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In ‘Eyes as Big as Plates,’ Sculptural Garments Camouflage Subjects in Natural Environments
Art
Photography#books
#camouflage
#landscapes
#nature
#portraitsFebruary 11, 2022
Grace EbertEyes as Big as Plates # Andrea (Outer Hebrides 2019)
Hailing from fifteen countries, the individuals participating in Eyes as Big as Plates have backgrounds as varied as their surroundings: there are zoologists, academics, and librarians; fishermen, wild boar hunters, and Sami reindeer herders; and opera singers, kantele players, and artists. They’re tethered by the ongoing project, which dresses each figure in sculptural wearables made of organic materials that allow them to blend in with the surrounding landscape.
Launched in 2011 by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (previously), Eyes as Big as Plates hinges on the idea that it’s essential to explore how humans exist within nature. The portraits center on lone figures partially camouflaged with their backdrops or outfitted with imaginative garments constructed with objects found nearby. Boubou (shown below), for example, is a Senegalese fisherman who wears a mesh shawl of sea creatures, while North Tolsta-based photographer Andrea (above) is almost entirely masked by spindly branches and peat near her home. Every portrait comes after a conversation with the subject and a collaborative effort to find the proper location and attire.
The duo has now compiled dozens of photos in a forthcoming book that marks the 10th anniversary of the project. A follow-up to their sold-out first volume, Eyes as Big as Plates 2 is comprised of 52 new portraits, conversations with those featured, and field notes from their travels. “While transcribing the interviews for each of the collaborators here, we got to experience what many of them often say is the most exciting part: ‘ … just being there, looking at a familiar landscape like you’ve never looked at it before. Letting the surroundings wash over you,’” they write.
Eyes as Big as Plates 2 is currently available for pre-order on the project’s site. Some of the series is on view through June at the landmarked entry at 200 5th Avenue in New York and will be up this May at London’s Barbican and at the Harbourfront Centre in Toronto in September.Eyes as Big as Plates # Boubou (Tasmania 2019)
Eyes as Big as Plates # Liv (Norway 2017)
Eyes as Big as Plates # Momodou Toucouleur (Senegal 2019)
Eyes as Big as Plates # Mr Oh (South Korea 2017)
Eyes as Big as Plates # Niels (Faroe Islands 2015)
Eyes as Big as Plates # Scotty (Tasmania 2019)
Eyes as Big as Plates # Sinikka (Norway 2019)#books
#camouflage
#landscapes
#nature
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A Serpentine Rattlesnake Wraps Around a Metaphorical Wood and Book Sculpture by Maskull Lasserre
Art
#books
#sculpture
#snakes
#woodJanuary 7, 2022Grace EbertAll images © Maskull LasserreIn a towering, totem-style sculpture titled “The Garden,” Canadian artist Maskull Lasserre (previously) compresses a collection of 18th-century botanical texts between two parallel planks of Douglas Fir. Metal vices bore through the wooden beams, securing the first four volumes of William Withering’s An Arrangement of British Plants, although both the natural and manufactured components are eroded with Lasserre’s intricately carved snake that winds around the perimeter and appears to bind the individual components together. “The Garden” is one of the artist’s most recent works that metaphorically and physically considers the concept of tension, and you can see more in his portfolio.
#books
#sculpture
#snakes
#woodDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Playfully Absurd, Idiosyncratic Characters Grace the Salvaged Book Sculptures by Mike Stilkey
Art
#animals
#books
#painting
#sculptureJanuary 6, 2022Grace EbertAll images © Mike Stilkey, shared with permissionDapper penguins, nonchalant musicians, and self-destructive politicians are a few of the distinct figures adorning Mike Stilkey’s sculptures. The Los Angeles-based artist (previously) rummages through heaps of discarded books, plucking out complementary titles that become the basis for his towering works. Using ink, colored pencil, paint, and lacquer, he renders minimal portraits of figures with exaggerated limbs or instruments and gestures that show a flair for the absurd.Vacillating from the playful and whimsical to the cheeky and ironic, Stilkey’s idiosyncratic, sometimes anthropomorphized characters translate an essential interpretation of the volumes’ messages or subject matter through a contemporary lens. He explains:Sometimes it’s a wry, tongue-in-cheek, satirical kind of thing, and sometimes it’s an extension or interpretation of it. It depends on the book and my mood. There’s been a lot of fodder over the past couple of years with all of the political conversations and things you hear or read on the news or social media. But I’ve always been able to do this with books. It’s one of the reasons I started using books as a canvas or vehicle for painting—the richness of layering literary and visual narratives over each other to convey something more complex.As well as the repurposed sculptures shown here, Stilkey also creates installations with thousands of books and large characters, although these on-site projects have been put on hold since the onset of the pandemic. Prints and postcards are available in the artist’s shop, and you can follow his works on Instagram.
