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in ArtA Mammoth Three-Volume Book Collection Presents Michelangelo’s Sistine Chapel in Stunning 1:1 Detail
Art
Design#art history
#books
#Michelangelo
#Renaissance
#Sistine ChapelApril 26, 2022
Kate Mothes More
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in ArtA New Book Explores the Innovative Sculptures of Abstract Artist El Anatsui
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in ArtFound Text Weaves New Narratives in Sculptures of Common Objects by Cecilia Levy
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in ArtIn ‘Eyes as Big as Plates,’ Sculptural Garments Camouflage Subjects in Natural Environments
Art
Photography#books
#camouflage
#landscapes
#nature
#portraitsFebruary 11, 2022
Grace EbertEyes as Big as Plates # Andrea (Outer Hebrides 2019)
Hailing from fifteen countries, the individuals participating in Eyes as Big as Plates have backgrounds as varied as their surroundings: there are zoologists, academics, and librarians; fishermen, wild boar hunters, and Sami reindeer herders; and opera singers, kantele players, and artists. They’re tethered by the ongoing project, which dresses each figure in sculptural wearables made of organic materials that allow them to blend in with the surrounding landscape.
Launched in 2011 by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (previously), Eyes as Big as Plates hinges on the idea that it’s essential to explore how humans exist within nature. The portraits center on lone figures partially camouflaged with their backdrops or outfitted with imaginative garments constructed with objects found nearby. Boubou (shown below), for example, is a Senegalese fisherman who wears a mesh shawl of sea creatures, while North Tolsta-based photographer Andrea (above) is almost entirely masked by spindly branches and peat near her home. Every portrait comes after a conversation with the subject and a collaborative effort to find the proper location and attire.
The duo has now compiled dozens of photos in a forthcoming book that marks the 10th anniversary of the project. A follow-up to their sold-out first volume, Eyes as Big as Plates 2 is comprised of 52 new portraits, conversations with those featured, and field notes from their travels. “While transcribing the interviews for each of the collaborators here, we got to experience what many of them often say is the most exciting part: ‘ … just being there, looking at a familiar landscape like you’ve never looked at it before. Letting the surroundings wash over you,’” they write.
Eyes as Big as Plates 2 is currently available for pre-order on the project’s site. Some of the series is on view through June at the landmarked entry at 200 5th Avenue in New York and will be up this May at London’s Barbican and at the Harbourfront Centre in Toronto in September.Eyes as Big as Plates # Boubou (Tasmania 2019)
Eyes as Big as Plates # Liv (Norway 2017)
Eyes as Big as Plates # Momodou Toucouleur (Senegal 2019)
Eyes as Big as Plates # Mr Oh (South Korea 2017)
Eyes as Big as Plates # Niels (Faroe Islands 2015)
Eyes as Big as Plates # Scotty (Tasmania 2019)
Eyes as Big as Plates # Sinikka (Norway 2019)#books
#camouflage
#landscapes
#nature
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in ArtA Serpentine Rattlesnake Wraps Around a Metaphorical Wood and Book Sculpture by Maskull Lasserre
Art
#books
#sculpture
#snakes
#woodJanuary 7, 2022Grace EbertAll images © Maskull LasserreIn a towering, totem-style sculpture titled “The Garden,” Canadian artist Maskull Lasserre (previously) compresses a collection of 18th-century botanical texts between two parallel planks of Douglas Fir. Metal vices bore through the wooden beams, securing the first four volumes of William Withering’s An Arrangement of British Plants, although both the natural and manufactured components are eroded with Lasserre’s intricately carved snake that winds around the perimeter and appears to bind the individual components together. “The Garden” is one of the artist’s most recent works that metaphorically and physically considers the concept of tension, and you can see more in his portfolio.
#books
#sculpture
#snakes
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