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    Mulyana Transforms Plastic Yarn and Netting into Arresting Ocean Textures

    Photo by Ign Raditya Bramantya. All images courtesy of Mulyana and Sapar Contemporary, shared with permission

    Mulyana Transforms Plastic Yarn and Netting into Arresting Ocean Textures

    October 16, 2024

    ArtClimatePhotography

    Kate Mothes

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    From thousands of plastic bags, nets, and hanks of yarn, Indonesian artist Mulyana (previously) illuminates the fragility of marine ecosystems.

    In his solo exhibition Remembering Our Collective Future at Sapar Contemporary, the artist has incorporated recyclable materials and distilled the palette to white, evoking a symbol of purity and drawing attention to the consequences of human impact on our oceans, such as coral bleaching.

    “Betty 21” (2024), plastic yarn, plastic net, and cable wire, 82 5/8 x 76 3/4 x 13 3/4 inches

    Curated by John Silvis, the show invites viewers to reflect on the effects of the climate crisis and the critical importance of environmental preservation. Photographs by Ign Raditya Bramantya highlight a living, breathing embodiment of coral as it traverses the city streets, bringing the ocean to daily life.

    Mulyana painstakingly twists, knots, and wraps plastic netting, cable wire, and plastic yarn into sculptures and wall hangings resembling coral and cartoonish sea creatures.

    Running concurrently at the Charles B. Wang Center at SUNY Stony Brook, an exhibition of the artist’s vibrant yarn works showcases costumes and characters inspired by marine life. Yarnscapes: Mulyana’s Environmental Tapestries presents a playful counterpoint to the monochrome pieces, nevertheless urging us to remember and evaluate our relationship to our oceans.

    Remembering Our Collective Future runs from October 22 to November 20 in New York City, coinciding with Yarnscapes in Stony Brook through December 10. Find more on the artist’s website and Instagram.

    Photo by Ign Raditya Bramantya

    Photo by Ign Raditya Bramantya

    Detail of “Betty 25” (2024), plastic yarn, plastic net, and cable wire, 74 3/4 x 78 3/4 x 13 3/4 inches

    “Betty 28” (2024), plastic yarn, plastic net, and cable wire, 86 5/8 x 86 5/8 x 13 3/4 inches

    Photo by Ign Raditya Bramantya

    Detail of “Betty 26” (2024), plastic yarn, plastic net, and cable wire, 65 x 51 1/8 x 13 3/4 inches

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    Josh Gluckstein Crafts a Teeming Reef from Recycled Cardboard

    “Reef.” Photo by Alexandre Vazquez, © Michelangelo Foundation. All images courtesy of Josh Gluckstein, shared with permission

    Josh Gluckstein Crafts a Teeming Reef from Recycled Cardboard

    September 24, 2024

    Art Nature

    Kate Mothes

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    For the past four years, London-based artist Josh Gluckstein has highlighted the potential of an everyday material—recycled cardboard—to bring animal sculptures to life (previously). In his most recent piece, “Reef,” he expands on individual portraits to create a meticulously detailed two-and-a-half-meter-tall marine habitat teeming with a variety of fish and coral.

    “I fell in love with scuba diving ten years ago and was amazed that there was an entirely new world to discover underwater,” Gluckstein says. “I wanted to bring that experience to life on dry land.”

    Photo by Alexandre Vazquez, © Michelangelo Foundation

    Gluckstein was invited to participate in Homo Faber 2024 in Venice, which this year traces the theme, “The Journey of Life.” Among the work of more than 400 artisans from around the world, “Reef” is Gluckstein’s most ambitious piece to date, featuring more than 50 different marine species.

    Sea turtles, an octopus, clown fish, and a blue spotted ray are among the creatures that swim around a column of coral. “The piece celebrates the wonder and rich biodiversity of our oceans, while raising awareness for the fragility of—and challenges facing—our marine life,” Gluckstein says.

    Homo Faber 2024 continues through September 30. Find more on the artist’s website and Instagram.

    You might also enjoy Ghost Net Collective’s marine animal sculptures made from the salvaged ocean waste that endangers them.

    Photo by Alexandre Vazquez, © Michelangelo Foundation

    Photo by Alexandre Vazquez, © Michelangelo Foundation

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