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      Knotted Systems of Red Thread Dangle from Fabric Books and Letters by Rima Day

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      Art
      Craft

      #books
      #fabric
      #sculpture
      #thread

      November 3, 2021
      Grace Ebert

      All images © Rima Day, shared with permission
      Bound with loose threads and inscribed with sinuous lines that crawl across the page, the textile works created by Tennessee-based artist Rima Day evoke the Japanese good luck charms called sennibari. Translating to “thousand person stitches,” the Japanese amulet was developed during war times when women would ask friends, family, and even strangers to make a knot on a piece of fabric, which was then gifted to a soldier for protection. Some of the collectively made works depicted “animals such as a tiger, meaningful kanji, a picture of the Japanese imperial flag, or just geometrical patterns,” the artist tells Colossal, and often were stitched into vests or sashes so they could be worn.
      In Day’s iterations, the loose threads hang from letters and books with translucent pages, two objects emblematic of communication and knowledge sharing, with winding systems puncturing their surfaces. “Red thread symbolizes human connection in Japan,” she says. “My fascination with the similarity between nature and the human body manifested in matrixes that resemble blood vessels, root systems, and tree vines.”
      Day’s work is currently on view as part of a group craft exhibition at Tennessee State Museum. She shares a variety of her fiber-based pieces on Instagram and sells stitched cyanotype prints and other sculptural objects on Etsy. You also might enjoy the sprawling words of Janaina Mello Landini. (via Lustik)

      #books
      #fabric
      #sculpture
      #thread

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    • 163 Shares189 Views

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      An Immense New Book Surveys the Work of More Than 300 African Artists

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      Art
      History
      Photography

      #art history
      #books

      October 15, 2021
      Grace Ebert

      Zanele Muholi, Bhekezakhe, Parktown (2016), gelatin silver print, 50 × 35.9 centimeters. Photo © Zanele Muholi. Stevenson, Amsterdam, Cape Town and Johannesburg, and Yancey Richardson, New York
      One of the most expansive volumes of its kind, African Artists: From 1882 to Now compiles a broad sampling of works from more than 300 modern and contemporary artists born or living on the continent. Within its 350-plus pages, the massive text spans a range of mediums and aesthetics, from Mary Sibande’s sprawling postcolonial installations and Wangechi Mutu’s fantastical watercolor collages to the cotton-embroidered photographs by Joana Choumali. The forthcoming volume follows the publisher’s 2019 book Great Women Artists, which gathers works from 400 artists from 54 countries across 500 years, and it’s available for pre-order from Phaidon and Bookshop.

      Papa Ibra Tall, “La semeuse d’étoiles (‘The Star Sower’)” (undated), tapestry, 201 × 298 centimeters. Photo © the artist
      Kwesi Botchway, “Green Fluffy Coat” (2020), acrylic on canvas, 78.7 × 78.7 centimeters. Photo © the artist, courtesy of Gallery 1957, Accra
      Mary Sibande, “A Reversed Retrogress: Scene 1” (2013), lifesize fiberglass mannequins and cotton textile, 180 × 120 × 120 centimeters. Photo © the artist, courtesy of the artist

      Michele Mathison, “Breaking Ground” (2014), steel and enamel, 203 × 104 × 40 centimeters. Photo © the artist, courtesy Michele Mathison and WHATIFTHEWORLD
      Eddy Kamuanga Ilunga, “Fragile 5” (2018), acrylic and oil on canvas, 187 × 196 centimeters. Photo © the artist, courtesy of the artist and October Gallery, London
      John Akomfrah. “Vertigo Sea” (2015). Photo © the artist and Smoking Dogs Films, courtesy of Smoking Dogs Films and Lisson Gallery

      #art history
      #books

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    • 200 Shares149 Views

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      A Poetic Book Illustrated by Tiffany Bozic Explores the Vast Diversity of Trees with Childlike Curiosity

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      Art
      Illustration

      #acrylic
      #books
      #children’s book
      #painting
      #trees

      August 16, 2021
      Grace Ebert

      All images © Tiffany Bozic, shared with permission
      In her first body of work geared toward children, artist Tiffany Bozic (previously) showcases the naturally occurring whimsy and wonder of the outdoors through saturated color, texture, and unusual perspectives: An upward glance frames towering redwoods with rugged bark, elusive flying squirrels cling to a branch, and dried leaves, fungi, and berries form a thick, colorful layer of groundcover. “I wanted to inspire children to notice how beautiful and important nature is and recognize that we are also animals, a part of nature. We only protect what we love. Trees are a great place to start because everyone has access to them, even in urban areas,” she tells Colossal.
      In the last two decades, the Marin, California-based artist has created hundreds of paintings on maple panel, often leaving the wood grain fully exposed or peeking through a thin veil of acrylic.  Bozic’s detailed interpretations highlight the singularity of individual plants and animals as she adeptly applies a surreal twist to her otherwise faithful portrayals—her earlier books Drawn by Instinct and Unnatural Selections show the breadth of this style—while Trees relies on a more realistic approach. Paired with a lyrical story written by Tony Johnson, the illustrated book is a reminder to celebrate the earth’s diversity with a sense of childlike admiration and curiosity.
      Trees is available for pre-order on Bookshop. You can follow Bozic’s new works, some of which will be informed by her research into the ways fire affects biodiversity in Tahoe earlier this summer, on Instagram. Find limited-edition prints and originals on her site.