#animals
#books
#painting
#sculptureDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Colossal’s Favorite Books of 2021
Art
Craft
Photography
#booksDecember 8, 2021ColossalBefore we (eagerly) say goodbye to 2021, we’re taking a look back at the year, starting with the books we covered on Colossal. Throughout the past 12 months, we published dozens of articles centered on new artist monographs and tomes surveying broader topics that range from art and design to science and history. We’ve gathered our top 10 below, although you can browse nearly every title we mentioned on the site on Bookshop.Nature’s Palette: A Color Reference System from the Natural WorldNature’s Palette: A Color Reference System from the Natural World pairs 110 color swatches from the 19th-century catalog Werner’s Nomenclature of Colours with more than 800 illustrations of the animals, plants, and minerals detailed in the descriptions. The comprehensive visual compendium ranges from large renderings of red coral to full-page charts spanning fine-grained marble to smoky quartz.Available from BookshopHilma AF Klint: The Complete Catalogue Raisonné: Volumes I-VIIThroughout her lifetime, the Swedish artist Hilma af Klint created more than 1,600 pieces, an impressive output collected in Hilma AF Klint: The Complete Catalogue Raisonné: Volumes I-VII. The seven-volume series is organized both chronologically and by theme and shares a breadth of her colorful, spiritually-minded body of work.Volumes I—IV are available on Bookshop and the remaining three are available for pre-orderAfrican Artists: From 1882 to NowOne of the most expansive volumes of its kind, African Artists: From 1882 to Now compiles a broad sampling of works from more than 300 modern and contemporary artists born or living on the continent. Within its 350-plus pages, the massive text spans a range of mediums and aesthetics, from Mary Sibande’s sprawling postcolonial installations and Wangechi Mutu’s fantastical watercolor collages to the cotton-embroidered photographs by Joana Choumali.Available from PhaidonBird: Exploring the Winged WorldBird: Exploring the Winged World is an extensive celebration of feathered creatures across thousands of years of art, science, and popular culture. The stunning, 352-page volume compiles works from hundreds of artists, illustrators, photographers, and designers who choose ostriches, flamingos, and other avians as their central motifs.Available from PhaidonPaperists: Infinite Possibilities in Paper Art Spanning 256 pages, Paperists: Infinite Possibilities in Paper Art explores the unexpected ways the medium is used today, sharing a range of collages, quilled portraits, and intricately cut landscapes from 24 artists and studios around the globe.Available from BookshopThirty-Six Views of Mount FujiAn XXL edition from Taschen is an homage to renowned Japanese ukiyo-e artist Katsushika Hokusai (1760-1849) and his iconic woodblock print series, Thirty-Six Views of Mount Fuji. Compiling the artist’s original 36 artworks and the ten pieces he created following the success of the initial collection, the tome celebrates the lauded artist and his fascination with Japan’s highest mountain.Available from TaschenBanksy Graffitied Walls and Wasn’t SorryBanksy Graffitied Walls and Wasn’t Sorry introduces the life and work of the anonymous street artist to some of the youngest readers. The 48-page book is cleverly written as a plainspoken autobiography and references Dismaland, his “Better Out Than In” residency in New York, and signature rats.Available from PhaidonFrida Kahlo. The Complete PaintingsAn enormous book explores the life and work of famed Mexican artist Frida Kahlo (1907–1954). Spanning 624 pages and weighing nearly 12 pounds, Frida Kahlo. The Complete Paintings compiles all 152 of her works paired with diary pages, letters, drawings, an illustrated biography, and hundreds of photos that glimpse moments from Kahlo’s life with her husband and muralist Diego Rivera and of the Casa Azul, her home in Mexico CityAvailable from TaschenAmazôniaPhotographer Sebastião Salgado spent six years immersed in the Brazilian Amazon as he documented the world’s largest tropical rainforest in black-and-white. From wide, aerial shots framing the vegetation populating the landscape to sincere portraits of Indigenous peoples living throughout the region, Salgado’s images are a revealing and intimate study of the area and are compiled in Amazônia.Available from TaschenTwo Worlds: Above and Below the SeaFrom the coral-cloaked Kimbe Bay of Papua New Guinea to the icebergs of Antarctica’s Danco Island, the bisected photographs in David Doubilet’s book Two Worlds: Above and Below the Sea unveil the diverse ecosystems on either side of the water’s surface. The 128-page volume features 70 images from Doubilet’s 50-year career spent traveling the globe and pioneering the field of underwater photography.Available from Phaidon
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A New Book Flies Through the Vast World of Birds from Art and Design to History and Ornithology
Art
History
Illustration
Photography#birds
#booksNovember 9, 2021
Grace EbertErnst Haeckel, Trochilidae – Kolibris, from Kunstformen der Natur, 1904. Chromolithograph, 36 × 26 cm / 14 × 10 ¼ in. Picture credit: Kunstformen der Natur
Bird: Exploring the Winged World is an extensive celebration of feathered creatures across thousands of years of art, science, and popular culture. Published by Phaidon, the stunning, 352-page volume compiles works from hundreds of artists, illustrators, photographers, and designers—including Lorna Simpson (previously), Nick Cave (previously), Ernst Haeckel (previously), and Florentijn Hofman (previously)—who choose ostriches, flamingos, and other avians as their central motifs. Each spread connects two distinct works from different periods, pairing anatomical renderings with James Audubon’s illustrations and striking contemporary portraits with vintage advertisements.
