Ozmo

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    “The Olympic Ring between Apollo and Daphne” by OZMO in Paris, France

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    OZMO, on the occasion of the Planète Périphérique Festival, the project organized by the RAS association and realized with the support of RIVP and the Mairie du 20eme,  had the opportunity to create an artistic intervention that develops on the exterior walls of an entire building located in the heart of the Python-Duvernois district, in Porte de Bagnolet, in the 20th arrondissement of Paris.The context and the formal features of the building inspired him for this project: it is impossible to think of painting on the main facade, full of balconies, windows and pillars, so he tried to find a solution that would make these elements become an integral part of the main subject: a huge, fiery red ring.For  The Olympic Ring between Apollo and Daphne   – this is the title of the work I made –  he then recontextualized Apollo chasing Daphne and Daphne chased by Apollo, the statues that the brothers Nicolas and Guillaume Coustou created for the park of the castle of Marly and that from 1940 are in the Louvre.The statues, designed and arranged so as to make a parallel run, are now depicted on the ends of the palace, one on each of the blind side walls, as directed in the opposite direction. They are reached and wrapped by the large red ring, shaded like a neon sign, overlooking the facade.This element, the real protagonist of the intervention, which unfolds along the two suspenders that join the balconies, is a reference to the busy périférique, the Parisian ring road, on which the intervention faces? Is that an answer to the huge advertising signs on the building across the street? Or is that a fil rouge? Does it evoke a track, a path or an orbit? And what possible link does it have to the red ring of the Olympics citeThe Olympic Ring between Apollo and Daphne offers itself to the passerby as an element of short-circuit and harmonization: between the two mythological figures, between the walls of the building, between the idea of the center and the suburbs, and between our perception of street art, graffiti and ancient and contemporary art in the urban context.The Intervention was presented on 13 April during the vernissage of the Planète Périphérique Festival, the extraordinary event that involved about one hundred artists who have created painted installations and interventions in the 3000 m2 of 21 apartments. The collective exhibition will be open until 7 May 2023. More

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      “A Famous Milanese Renaissance Girl, with Red Brushstrokes, Pixel and a Pointer” by Ozmo in Milan, Italy.

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      Born in Pontedera, Italy Ozmo made his first steps in the comics world, but since early 90s he soon moved his focus on writing and painting. In short time his tag would have become one of the most famous and respected ones in the Italian graffiti scene. A special reportage dedicated to Ozmo on ‘Aelle’ – the most famous urban culture underground mag in Italy – will consacrate him as one of the leading figure in the national underground writing scene.Ozmo is now based in Paris. He returns to Milan, the adopted city that has welcomed him in the most decisive years of his artistic career, and he does so symbolically bringing home a masterpiece of Italian Renaissance art: The Lady with the Ermine of Leonardo da Vinci which has been in Poland for two centuries.To dominate the view of the Milanese architecture of Corso XXII Marzo, ready to attract and direct the gaze of passers-by, from now on there will be, in fact, A famous Milanese Renaissance girl, with red brushstrokes, pixel and a pointer, a monumental reinterpretation and recontextualization of the Leonardesca Lady, unchanged in its beauty and elegance of the fifteenth century, but enriched by the journey that, through the centuries, led her to be reborn under the gaze of an artist of today, to relive in the homage that Ozmo makes to the city and its history.It is precisely in Milan, in fact, that Leonardo da Vinci creates some of his most famous masterpieces, capable of changing Italian portraiture. In this context of research and innovation, of artistic and cultural ferment, his Lady with Ermine was born.The project continues the conceptual and aesthetic path undertaken many years ago, which holds together the link between the artist and the historical, historical-artistic and cultural Italian tradition, and his ever-living desire to actualize it.  A famous Milanese Renaissance girl, with red brushstrokes, pixels and a pointer, is enriched with new artistic elements and new points of reflection.With tools typical of the computer world, such as pixels and pointers, but made with brush and spraypaint, Ozmo conceals, highlights or changes elements of the original work, bringing it into contact with the current era and the languages recognized by today’s society. With a red sign that runs along the surface, Ozmo consolidates the link between the pictorial intervention and the architectural context, and harmoniously binds all the artistic elements, giving the city a new public work.The mural  has been realized with the support of the association Street is Culture and the social cooperative of EST – Enosteria sociale , which, in a public housing in the center of Milan, recovers people from difficult contexts, and  it does so by integrating itself in the environment through the art and work. It’s precisely his mission, to bring art where it is not usable, to give life to the collaboration with Ozmo. The realization of the work was curated by Annalisa Ferraro, with the collaboration of RiparTIAMO ApsTake a look at more images below and check back with us soon for more updates. More

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      in Street Art

      “…Back to school, Mickey Mouse!” by OZMO in Savona, Italy

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      Urban artist OZMO just created a mural on the facade of the Istituto Comprensivo delle Albisole. The project was conceived by the Councilor for Culture and Education Simona Poggi and was created with the fundamental contribution of the A. De Mari.With this mural, Albisola confirms itself once again as a city that welcomes and develops languages from contemporary art. Over the years, in fact, the Ligurian town has been a privileged meeting place between tradition and avant-garde, a fundamental destination for great artists of the twentieth century.In “..Back to school, Mickey Mouse!”, The classical sculpture of a woman, absorbed in reading, is painted between two putti. On the one hand, that of the Verrocchio appears intent on reaching something and with his posture encourages us to look different perspectives; on the other, that of Canova, takes on the appearance of a Mickey Mouse with an unusual smile, causing wonder and estrangement.Born in Pontedera, Pisa, Ozmo made his first steps in the comics world, but since early 90s he soon moved his focus on writing and painting. In short time his tag would have become one of the most famous and respected ones in the Italian graffiti scene. A special reportage dedicated to Ozmo on ‘Aelle’ – the most famous urban culture underground mag in Italy – will consacrate him as one of the leading figure in the national underground writing scene.The way Ozmo is combining painterly elements like figures, shapes, colors and the way the composition is being constructed suggest how thorough is the artist’s approach. References from popular culture, art history, and politics that are wisely appropriated contribute largely to both seriousness and humor of his works, as well as to their contemporaneity.Check out below to see more photos of “…Back to school, Mickey Mouse!” More