More stories

  • in

    New works from E. LEE go up in Chicago

    We always love checking in with Chicago’s E. LEE. E brings creativity and thoughtfulness to every piece (whether in the street or indoors), and there’s usually more than what meets the eye.

    b-sm = 300×250; sm > none;

    E. LEE began his street art career in 2015 with a goal to impact lives with art. By taking the viewer into consideration, he orchestrates experiences using trompe l’oeil effects and pop images as symbols. In this series about cultural symbols of value, he replaces common objects with cartoon representations of currency and gold. The depth created with shadows and the fantastic scale creates a sense of awe for the viewer while the simplicity and boldness of the piece sneaks into a complex question of what we value in our culture…and why.
    First up is a work entitled “Looming Large”, in the Uptown neighborhood. The works invites the viewer to sneak a peek at a stash of massive gold coins within an otherwise unassuming building

    Next up is the complex “Your Life as a Comedy” in the Logan Square neighborhood.

    Lee tells Street Art News, “I feel this piece is very important right now. A lot of people are feeling anxious and unsafe in the current environment. A threat from nature in Covid, a threat from society with possible income and housing loss, and a large amount of social unrest on top of everything.”

    Lee continues, “This is an optimistic piece. The viewer is the protagonist and it is the story of our lives. It’s a cycle (represented by the cycle of the day) showing the metaphoric hurdles we all must overcome:
    The desert: an empty barren place with a lack of nourishment. It is loneliness and a feeling of isolation.
    The flood / ocean: turbulent water represents turbulent emotions. It is the opposite of a lack, but rather an overwhelm and possible feeling of drowning.
    Anvils floating above us on balloons: This is anxiety… the random occurrence that can fall on our heads out of nowhere (cancer, pandemic, death of a loved one)
    A Crack in the Earth: This represents us falling into a hole. A major problem or depression we have to climb out of.

    We navigate these obstacles and we get ourselves to the other side. When we do, there is more life (trees and bushes), more balance, and we’re equipped with the tools to build a little more safety for ourselves and the ones we love. The last panel represents us improving our lives, building, and the opportunity to take a breath and rest up… for the cycle and challenge will soon begin again.”

    Have a tip about Chicago street art? Contact @jreich on Instagram More

  • in

    Rooted in Chicago’s Culture, Technicolor Paintings by Artist Max Sansing Explore Revelation

    
    Art

    #Chicago
    #painting

    August 19, 2020
    Grace Ebert

    “Join Me” (2020), oil, spray paint, and enamel on panel, 20 × 20 inches. All images © Max Sansing, shared with permission
    Through a series of brightly hued paintings titled Lost & Found, Max Sansing examines the human desire for happiness and peace through a distinct sense of place. Born and raised on the South Side of Chicago, the artist is known for vibrant murals, which you can explore on Instagram, and smaller-scale artworks (shown here) that are rooted in the culture that’s unique to the city.
    Each of Sansing’s paintings focus on a single subject who is overlayed with a thick brushstroke or whispy feather. The artist tells Colossal that the central characters are in the midst of a revelation, having just experienced or realized a needed adjustment. “I think at some point in most Chicagoans’ lives, you come to a point where you need a change. Either Chicago does that for you, or you do it for yourself. Finding that and unlocking those new pathways is a huge part of life,” Sansing says.
    Many of the works that are part of Lost & Found hearken back to the artist’s upbringing. “Rapture,” in particular, features Anita Baker in the background, a gesture toward the R&B singer’s tunes that would reverberate throughout the neighborhood Sansing grew up in during the 1980s. In the same piece, though, a bullet propels toward a young boy’s head. “The threat of gang violence in the early 90s was kind (of) like a wake-up call out of adolescence,” the artist says, and a reality for many Black boys and men in the United States.
    Sansing isn’t without hope, though. The artist writes, “I think we all want that moment in life to finally have clarity, peace, happiness, and in the end, that’s what a lot of civil unrest is about. Folks just wanna live and be. And some want that for others who can’t have it due to hate and systemic roadblocks.” As a whole, Lost & Found embodies the revelations necessary to bring justice and allow communities to thrive. “To quote the show title,” Sansing says, “these things are lost for some, and we have to find it.” (via Supersonic Art)

    “Keygen”(2020), oil, spray paint, and enamel on panel, 30 × 30 inches
    “Rapture (Same Ole Love)” (2020), oil, acrylic, spray paint, and enamel on canvas, 36 × 38 inches
    “Feather Weight” (2020), oil, acrylic, spray paint, and enamel on panel, 33 × 24 inches
    “Soldier On”(2020), oil, acrylic, spray paint, and enamel on panel, 12 × 12 inches
    “Recovered” (2020), oil, acrylic, spray paint, and enamel on panel, 30 × 30 inches

    #Chicago
    #painting

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • in

    Nevermore Park Manifests the Fictional Universe of Hebru Brantley’s Flyboy and Lil Mama

     All images © Amy Lombard, shared with permission Packed within a 6,000-square-foot space on Chicago’s south side is a fictional universe teeming with pinned up newspaper clippings, towers of retro electronics, and tons of vintage advertising from McDonald’s to Vienna Hot Dogs. It’s the world of Hebru Brantley’s iconic characters, Lil Mama and Flyboy, […] More

  • in

    26 Contemporary Chinese Artists Explore Materiality in ‘Allure of Matter’

     Zhu Jinshi, “Wave of Materials” (2007), Xuan paper, cotton thread, bamboo, and stones. Installation view at the Los Angeles County Museum of Art, image © Museum Associates/LACMA CHICAGO—Containing a massive paper wave, a tower of leftover fat, and a tiger-skin rug of 500,000 cigarettes, The Allure of Matter: Material Art from China encompasses 48 works […] More

  • in

    Don’t Fret Brings New Works & “Noises” To New York

    This week we check in on Chicago’s prolific Don’t Fret. As usual DF has been busy creating, and this week he opens a solo show “O God, There’s Noises I’m Going To Be Hungry For” in Bed Stuy, Brooklyn. Fresh off the release of his killer new monograph ‘Life Thus Far’ DF has been working […] More

  • in

    Chicago’s Pizza In The Rain Celebrates Year-Long ‘Landscapes’ Project With Exhibition

    We’ve covered Chicago’s PITR and his ambitious street work in the past, and his latest endeavor ups the ante again. We have high expectations for this artist, especially after the magnificent “Paper Portraits” in 2016 and incredible 9 month collaborative project “Good Example” in 2017. PITR x Zissou Tasseff-Elenkoff   Originally launched in October 2018 […] More