. In my context, it is making marks that are not commonly used in traditional art practice. Unusual movements, using any kind of tools, embracing a mood or attitude, mixed with the physical speed or controlling the level of impact on to the surface… that’s what I call raw mark making.”
    – Hiroyasu Tsuri

    Since pre-historic times it has been an instinctual human behaviour to make marks. Whether an individual or a group of people, mark making has been a constant outlet for human beings to leave behind a record of their existence and experiences. Hiroyasu Tsuri (TWOONE) is driven by this same innate behaviour. Tsuri creates marks with a childlike freedom of expression, open mindedness and this instinctual human desire to leave behind a legacy of visual depictions of the his interpretations of the human experience. Tsuri calls this ‘Raw Mark Making’.

    The concept of ‘Raw Mark Making’ is the culmination of a decade of experience taking every opportunity to paint marks whenever and wherever Tsuri finds himself around the world. This experience began in the early 2000’s, studying composition and mark making techniques with graffiti writers in Melbourne Australia. In 2014 Tsuri relocated to Berlin Germany and it was this move that sparked a philosophical desire to survey his practise over the last decade and acknowledge and consider the concepts, motivations and ideas behind why he creates marks, and why he chooses to do so in his distinct manner.

    Since 2012 Tsuri has exhibited four unique solo exhibitions with Backwoods Gallery – SevenSamurai (2012), Outsiders (2014), 100 Faces (2016) and Object (2018). Raw Mark Making (2020) celebrates Tsuri’s history, and development of, the different kinds of ‘Mark Making’ that have been exhibited in these exhibitions and that have become pivotal to first decade of his oeuvre. The selected works represents the different stages of discovery of Tsuri’s own unique expression of, and place within, the human history of ‘Raw Mark Making’.
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    Yusk Imai – Organic Future

    ORGANIC FUTURE by Brazilian artist YUSK IMAI is open now at Backwoods Gallery, Australia. The show is the Imai’s 5th solo exhibition at the space over a period of 10 years. [embedded content] Directed and filmed by Byron Kehoe, this edit was recorded over Zoom through some late night/ early morning interviews with Yusk, who […] More

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    Roa’s latest show, ‘Annihilation’ is on now at Backwoods Gallery, Melbourne, but due to current circumstances, the exhibition is only available for viewing by appointment only. However, as a special treat for StreetArtNews fans, we have loads of pictures of the install and artworks to share with the rest of the world. Stay tuned to […] More