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      A Massive Flower Splays Across Six Surfaces in a New Mural by Artist Mona Caron

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      Art

      #flowers
      #murals
      #public art
      #street art

      August 3, 2020
      Grace Ebert

      “⁣Limonium.” All images © Mona Caron, shared with permission
      An enormous flower overtakes the San José’s cultural affairs building in a multi-plane mural by artist Mona Caron (previously). Titled “Limonium,” the delicate, pink-and-green leaves spread out across the structure’s facade, transcending a single side. Wrapped around six walls and across four planes, the flower appears to be growing continuously from multiple angles.
      The San Francisco-based artist says determining the spatial logistics was straightforward. She added reference points to the wall and superimposed her botanical piece to a photo, which guided her through the process. In a video posted to Instagram, Caron walks around the pastel mural to capture its illusory qualities. “The main plant faces the entrance to the Convention Center on Market Street, but to its left, there is a semi-enclosed cove, which is the entrance to the garage, and there’s another plant in there, with a flower stem that calculatedly appears to be a part of whichever plant you’re looking at,” she shares with Colossal. “Similarly, I carefully drafted the rightmost flower stem (and) leaves to appear continuous when seen both from the street and from the upper terrace.”

      #flowers
      #murals
      #public art
      #street art

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      Gradients of Thick Petals by Artist Joshua Davison Are Layered Precisely with a Palette Knife

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      Art

      #flowers
      #painting

      July 22, 2020
      Grace Ebert

      “Blue Hydrangea.” All images © Joshua Davison, shared with permission
      Joshua Davison’s three-dimensional hydrangeas and other blooms began as an exploration of color theory. “As my thought process and work has developed, these flower studies have evolved into a complex balancing act between symmetry, saturation, and contract,” he tells Colossal.
      Based in New Zealand, the 23-year-old artist has honed his process, allowing him to produce thick-petaled flowers with a single palette knife. He uses a combination of oil and acrylic paints and builds them up in layers on a solid canvas to create each sculptural piece. Always sticking to a tight color palette, Davison sometimes utilizes precise gradients to capture every shade of blue and purple.
      The artist sees a strong tie between art and nature and strives to be incredibly realistic. At this stage in his practice, Davison is focused on mastering form and methods.  “I develop most of my techniques exempt from external influence,” he says. “We are so saturated with content of all kinds that I think in some ways it can stunt our creativity. I think it’s so important to consistently disconnect and explore concepts in your own mind.” While he considers nature to be art’s foundation, his details his approach to originality as follows:
      As a traditional painter, I also think it can seem as though we live in a world where everything’s already been done. I believe the term original is very loosely thrown around these days and that true originality is incredibly rare but something that can be worked towards and earned. The prospect of one day achieving truly original work is the single biggest motivator for me as an artist.
      Some of Davison’s vibrant blossoms are on view at Flagstaff Gallery through July 26. If you’re not in New Zealand, head to Instagram to keep up with his latest projects. (via My Modern Met)

      “Gray Flower Wheel”
      “Black Flower Wheel”

      #flowers
      #painting

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      Lush Florals and Ripe Fruit Sprout from Lustrous Glass Trees by Artist Debora Moore

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      Art

      #flowers
      #glass
      #sculpture
      #trees

      July 17, 2020
      Grace Ebert

      All images © Debora Moore, shared with permission
      Combining traditional glassblowing techniques and sculpting methods, Debora Moore forms lustrous glass sculptures that resemble mossy branches, fleshy petals, and entire trees. The St. Louis-born artist began by creating orchids with bulbous centers before expanding her practice to larger, organic forms. In her recent collection, Arboria, Moore sculpted delicate magnolias, plump plums, and the lavender tendrils of the wisteria.
      The fragile artworks create a tension between the delicate material, the fleeting lives of flowers, and the strength and durability of nature. Moore likens her process to that of painting, where glass is used similarly to produce depth. “The material’s inherent ability to transmit and reflect light, as well as its variations from transparency to opacity, lends itself perfectly to achieve desired textures and surfaces,” she says in a statement.
      To dive further into Moore’s process and see her studio, check out this interview and her site.

      Left: “Purple Lady Slipper,” blown and sculpted glass, 35 x 21 x 8 inches. Right: “Paphiopedilum Epiphyte,” blown and sculpted glass, 35 x 9 x 9 inches
      “Magnolia” from Arboria (2018), blown and sculpted glass, 104 x 112 x 30 inches
      “Winter Plum” from Arboria (2018), blown and sculpted glass, 72 x 101 x 23 inches
      “Winter Plum” from Arboria (2018), blown and sculpted glass, 72 x 101 x 23 inches
      “Blue Lady Slippers” from Gigantica, blown and sculpted glass, 19 x 20 x 11 inches
      “Wisteria” from Arboria (2018), blown and sculpted glass, 93 x 86 x 36 inches
      “Wisteria” from Arboria (2018), blown and sculpted glass, 93 x 86 x 36 inches
      Left: “Blue Orchid Tree,” blown and sculpted glass, 42 x 35 x 10 inches. Right: “Pink Lady Slipper,” blown and sculpted glass, 62 x 43 x 8 inches
      “Blue Epiphyte,” blown and sculpted glass, 22 x 9.5 x 7.5 inches
      “Magnolia” from Arboria (2018), blown and sculpted glass, 104 x 112 x 30 inches
      “Blush Epidendrum,” blown and sculpted glass, 23 x 17 x 9 inches

      #flowers
      #glass
      #sculpture
      #trees

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    • 63 Shares159 Views

      in Street Art

      Henry Chram in Huaraz, Perù

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      Peruvian artist Henry Chram reached us with these beautiful new murals that were just created in the city of Huaraz, the capital of the Ancash Region, North Perù. During his no-stop travelling activity, the muralist has painted delicate and silent portraits of girls hidden by flowers, on the walls of private or abandoned homes. Take […] More

    • 138 Shares159 Views

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      Elegant Blooms Float Amid Botanical Watercolor Paintings by Artist Denise Ramsay

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       All images © Denise Ramsay, shared with permission Based in France, botanical artist Denise Ramsay renders fleshy petals and pollen-heavy stamen in an exquisite series of watercolor paintings. She focuses on the capitulum, or the head of the flower, to give each lavender lady and glory lily an animated quality. “Corona,” shown below, appears […] More

    • 175 Shares139 Views

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      Porcelain Fauna and Human Anatomy Embedded into Thick Botanical Fields by Artist Melis Buyruk

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       “Habitat The Pig” (2019), porcelain, 50 x 50 centimeters. All images © Melis Buyruk, shared with permission When asked why her porcelain works are unpainted, Turkish artist Melis Buyruk answered that adding color to nature dictates meaning. “I like to avoid using descriptive elements such as color,” she said in an interview about her recent […] More

    • 150 Shares139 Views

      in Art

      Neon-Illuminated Glass Orchids by Laura Hart Consider the Flowers’ Fragility and Resiliency

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      “Orchis Exotica Cattleya Amethyst,” fused and sculpted glass with neon, 44.5 x 47.5 x 17 centimeters. All images © Laura Hart, shared with permission Made of translucent glass, Laura Hart’s brilliant orchids appear to be the paragon of delicacy: the fleshy petals and neon-illuminated columns are in full bloom, representing a fleeting stage of life […] More