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      Clown Skateboards – Guest Art Project – Adam Neate

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      Adam Neate, an old friend of Clown Skateboards and self-taught artist, is next up to bat in their Guest Art Project series. Neate’s boards are a reflection of the ‘family’ that is the skateboarding community. By celebrating gender fluidity in today’s society, the triptych proclaims that love and mutual support are far more important than gender.Putting this ethos into practice, this edition of Family will be pressed at the Far Skate Foundation, a charitable organisation which empowers young people through skateboarding, and will be hand screened by Clown’s master printer Tommy.An acclaimed British painter, conceptual artist and one of the world’s best-known street artists, Adam Neate began his career painting the streets, whilst also skating them.“Those years were my art school,” says Neate. “I learnt about colour and composition simply through practice. The critics were there every day…”Now based in São Paulo, Brazil, his work is displayed in collections around the world. A fearless painter, he has developed his own language of ‘Dimensional Painting’ where the viewer moves and changes the painting depending on their vantage point, to get the full multi-dimensional effect.‘Reconnecting with Adam on the Guest Art Project was always a priority for us. When he first delivered the new artwork for the boards, we were sold with not just the art, but also the message. Skateboarding is such a great support network and loving community and we think these boards truly reflect how open skateboarding is to all communities. It is just such a perfect fit for what we are about and what we are trying to achieve through ‘IN Action’.’ – Jeff Boardman, Clown Skateboards FounderThe Family sets will be the most complex hand-printed series in Clown’s history. Each set is made using 26 screens and hand-produced in a way that does justice to the original artwork. This will be a signed and numbered edition of only 35 sets.Adam’s Family is released on the 20th July at the Guest Art Project – www.clownskateboards.com/guest-art-projectwww.instagram.com/clown_skateboardswww.instagram.com/adam_neate More

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      BodyWork – INSA

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      BodyWork is a brand new collection from the UK-based artist INSA – the show opened recently at Oakland Gallery in the town’s Victoria Quarter and runs until Sunday September 5.Held in collaboration with New Brighton Street Art and Motobüro, the multi-space show features new original works including prints, paintings and sculptural pieces.At the centre of the show is a very rare 1968 Lincoln Continental MK3, Cartier Edition, which has been customised by the artist and automotive specialists Motobüro, who oversaw the restoration of the vintage car, which has taken more than six months to complete. Roughly 18 layers of candy paint, metal flake, pearlescent white, lacquer and countless hours sanding for the flawless paint job and then INSA together with sculptor Kristian Movahed created the boot piece transforming this car into a rolling art display.In addition to the Lincoln Continental, BodyWork also includes a Harris Magnum motorbike, treated with as much care and attention to detail as the car, hand-crafted wooden sculptures and light-boxes all featuring INSA’s trademark ‘graffiti fetish’ artwork.Explaining the work in the show, INSA said: “Maybe it’s lockdown or maybe it’s the fact I’ve mainly been working in the digital/public space for the last few years that for this exhibition I really wanted to make some physically tangible pieces. I wanted to enjoy the craft and hard work of making real things. To bring together my past commentary on identity, commodification and object fetishism with an appreciation of the material within it. Extracting the material from materialism. As simple as enjoying the wood of the surfboard or the metal of the car – the bodywork of physical labour.”Robert Jones, creative director of New Brighton Street Art added: “We are delighted to have been able to work with INSA on this important and significant show, which brings together some truly innovative and ground-breaking content. It not only cements our collaboration and relationship with one of the leading exponents of contemporary art, but also acknowledges New Brighton’s status as a credible and creative destination.”A graduate of Goldsmith’s, London, INSA established his art career more than 20 years ago as a graffiti writer. In 2004 he rejected the traditional graffiti style and began painting the instantly recognisable high heel shoe. Graffiti Fetish went on to appear on buildings around the world from LA to Lagos. It also appeared on luxury items including designer footwear, clothing and bespoke interiors.Always keen to push boundaries and innovate further, INSA has gained a huge following for his work globally, and which he has expanded through his recent experiments with social and digital media as well as product collaborations with brands including Nike. His work is held in the V&A permanent collection, and has also been presented at Tate Britain, London.www.instagram.com/insa_gramwww.oaklandgallery.co.ukwww.gif-iti.com More

