Tina Kraus Details Ocean Life’s Beauty and Plight Through Realistic Paper Sculptures
Art
#animals
#climate crisis
#ocean
#paper
#pollution
#Tina Kraus
September 29, 2023
Jackie Andres More
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Art
#animals
#climate crisis
#ocean
#paper
#pollution
#Tina Kraus
September 29, 2023
Jackie Andres More
138 Shares179 Views
in Art
Art
Craft
#ceramics
#gold
#Jennifer McCurdy
#nature
#ocean
#porcelain
#shells
January 30, 2023
Kate Mothes More
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in Art163 Shares179 Views
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Art
#glass
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#water
April 21, 2021
Grace Ebert
“Solitary Catch Awaits,” laminated clear float glass with cast concrete, bronze, and stainless steel frame, 300 x 300 x 180 millimeters. All images © Ben Young
Calm bodies of hand-cut glass pool atop jagged concrete in Ben Young’s aquatic sculptures. The New Zealand-based artist (previously) is known for his marine landscapes that position miniature figures in vast expanses of the translucent material, creating a contemplative environment that juxtaposes a minuscule representation of humanity alongside the immensity of the oceans and other bodies of water. Each piece similarly contrasts the organic topography with the perfect right angles that provide the cubic shape and revealing cross-sections.
A few of Young’s sculptures are currently available at Black Door and Red Sea galleries, and you can find prints in his shop. Explore a larger collection of his works on Behance and Instagram.
“Sea of Separation,” laminated float glass, cast concrete, bronze, and stainless steel stand, 600 x 350 x 170 millimeters
“Sea of Separation,” laminated float glass, cast concrete, bronze, and stainless steel stand, 600 x 350 x 170 millimeters
“Still Water”
“Diverge”
“Diverge”
“Daydream”
Detail of “Daydream”
“Weathering the Storm”
“The Divide,” laminated float glass and cast concrete, 930 x 375 x 165 millimeters
#glass
#ocean
#sculpture
#water
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#climate change
#coral
#fish
#greenhouses
#installation
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#underwater
August 5, 2020
Grace Ebert
All images © Jason deCaires Taylor, shared with permission
About 50 miles from Townsville, Australia, an unassuming structure created by Jason deCaires Taylor (previously) rests on the sandy floor the John Brewer Reef. Currently, “The Coral Greenhouse” is in pristine condition with little algae or tiny organisms stuck to its sides. Over time, though, the sculptural work is designed to amass vibrant clusters of the sea creatures as they colonize the submerged form.
Constructed with corrosion-resistant stainless steel and pH-neutral substances, the biomorphic frame is modeled after nature’s patterns. The materials help inspire coral growth and are designed to be absorbed into the oceanic environment as the colonies sprawl across it. Workbenches line its sides and are adorned with simple patterns that create small enclaves for ocean life to hide from predators or rest. To keep divers away from the fragile ecosystems, Taylor tends to install his marine projects in less vulnerable areas.
Weighing 165 tons, the sanctuary is the Museum of Underwater Art’s largest installation to date. The A-frame structure is comprised of triangular sections and a massive cement base, which provide stability from waves and adverse weather. Its slatted sides allow divers, filter-feeding organisms, and schools of fish to swim in and out, and floating spires that protrude from the beams’ apex oscillate with the currents.
Figurative sculptures, which were made from casts of kids around the world, populate the inside to serve as a reminder that the coral needs care. They’re shown cradling planters, peering into microscopes, and watching over the vulnerable environment. “Thus they are tending to their future, building a different relationship with our marine world, one which recognizes it as precious, fragile, and in need of protection. Our children are the guardians of the Great Barrier Reef,” Taylor writes about the piece.
Dives to tour the site-specific installation will begin in 2021. Until then, get an idea of how some of Taylor’s previous works have transformed after being submerged for more than a dozen years on his Instagram. (via Fast Company)
#climate change
#coral
#fish
#greenhouses
#installation
#ocean
#sculpture
#underwater
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Craft
#coral
#crochet
#installation
#knitting
#ocean
#octopi
#sustainability
#yarn
July 20, 2020
Grace Ebert
“Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches. All images © Mulyana, shared with permission
Complete with spiraled tentacles, textured features, and toothy grins, the yarn-based creatures that Indonesian artist Mulyana knits and crochets take a playful, bizarre approach to ocean life. The artist frequently recreates what he refers to as the mogus, or octopus, as a mainstay in his underwater environments. Dotted with multiple sets of eyes, the creature has various iterations ranging in size, color, facial contortions, and number of tentacles. Each billowing mogus is presented suspended from the ceiling, giving it the appearance of floating through the ocean.
While many of Mulyana’s formations are brightly colored, the pieces in his Bety series (shown below) are crafted entirely in white to draw attention to coral bleaching caused by pollution. To maintain his own commitments to sustainability and community, Mulyana re-purposes the yarn that forms his textured corals and ocean life.
If you’re in New York, Mulyana’s sea creatures can be seen at Sapar Contemporary through August 21. Otherwise, keep up with the artist’s vibrant projects on Instagram, and check out where the mogus heads on its next adventure.
“Harmony 14” (2019), yarn, Dacron, cable wire, and plastic net, 41 3/4 × 60 5/8 × 17 3/4 inches
Left: “Mogus 39” (2020), yarn and dacron, 14 1/8 × 29 7/8 × 5 1/8 inches
“Bety 1” (2020), yarn, dacron, cable wire, and plastic net, 73 5/8 × 37 3/8 × 20 1/8 inches
Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches
#coral
#crochet
#installation
#knitting
#ocean
#octopi
#sustainability
#yarn
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