In addition to hundreds of images, the forthcoming tome features an introduction by Katrina van Grouw and information about urban birding experiences and taxonomies. Copies are available from Bookshop on November 10.Allen & Ginter, Birds of the Tropics, 1889. Chromolithograph, 7.3 × 8.3 cm / 2 7/8 × 3 ¼ in, Metropolitan Museum of Art, New York. Picture credit: The Metropolitan Museum of Art: The Jefferson R.Burdick Collection, Gift of Jefferson R. Burdick
Elizabeth Butterworth, Lear’s Macaw, 2005. Gouache, ink, and pencil on paper, 25 × 34 cm / 9 ¼ × 13 3/8 in, Private collection. Picture credit: © Elizabeth Butterworth
Florentijn Hofman, Rubber Duck, 2013. PVC, H. 16.5 m / 21 ft, temporary installation, Hong Kong. Picture credit: All Rights Reserved, courtesy Studio Florentijn Hofman
Matt Stuart, Trafalgar Square, 2004. Photograph, dimensions variable. Picture credit: © Matt Stuart
John James Audubon (engraved by Robert Havell), American Flamingo, from The Birds of America, double elephant folio edition, 1838. Hand-coloured etching and aquatint, 97 × 65 cm / 38 ¼ × 25 5/8 in. Picture credit: National Gallery of Art, Washington DC: Gift of Mrs. Walter B. James
Oiva Toikka, Birds by Toikka, 1972–present. Mouth-blown glass, dimensions variable, Iittala collection. Picture credit: All rights reserved by Fiskars Finland Oy Ab/Photographer Timo Junttila, Designer Oiva Toikka
Andy Holden and Peter Holden, Natural Selection, 2018. Mixed media, Temporary installation at Towner Art Gallery, Eastbourne, UK. Picture credit: Andy Holden/Photograph by Alison Bettles#birds
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Knotted Systems of Red Thread Dangle from Fabric Books and Letters by Rima Day
Art
Craft#books
#fabric
#sculpture
#threadNovember 3, 2021
Grace EbertAll images © Rima Day, shared with permission
Bound with loose threads and inscribed with sinuous lines that crawl across the page, the textile works created by Tennessee-based artist Rima Day evoke the Japanese good luck charms called sennibari. Translating to “thousand person stitches,” the Japanese amulet was developed during war times when women would ask friends, family, and even strangers to make a knot on a piece of fabric, which was then gifted to a soldier for protection. Some of the collectively made works depicted “animals such as a tiger, meaningful kanji, a picture of the Japanese imperial flag, or just geometrical patterns,” the artist tells Colossal, and often were stitched into vests or sashes so they could be worn.
In Day’s iterations, the loose threads hang from letters and books with translucent pages, two objects emblematic of communication and knowledge sharing, with winding systems puncturing their surfaces. “Red thread symbolizes human connection in Japan,” she says. “My fascination with the similarity between nature and the human body manifested in matrixes that resemble blood vessels, root systems, and tree vines.”
Day’s work is currently on view as part of a group craft exhibition at Tennessee State Museum. She shares a variety of her fiber-based pieces on Instagram and sells stitched cyanotype prints and other sculptural objects on Etsy. You also might enjoy the sprawling words of Janaina Mello Landini. (via Lustik)#books
#fabric
#sculpture
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