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      Vanguard – Bristol Street Art: The Evolution of a Global Movement

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      Vanguard in partnership with Vans presents Bristol Street Art: The Evolution of a Global Movement – an exhibition exploring the instrumental role of Bristol’s creatives in the development of British Street Art, from the 1980s to the present day. The seminal works, notable moments, key events and extraordinary artists belonging to Bristol’s dynamic history are highlighted in this comprehensive and compelling exhibition, which examines the creative response of the city’s pioneering underground scene throughout the UK’s turbulent social and political history and considers the drive for social change underpinning the work of many of today’s street artists. From anarchist origins in the ‘80s and ‘90s through to the explosion of the scene in the early ‘00s, the exhibition brings together one of the largest collections of original works and memorabilia ever seen in the UK. Beyond Bristol, Vanguard explores the evolving disciplines of British and Irish artists moving from the street art conversation to bridge contemporary fields by fusing traditional techniques with new technologies. The exhibition also reflects on how a new generation of global creatives are advocating for social and environmental awareness through art on the streets. From bronze sculptures to immersive displays, Vanguard reveals a host of new original pieces, as well as rare and unseen works, including bespoke edits from the iconic filmmakers and photographers who documented the unfolding scene. As part of the exhibition, Vanguard will also launch a series of exclusive releases from some of Bristol’s finest creatives, including: 
      An accompanying book featuring worldwide academics, film directors, writers, artists, creatives and specialists reflecting the evolving momentum of the movement 
      An exclusive album featuring some of the tracks which formed the roots of the world-famous Bristol Sound 
      Artist led merchandise from various artists featured in the exhibition Outside of the exhibition, Vanguard has partnered with Vans to launch an exciting city-wide, community-based outreach programme running throughout the duration, aligning with the United Nations 17 Sustainable Development Goals (SDGs). The outreach programme hopes to promote discussion and participation at the intersection of culture and sustainable action and will include art activations, workshops, panels and film screenings. Exhibition Highlights New and unique works by Bristolian, British and international artists include: 
      New and original works from Adam Neate, Andy Council, Antony Micallef, Bill Posters, China Mike, Conor Harrington, Dale VMN Collins (formerly known as Dale Marshall), Dicy, Eko, Feek, Filthy Luker, Inkie, Lucas Price, Lucy McLauchlan, Matt Small, Mau Mau, Mr Jago, Paris, Rowdy, Sickboy, Swoon, Will Barras and Xenz 
      A life-size bronze sculpture of an old favourite from Nick Walker 
      Kineta Hill and Karen Dew’s photographic projections, Watching Paint Dry, female documenters of Bristol’s scene 
      Iconic photographs of the 80s from Beezer 
      A bespoke five-minute edit of the film Wild Style by Charlie Ahearn 
      A bespoke seven-minute film by Scottish filmmaker Doug Gillen of Fifth Wall TV with an original score by drum and bass producer and DJ Krust 
      Matthew Smith’s rare images of the 90s – the time of rave and the Criminal Justice Bill 
      Carrie Hitchcock and Yan Saunders’ unseen photographic archive 
      Legendary photographer Henry Chalfant’s unseen photographs of his time in Bristol for Spraycan Art Further details on the Vanguard book, album, outreach events and artist releases will be released shortly. Vanguard | Bristol Street Art: The Evolution of a Global Movement M Shed, Bristol, BS1 4RN Saturday 26 June 2021 – Sunday 31 October 2021 Admission £8 adult* / £7 concession* (*Tickets include £1 voluntary donation to Bristol Museums www.www.instagram.com/vanguardstreetartwww.vanguardstreetart.com More

