More stories

  • in

    Sprawling Floral Installations Spill Over Garbage Cans and Phone Booths on New York City Streets

    
    Art

    #flowers
    #installation
    #New York
    #public art
    #street art

    August 7, 2020
    Grace Ebert

    All images © Lewis Miller Design, shared with permisison
    Thanks to Lewis Miller Design, those passing through New York City have gotten some respite from the rank smells and soggy refuse of streetside garbage cans. For years, the florist (previously) has been planting guerilla installations of sunflowers, hydrangeas, and peonies in public areas, transforming trash receptacles, construction zones, and lampposts with sprawling assemblages. Check out some of the recent “Flower Flashes” below, and follow the designer on Instagram to see where the temporary bouquets pop up next.

    #flowers
    #installation
    #New York
    #public art
    #street art

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    Bizarre Porcelain Sculptures by Artist Morel Doucet Tangle Limbs, Seashells, and Coral

    
    Art

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

    August 4, 2020
    Grace Ebert

    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet. All images by David Gary Lloyd and Pedro Wazzan and © Morel Doucet, shared with permission
    Based in Miami, artist Morel Doucet imbues his surreal artworks with a reminder that the natural world is ripe with entanglements. Often monochromatic, the slip-cast and hand-built porcelain pieces merge flora and fauna into dense amalgamations: a series of naked figures sit with coral, safety pins, and starfish as heads, while other assemblages feature a singular arm or pair of legs jutting out from a mass of sea creatures.
    Doucet not only considers how humans are damaging the environment but also who is most likely to suffer in the process. In the series White Noise: When Raindrop Whispers and Moonlight Screams in Silence, he responds to the impacts of the climate crisis and ecological disaster on communities of color in the Miami area. “The beaches are eroding into the sea, coral reefs are turning bleach white, and residents wait tentatively for seawater rise. Everywhere you look Miami is undergoing drastic infrastructure changes trying to gear up for a losing battle against land and sea,” he shares with Colossal. “I believe these communities will experience the greatest climate exodus within our modern times.”
    Doucet’s recent endeavors include an upcoming series called Water grieves in the six shades of death that will respond to climate-gentrification and its impact on communities with lower incomes.  Follow the artist’s sculptural considerations on Instagram. (via The Jealous Curator)

    “Jaded Moonlight (Gardenia)”
    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet
    “Black Madonna & Venus”
    “Regal Black Madonna (black is black, black is motherhood)” (2019), porcelain ceramic with cast altered forms, 22 to 24 inches in diameter
    “When all the gold fell from the sun (Fall from Grace)” (2019), slip-cast porcelain ceramics
    “The black on my back dances in a room full of to many silence part 2” (2019), slip-cast porcelain ceramic and hand altered forms, 6.5 x 10 x 5.5 inches

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    A Massive Flower Splays Across Six Surfaces in a New Mural by Artist Mona Caron

    
    Art

    #flowers
    #murals
    #public art
    #street art

    August 3, 2020
    Grace Ebert

    “⁣Limonium.” All images © Mona Caron, shared with permission
    An enormous flower overtakes the San José’s cultural affairs building in a multi-plane mural by artist Mona Caron (previously). Titled “Limonium,” the delicate, pink-and-green leaves spread out across the structure’s facade, transcending a single side. Wrapped around six walls and across four planes, the flower appears to be growing continuously from multiple angles.
    The San Francisco-based artist says determining the spatial logistics was straightforward. She added reference points to the wall and superimposed her botanical piece to a photo, which guided her through the process. In a video posted to Instagram, Caron walks around the pastel mural to capture its illusory qualities. “The main plant faces the entrance to the Convention Center on Market Street, but to its left, there is a semi-enclosed cove, which is the entrance to the garage, and there’s another plant in there, with a flower stem that calculatedly appears to be a part of whichever plant you’re looking at,” she shares with Colossal. “Similarly, I carefully drafted the rightmost flower stem (and) leaves to appear continuous when seen both from the street and from the upper terrace.”