      #acrylic
      #books
      #children’s book
      #painting
      #trees

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    • 138 Shares179 Views

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      Plants and Knotted Branches Sprout from Camille Kachani’s Impractical Household Objects

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      Art

      #books
      #furniture
      #plants
      #sculpture
      #tools
      #wood

      August 3, 2021
      Grace Ebert

      All images © Camille Kachani, shared with permission
      Human progress and the insurmountable force of nature converge in Camille Kachani’s overgrown sculptures. The Lebanese-Brazilian artist (previously) is known for his furniture, tools, and other practical objects that are overrun with new plant growths and gnarly roots, rendering the seemingly functional items like stools, hammers, and books humorously impractical.
      Whether a text bursting with vegetation or dresser drawers housing young sprigs, Kachani’s works highlight the futile attempts humans undertake to control the environment. This relationship has been central to his practice in recent years, and his goal is to showcase the conflicts that arise from their intersections especially in relation to life in Brazil—the South American country is more frequently experiencing the effects of the climate crisis like the worst drought its seen in decades and rampant deforestation that’s only intensifying the ongoing devastation—which he explains:
      When we speak human and nature, we mean culture and nature, an (un)stable and unpredictable relation. We depend on nature but also see it as a major obstacle to our complete mastery of the planet. But in fact, it is impossible to talk about nature and culture as two distinct subjects, as they are so intertwined and contaminated from each other that I come to believe that everything is nature and culture at the same time.
      Kachani is based in São Paulo and is preparing for a forthcoming book chronicling 20 years of his practice, which will be published in 2022. You can follow his work on Instagram.

      #books
      #furniture
      #plants
      #sculpture
      #tools
      #wood

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    • 225 Shares99 Views

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      An XXL-Edition Compiles All of Frida Kahlo’s 152 Artworks in an Extensive Celebration of Her Life and Work

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      Art

      #art history
      #books
      #painting
      #self-portrait

      July 22, 2021
      Grace Ebert

      “Self-portrait with Small Monkey” (1945), oil on masonite, 22 x 16⅜ inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images
      An enormous new book from Taschen explores the life and work of famed Mexican artist Frida Kahlo (1907–1954). Widely recognized as a groundbreaking figure in contemporary understandings of gender and sexuality, Kahlo’s now iconic image—particularly derived from her more than 50 self-portraits showing her bold brow, braided hair, and range of floral adornments—has secured her legacy as one of the most influential and profound artists of the 20th Century.
      Spanning 624 pages and weighing nearly 12 pounds, Frida Kahlo. The Complete Paintings compiles all 152 of her works paired with diary pages, letters, drawings, an illustrated biography, and hundreds of photos taken by Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi that glimpse moments from Kahlo’s life with her husband and muralist Diego Rivera and of the Casa Azul, her home in Mexico City. Many of the pieces included haven’t been exhibited publicly in more than 80 years.

      Edited by Luis-Martín Lozano with contributions from Andrea Kettenmann and Marina Vázquez Ramos, the volume contextualizes Kahlo’s paintings by offering an intimate and wide-reaching exploration of her oeuvre that was so profoundly impacted by her experiences with a lifelong disability and an unending need to question politics and notions of identity. Lozano describes her unparalleled contributions in a conversation with It’s Nice That:
      Her uniqueness in art history is not only based in a feminist agenda as it has been stressed out in recent years, but mostly in her capacity to engage in ideological and aesthetic discussions of her time and contemporaries, in subjects such as public art and surrealism, and make them part of her core as an artist.
      Frida Kahlo. The Complete Paintings is currently available from Taschen and for pre-order on Bookshop.