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      in Exhibitions

      SOS – Dscreet

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      SOS is a new body of work from Australian artist, Dscreet. The well-toured owl lover previously painted extensively in London, as part of the infamous Burning candy Crew, a collective that included artists such as Cept, Pegs, Sweet Toof, Cyclops, Tek33, and occasionally SickBoy. Now repatriated in his home country and forced to spend hours alone during Melbourne’s draconian lockdown, drunkenly trawling Tinder, Dscreet finally put down his phone and picked up a paintbrush, putting the many bottles of booze he’d drained to better use. This is the result.
      SOS – Dscreet‘I spent a lot of time in isolation walking around alone, first depressed, then I found a way tolook at things differently.’‘The world was upside down so it was time to discover new places to keep my mindoccupied. To find new uses for the detritus in my brain and on the streets. This city becamea strange jail with one hour of outdoor time to breathe, no painting and no surfing allowed,few outlets for anyone like me who funnels freedom into my art. I felt like we were allsharing a special kind of crazy. At first I began to go a little insane, listening to the media,trying to make sense of it all, trying to deny my relative misery, but there were a lot ofconflicting stories coming out, no-one really knew what was going on. I meditated, didyoga, breathwork, exercise and then drank a lot of alcohol. I felt the same conflicting storyin myself, trying to stay healthy and positive then destroying the good work with the polaropposite force. Somehow a balance evolved, staring into the empty bottles, I decided toput them to good use and decorate them with the profound lyrics of those who have beendrunk and isolated before me, after all, many of us creative types spend even the mostnormal times in isolation, sometimes confused and conflicted. Sometimes there’s thosemoments of clarity at the end of a cycle.’‘In memoriam to my personal journey, through the schizophrenic stasis of the world, eachof these painted bottles represents a piece of my creative therapy and struggle throughlockdown. The other pieces represent found objects and prose I’ve salvaged from personalhikes through the streets and wilderness and songlists. The surfboard is a monument tothose opposing forces that keep clashing in the media and in our minds, ready to flowbackwards or forwards, I reached an acceptance that nothing can be taken for grantedanymore and nothing is absolute. I’m happy to be sober and surfing and painting again.’– DSCREETView the full catalogue here.COLLECTOR ENQUIRIES: [email protected]@backwoods.gallery@dscreetsheet
      SOS – Dscreet More

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      Ben Frost – Open Studio & New Artwork

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      Australian pop artist Ben Frost is throwing open the doors to his Melbourne studio this week. With over 100 new artworks on display, this is the first time his new workshop has been open to the public.This Saturday April 10, the studio will be open from 12 -6pm, there is no need RSVP, but due to COVID restrictions capacity in the studio will be limited, so get down early!Artwork will be available to purchase and take home on the day and refreshments will be provided. New works include Ben’s signature painted packaging, editions of laser cut board stencils, paintings on board, and brand new XL handmade packaging on board.If you’re not able to make it to the studio, all unsold artwork will be available to order online afterwards, with worldwide delivery.Sign up to Ben’s mailing list here for the latest updates…Ben Frost Studio, 9/177 Beavers Rd, Northcote, VIC 3070, Australiawww.instagram.com/benfrostisdeadwww.benfrostisdead.com More

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      in Street Art

      PANICKY IN THE UK FUNDRAISER COMPEITION!

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      Roly

      Roly
      Roland Henry is an international writer, curator and contemporary urban art specialist. Previously the Managing Editor of the independent arts magazine, Very Nearly Almost (VNA), he has developed close, personal relationships with artists, gallerists, and creatives worldwide and currently provides content for The Guardian US as well as numerous other publications.Roland is now based in Melbourne, Australia, where he heads up art agency, Studio Supply, in partnership with the former creative director of VNA, Greg Beer. The agency supplies curatorial and PR consultation services to a worldwide network of brands, artists, and creative professionals. More

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      Hiroyasu Tsuri aka Twoone – RAW MARK MAKING

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      RAW MARK MAKING – Hiroyasu Tsuri (b. 1983)

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      Hiroyasu Tsuri aka Twoone – RAW MARK MAKING