    #flowers
    #murals
    #public art
    #street art

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    Gradients of Thick Petals by Artist Joshua Davison Are Layered Precisely with a Palette Knife

    
    Art

    #flowers
    #painting

    July 22, 2020
    Grace Ebert

    “Blue Hydrangea.” All images © Joshua Davison, shared with permission
    Joshua Davison’s three-dimensional hydrangeas and other blooms began as an exploration of color theory. “As my thought process and work has developed, these flower studies have evolved into a complex balancing act between symmetry, saturation, and contract,” he tells Colossal.
    Based in New Zealand, the 23-year-old artist has honed his process, allowing him to produce thick-petaled flowers with a single palette knife. He uses a combination of oil and acrylic paints and builds them up in layers on a solid canvas to create each sculptural piece. Always sticking to a tight color palette, Davison sometimes utilizes precise gradients to capture every shade of blue and purple.
    The artist sees a strong tie between art and nature and strives to be incredibly realistic. At this stage in his practice, Davison is focused on mastering form and methods.  “I develop most of my techniques exempt from external influence,” he says. “We are so saturated with content of all kinds that I think in some ways it can stunt our creativity. I think it’s so important to consistently disconnect and explore concepts in your own mind.” While he considers nature to be art’s foundation, his details his approach to originality as follows:
    As a traditional painter, I also think it can seem as though we live in a world where everything’s already been done. I believe the term original is very loosely thrown around these days and that true originality is incredibly rare but something that can be worked towards and earned. The prospect of one day achieving truly original work is the single biggest motivator for me as an artist.
    Some of Davison’s vibrant blossoms are on view at Flagstaff Gallery through July 26. If you’re not in New Zealand, head to Instagram to keep up with his latest projects. (via My Modern Met)

    “Gray Flower Wheel”
    “Black Flower Wheel”

    #flowers
    #painting

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    Lush Florals and Ripe Fruit Sprout from Lustrous Glass Trees by Artist Debora Moore

    
    Art

    #flowers
    #glass
    #sculpture
    #trees

    July 17, 2020
    Grace Ebert

    All images © Debora Moore, shared with permission
    Combining traditional glassblowing techniques and sculpting methods, Debora Moore forms lustrous glass sculptures that resemble mossy branches, fleshy petals, and entire trees. The St. Louis-born artist began by creating orchids with bulbous centers before expanding her practice to larger, organic forms. In her recent collection, Arboria, Moore sculpted delicate magnolias, plump plums, and the lavender tendrils of the wisteria.
    The fragile artworks create a tension between the delicate material, the fleeting lives of flowers, and the strength and durability of nature. Moore likens her process to that of painting, where glass is used similarly to produce depth. “The material’s inherent ability to transmit and reflect light, as well as its variations from transparency to opacity, lends itself perfectly to achieve desired textures and surfaces,” she says in a statement.
    To dive further into Moore’s process and see her studio, check out this interview and her site.

    Left: “Purple Lady Slipper,” blown and sculpted glass, 35 x 21 x 8 inches. Right: “Paphiopedilum Epiphyte,” blown and sculpted glass, 35 x 9 x 9 inches
    “Magnolia” from Arboria (2018), blown and sculpted glass, 104 x 112 x 30 inches
    “Winter Plum” from Arboria (2018), blown and sculpted glass, 72 x 101 x 23 inches
    “Winter Plum” from Arboria (2018), blown and sculpted glass, 72 x 101 x 23 inches
    “Blue Lady Slippers” from Gigantica, blown and sculpted glass, 19 x 20 x 11 inches
    “Wisteria” from Arboria (2018), blown and sculpted glass, 93 x 86 x 36 inches
    “Wisteria” from Arboria (2018), blown and sculpted glass, 93 x 86 x 36 inches
    Left: “Blue Orchid Tree,” blown and sculpted glass, 42 x 35 x 10 inches. Right: “Pink Lady Slipper,” blown and sculpted glass, 62 x 43 x 8 inches
    “Blue Epiphyte,” blown and sculpted glass, 22 x 9.5 x 7.5 inches
    “Magnolia” from Arboria (2018), blown and sculpted glass, 104 x 112 x 30 inches
    “Blush Epidendrum,” blown and sculpted glass, 23 x 17 x 9 inches

    #flowers
    #glass
    #sculpture
    #trees

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    Henry Chram in Huaraz, Perù

    Peruvian artist Henry Chram reached us with these beautiful new murals that were just created in the city of Huaraz, the capital of the Ancash Region, North Perù. During his no-stop travelling activity, the muralist has painted delicate and silent portraits of girls hidden by flowers, on the walls of private or abandoned homes. Take […] More

  • in

    Elegant Blooms Float Amid Botanical Watercolor Paintings by Artist Denise Ramsay

     All images © Denise Ramsay, shared with permission Based in France, botanical artist Denise Ramsay renders fleshy petals and pollen-heavy stamen in an exquisite series of watercolor paintings. She focuses on the capitulum, or the head of the flower, to give each lavender lady and glory lily an animated quality. “Corona,” shown below, appears […] More