      “The Little Deer” (April–May 3, 1946), oil on masonite, 8⅞ x 11 inches, Chicago, private collection, photo © Fine Art Images/Bridgeman Images
      “Portrait of Luther Burbank” (1931), oil on masonite, 34 x 24. inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images

      “Ixcuhintli Dog with Me” (c. 1938), oil on canvas, 30 x 20 inches, United States, private collection, photo by akg-images

      #art history
      #books
      #painting
      #self-portrait

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    • 138 Shares109 Views

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      Interlocking Lines of Text Spring from Stephen Doyle’s Poetic Book Sculptures

      by

      
      Art

      #books
      #language
      #paper
      #sculpture

      July 6, 2021
      Grace Ebert

      All images © Stephen Doyle, shared with permission
      Stephen Doyle describes his interconnected book sculptures as “miniature monuments, testaments to the power of language and metaphors of imagination.” Featuring angled scaffolding and interlocking constructions that appear to grow directly from the bound pages, the sprawling sculptural forms that comprise his Hypertexts series are unruly and enchanting reimaginings of how information is communicated.
      The New York City-based artist lobs off parts of sentences, tethers phrases together with an unrelated word, and generally obscures the author’s intended meaning, producing arbitrary and striking connections within the text. Although the paper sculptures are tangible manifestations of language, Doyle tells Colossal that he originally envisioned the spliced works as satirical commentaries on digital diagramming. “I first started when ‘hypertext’ was a novel term of the internet: blue underlined text was a portal, linked to another document in the ether. Linking one text to another seemed rather DADA in intent, abstract, random, and capricious,” he says, explaining further:
      I conjured sculptures in which the lines of text shook off the shackles of the page, leapt up, out of the book, and started conferring with their neighboring lines of text, creating an aerial network of language, turning text into synapse, circulation… I soon realized that these three-dimensional diagrams seemed to have a poetic power of their own, recontextualizing language and ideas into sculptural forms, inspired by the books themselves.
      A graphic designer by day, Doyle has spent the last few years expanding his Hypertexts series, which has been featured in The New Yorker, Wired, The Atlantic, The New Republic, and other publications. If you’re in New York City, you also might have seen the triptych he created for the subway a few years back. You can follow his works on Instagram. (via swissmiss)

      #books
      #language
      #paper
      #sculpture

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    • 213 Shares169 Views

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      ‘Banksy Graffitied Walls and Wasn’t Sorry’ Is a Cleverly Illustrated Book Introducing Kids to the Elusive Artist

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      Art
      Illustration

      #books
      #kids
      #street art

      May 21, 2021
      Grace Ebert

      All images courtesy of Phaidon
      Banksy Graffitied Walls and Wasn’t Sorry introduces the life and work of the anonymous street artist to some of the youngest readers. The 48-page book is cleverly written as a plainspoken autobiography, detailing both Banksy’s aesthetic sensibilities and surveying his decades-long career, including references to Dismaland, his “Better Out Than In” residency in New York, signature rats, and the subversive, overtly political messages of his pieces and antics. Illustrated in Fausto Gilberti’s whimsical style, the largely black-and-white drawings are playful and humorous and contextualize Banky’s profound impact and mysterious, unapologetic reputation in a manner fit for kids.
      Published by Phaidon, Banksy Graffitied Walls and Wasn’t Sorry is Gilberti’s fourth in a series exploring the legacies of some of the most well-known artists, including Yayoi Kusama, Jackson Pollock, and Yves Klein. Shop the complete collection on Bookshop. (via Kottke)

      #books
      #kids
      #street art

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    • 188 Shares109 Views

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      A Monumental Book Printed on Uncut Paper Celebrates Hokusai’s Iconic ‘Thirty-Six Views of Mount Fuji’

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      Art

      #art history
      #books
      #Japan
      #woodblock prints

      May 12, 2021
      Grace Ebert

      All images © Taschen, shared with permission
      A forthcoming volume from Taschen is an homage to renowned Japanese ukiyo-e artist Katsushika Hokusai (1760-1849) and his iconic woodblock print series, Thirty-Six Views of Mount Fuji. Compiling Hokusai’s original 36 artworks and the ten pieces he created following the success of the initial collection, the XXL edition celebrates the lauded artist and his fascination with Japan’s highest mountain.
      Encased in a cloth box with wooden closures, the 224-page book is layered with Japanese history and tradition in both content and form and features uncut paper and customary binding. The vivid, art historical works are paired with 114 color variations and writing by Andreas Marks—the director of the Clark Center for Japanese Art at the Minneapolis Institute of Art is also behind Taschen’s volume chronicling more than two centuries of woodblock prints—who offers background on the exquisite body of work Hokusai produced throughout the Edo period when a local tourism boom positioned Mount Fuji as an enduring cultural landmark.
      Thirty-Six Views of Mount Fuji will be released in June and is available for pre-order from Bookshop.

      South Wind, Clear Weather (“Red Fuji”). Image © TASCHEN/Philadelphia Museum of Art

      Sekiya Village on the Sumida River. Image © TASCHEN/The Metropolitan Museum of Art, New York

      #art history
      #books
      #Japan
      #woodblock prints

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