      “Raw Mark Making is quite a simple idea. It’s literally the meaning of the words. Mark making. In my context, it is making marks that are not commonly used in traditional art practice. Unusual movements, using any kind of tools, embracing a mood or attitude, mixed with the physical speed or controlling the level of impact on to the surface… that’s what I call raw mark making.”
      – Hiroyasu Tsuri

      Since pre-historic times it has been an instinctual human behaviour to make marks. Whether an individual or a group of people, mark making has been a constant outlet for human beings to leave behind a record of their existence and experiences. Hiroyasu Tsuri (TWOONE) is driven by this same innate behaviour. Tsuri creates marks with a childlike freedom of expression, open mindedness and this instinctual human desire to leave behind a legacy of visual depictions of the his interpretations of the human experience. Tsuri calls this ‘Raw Mark Making’.

      The concept of ‘Raw Mark Making’ is the culmination of a decade of experience taking every opportunity to paint marks whenever and wherever Tsuri finds himself around the world. This experience began in the early 2000’s, studying composition and mark making techniques with graffiti writers in Melbourne Australia. In 2014 Tsuri relocated to Berlin Germany and it was this move that sparked a philosophical desire to survey his practise over the last decade and acknowledge and consider the concepts, motivations and ideas behind why he creates marks, and why he chooses to do so in his distinct manner.

      Since 2012 Tsuri has exhibited four unique solo exhibitions with Backwoods Gallery – SevenSamurai (2012), Outsiders (2014), 100 Faces (2016) and Object (2018). Raw Mark Making (2020) celebrates Tsuri’s history, and development of, the different kinds of ‘Mark Making’ that have been exhibited in these exhibitions and that have become pivotal to first decade of his oeuvre. The selected works represents the different stages of discovery of Tsuri’s own unique expression of, and place within, the human history of ‘Raw Mark Making’.
      hiroyasutsuri.com
      Youtube channel
      @T_W_O_O_N_E
      BACKWOODS GALLERY
      25 Easey St Collingwood, Victoria, Australia
      www.backwoods.gallery More

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      KAI & SUNNY – THE GREAT CURVE

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      Corey Helford Gallery are pleased to present The Great Curve, a mini solo exhibition of new work by Kai & Sunny…

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      This new body of work by the UK-based duo consists of 6 new pieces. The series showcases their uniquely distinguishable compositions of large circle acrylic paintings on linen and archival ballpoint pen works on paper.

      The Great Curve inspired by the force and energy found within nature explores the relationship between line and color, shifting through dynamic color changes.
      The lines in the works push and pull each other as if caught in a state of flux, creating infinite movement and naturalistic rhythm appearing both serene and ominous at the same time.
      The process is a methodical building of thin intricate lines upon each other.

      The lines can change your perception of the shape while the foreground and background invite you to float in-between the two.
      In conjunction with the exhibition, Kai & Sunny will release a limited edition 8 color silkscreen on 03/10/2020 @ 9am PST (5pm GMT) from:
      www.kaiandsunny.com

      ABOUT THE ARTISTS
      Kai & Sunny (born 1975 and 1977, respectively) are a UK based artist duo. They both graduated from the Epsom School of Art in Surrey, United Kingdom with degrees in Art and Design. They have collaborated with author David Mitchell, designer Alexander McQueen, artist Shepard Fairey and have won numerous accolades, including a 2012 D&AD Design Award and a 2015 LIA award. Works by Kai & Sunny have been exhibited internationally at institutions such as Haunch of Venison and are included in the Victoria & Albert Museum Print Archive Collection.

      Gallery 1 artists: Kai and Sunny, Hikari Shimoda, Ian Francis, Miss Handiedan
      @kaiandsunny
      @coreyhelfordgallery

      Corey Helford Gallery
      571 S Anderson St, Los Angeles, CA 90033
      (310) 287 – 2340
      October 3rd – November 7th – 2020
      Appointment only for private view due to Covid-19
      Virtual opening on IG live with Kai and Sunny – 03/10/20 – 1.25pm PST – 9.25pm GMT
      Virtual tour – available soon! More