Does the past look better in black and white?
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#books
#collage
#fruit
#paper
#plants
#pop-ups
#sculpture
March 9, 2021
Grace Ebert
From Daniel Gordon: Houseplants (Aperture, 2020). All images © Daniel Gordon/Aperture, photographs and video by Black&Steil/Aperture
Say goodbye to the days of buying succulents only to watch them wilt and shrivel. Just flip open a pop-up book by photographer Daniel Gordon, and find a collection of forever-perky shrubs and greenery sprouting from the pages.
Published by Aperture, Houseplants features quirky still lifes of potted vegetation and fruit that Gordon developed using photographs found online, a process that’s central to his overall practice. The obviously constructed forms, which were created by self-described paper engineer Simon Arizpe, juxtapose the realistic nature of the plants with saturated colors and unusual depth, resulting in scenes that are distinctly informed by the internet and the melding of digital and analog techniques. “The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting,” Gordon says in a statement.
To add the sculptural greens to your collection, pick up a copy of Houseplants from Aperture or Bookshop, and explore more of the Brooklyn-based photographer’s vibrant, collaged projects on his site and Instagram. (via Juxtapoz)
#books
#collage
#fruit
#paper
#plants
#pop-ups
#sculpture
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#found photographs
#mushrooms
#oil painting
#painting
March 3, 2021
Grace Ebert
All images © Jana Paleckova, shared with permission
An affinity for fleshy spores runs in the long line of ancestors laid out in a family tree by Jana Paleckova. The Prague-based artist layers antique photographs with playful oil paintings of spindly enoki or ribbed chanterelle, creating hybrid characters brimming with fungi-fueled personalities. “There are many types of mushrooms, all of which have different characteristics. Just like people,” she says.
In a note to Colossal, Paleckova says she was prompted to start the whimsical project when she was flipping through her family’s atlas of fungi. “Czech people are known mushroom hunters. It’s quite common for families to go out looking for mushrooms together,” she says. This atlas later served as a reference point for the 90 small portraits, which consist of the dozens of vintage photographs that the artist sourced from flea markets, that comprise the sprouted kin.
Paleckova’s body of work features a variety of surreal combinations, like eggheads, human-spider hybrids, and balloons shaped like children, all of which you can find on her site and Instagram.
#found photographs
#mushrooms
#oil painting
#painting
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#games
#puzzles
February 5, 2021
Grace Ebert
“My soul ain’t for sale” by Nicole Rafiki
The team at Puzzles with Purpose launched a multi-pronged initiative last fall that directly supports artists and charities around the globe while giving the rest of us a much-needed distraction. Art X Puzzles tasked more than 80 creatives—the list includes Louise Lawler, Nicole Rafiki, Spencer Tunick (previously), and Pixy Liao—with producing a unique work for a limited-edition jigsaw and choosing a social-justice or COVID-relief organization to share proceeds with. The paper, wood, or magnetic puzzles vary in size and difficulty and are accompanied by an engraved USB drive with a certificate of authentication, the original image, and information about the artist. We’ve gathered some of our favorite works below, but you can shop the entire collection on Puzzles with Purpose’s site.
“WHATS COOLER THAN BEING COOL?” by Mario Moore
“Big Color” by Spencer Tunick
“Rendetore #16” by Alessandro Belgiojoso
“Things We Talk About” by Pixy Liao
“Woman with Goat and Surgical Mask” by Kharis Kennedy
#games
#puzzles
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in PhotographyWith an eye for ritual, the photographer Chloe Dewe Mathews celebrates an unfamiliar vision of the river More
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#celebrities
#collage
#found photographs
#magazines
January 25, 2021
Grace Ebert
“Of Earth & Sky (Blue Cumulus)” (2020), collage and ink on paper. All images © Lorna Simpson, courtesy of the artist and Hauser & Wirth
An extraordinarily glamorous collaboration graces the pages of ESSENCE’s January/February 2021 issue. The print publication paired acclaimed artist Lorna Simpson and pop icon and businesswoman Rihanna for a striking interpretation of modern beauty.
Within the Of Earth & Sky series are 12 collages and the cover image, which features Rihanna, eyelids coated in bright blue, staring directly at the camera. A diamond collar drapes around her neck, and she’s adorned with a roughly textured crown of crystal derived from 19th-century lithographs.
Many of the superimposed collages feature the Barbados-born singer framed in archival imagery, from star-studded galactic coiffes to bright bursts of watercolor. Others in the collection stray from hairstyle transformations and instead position her against vintage backdrops, including one shot of Rihanna donning an elaborately feathered headdress and lingerie in front of the city skyline.
Brooklyn-based Simpson is known for her kaleidoscopic collages centered on Black women that pull imagery from back issues of Ebony and Jet, a treatment she applies to ESSENCE‘s first-ever commission. The layered works are paired with an essay by the artist’s daughter, actress and model Zora Simpson Casebere, about Rihanna’s lasting influence on her own career. For more of Simpson’s collages that intersect contemporary culture and retro imagery, head to her site. (via Artnet)
“Of Earth & Sky (Nebula)” (2020), collage on paper
“Of Earth & Sky (Cover)” (2020), collage on paper
“Earth & Sky #24” (2016), collage on paper
“Of Earth & Sky (Bivalve)” (2020), collage on paper
“Of Earth & Sky (Moving Planets) “(2020), collage on paper
“Of Earth & Sky (Bridge)” (2020), collage on paper
#celebrities
#collage
#found photographs
#magazines
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in ArtLast year, researchers released records from nearly two years of analysis of Johannes Vermeer’s most-recognized artwork, “Girl With a Pearl Earring.” While their findings didn’t include the subject’s highly sought-after identity, they did reveal that the gray backdrop is actually a dark green curtain and that the figure has eyelashes only visible with magnification. Thanks to Emilien Leonhardt and Vincent Sabatier, of Hirox Europe, we all can study the intricacies of Vermeer’s elusive work and peer directly into the paint cracks with an interactive 10-billion pixel panorama. More More
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