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    Preserved Grasses and Twigs Radiate Outward in Delicately Embroidered Sculptures by Artist Kazuhito Takadoi

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    Art

    #embroidery
    #grass
    #sculpture
    #weaving
    #wood

    June 9, 2021
    Grace Ebert

    All images © Kazuhito Takadoi, shared with permission
    Artist Kazuhito Takadoi (previously) tames the unruly grasses, leaves, and twigs grown in his garden by weaving the individual strands into exquisite radial sculptures. Stitched into paper or bound to wooden discs made of cedar of Lebanon, oak, elm, or walnut, the abstract forms hover between two and three dimensions and utilize traditional Japanese bookbinding techniques to secure the threads. Each artwork, whether an intricately overlapping mass or pair of circular sculptures, is an act of preservation and a study of inevitable transformation: although the materials won’t decompose entirely, subtle shifts in color and texture occur as they age. “As the light changes or the point of view is moved, so the shadows will create a new perspective,” the artist says.
    Born in Nagoya, Japan, Takadoi is currently based in the U.K. His meticulously woven works will be on view from June 22 to 29 at Artefact in Chelsea Harbor, and you can find a larger collection of his pieces on Artsy and jaggedart.

    #embroidery
    #grass
    #sculpture
    #weaving
    #wood

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      A Field of Dried Grass Is Suspended from the Ceiling in ‘French Exit’ by Artist Tadao Cern

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      Art

      #death
      #grass
      #installation

      February 26, 2021
      Grace Ebert

      “French Exit,” (2020-2021). All images © Tadao Cern, shared with permission
      In Tadao Cern’s sweeping installation “French Exit,” a cloud of feathery grasses looms over the room. The immersive artwork juxtaposes the ephemeral, dried material with the viewers who stand underneath as it creates a soothing and introspective space to consider the notions of farewells, whether it be the close of a party or more profound experiences, like the end of a relationship or death.
      Cern tells Colossal that the title refers to the colloquialism about leaving a social gathering without saying goodbye. “This is something that I usually do because as an introvert, I can not bear with the attention that you get once you say that you have to go. A ping pong game starts of, ‘I have to go,’ and ‘please don’t go,’” says the Lithuania-based artist (previously) says.

      Emitting a soft glow, the long-stemmed grasses connect to both the organic nature of the life cycle and the human desire to situate ourselves within a broader context, particularly when confronted by aging and death. Cern writes:
      I tried to focus more on the aspect of what we would be missing the most during the last seconds of leaving this place.. My guess (is that) it would be something banal, like fields of wheat during the sunset… Banality is a result of such a strong love and affection with something/somebody that you even get sick of it. And hanging everything on the ceiling creates an illusion of floating for the viewer as if you are being taken to the sky.
      Cern finished initial sketches for the installation—which also includes CGI elements and a massive arrow pointing downward—just before the first wave of the COVID-19 pandemic. Months later, he was diagnosed with depression and anxiety, coincidental timing that altered his understandings of death and how we collectively say goodbye. “Once the pandemic is over, hopefully, we’ll have a chance to contemplate our farewells in reality. If there is such a thing,” he says.
      Purchase prints of the artist’s meditative projects on Patreon, and follow his latest installations on Instagram and Behance. (via Ignant)

      #death
      #grass
      #installation

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      Grassy Inclines Embedded in the Ground by Tanya Preminger Throw the Earth Off Balance

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       “Round Balance” (2008), soil, grass 900 x 900 x 260 centimeters, Saint-Flour, France. All images © Tanya Preminger, shared with permission Take a seat on one of Tanya Preminger’s grass-covered artworks, and you won’t be able to right the balance. The Isreal-based artist created immovable slants and indentations embedded in the land that seem […] More