Shows & Exhibitions

Two major public sculptures were unveiled yesterday in London to honor the Windrush Generation, the hundreds of thousands of West Indian migrants who moved to the U.K. in the decades after World War II.
A large bronze monument depicting new arrivals from the Caribbean standing on suitcases, by the Jamaican artist Basil Watson, was inaugurated at Waterloo Station. In the London borough of Hackney, Warm Shores, two standalone sculptures by Thomas J. Price, were installed outside the town hall. 
The works were made public on Windrush Day, which was first introduced on June 22, 2018, to commemorate the Caribbean arrivals, including those on the Empire Windrush ship that docked in 1948. They made major contributions to the rebuilding of postwar Britain but also faced discrimination. 
The National Windrush Monument at Waterloo Station in London. Photo courtesy of the Department for Levelling Up, Housing and Communities.
The official National Windrush Monument by Basil Watson is intended to convey the courage, commitment, and resilience of those who migrated to start new lives in the U.K. between 1948 and 1971, when the Immigration Act was introduced. The work was made possible through £1 million funding from the Department for Levelling Up, Housing and Communities. 
“My parents, along with a great many others, took the long arduous voyage from the Caribbean with very little or nothing other than their aspirations, their courage, and a promise of opportunity for advancement,” said Watson. “Despite many challenges, they spread their culture across Britain influencing many aspects of society.” 
Thomas J. Price in front of Warm Shores (2022) outside Hackney Town Hall. Photo: Damian Griffiths.
Thomas J. Price won the Hackney Windrush Art Commission in 2020 for his proposal to depict the Windrush Generation and their descendants. In May 2021, he invited Hackney residents with a personal connection to Windrush to be digitally photographed with a 3D-scanning device. The information gathered about clothing, features, and stature were all used in composite to inform the final two large-scale bronze sculptures of a man and a woman. 
“It is important that my figures are not placed on plinths, to disrupt a sense of hierarchy that surrounds many public monuments,” said Price. “They exist amongst the public and daily life and are an extension of the people who inhabit these spaces.”
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This year’s Whitney Biennial names 63 participating artists and collectives, but unless visitors also buy a copy of the exhibition catalogue, they will only be able to see works by 62 of them.
That’s because artist EJ Hill, known primarily for his arduous durational performance art, declined to show his work at the museum. Instead, he contributed only to the biennial’s official publication, where he is represented by a blank page of pink paper.
Striking in its simplicity, the pale pink page is strangely beautiful, a thin sliver of color visible in the book’s fore-edge when the pages are closed. But it’s undoubtedly an unorthodox response to an invitation to one of the contemporary art world’s most prestigious exhibitions—one that would be a major career milestone for any young artist.
Through his Los Angeles gallery, Commonwealth and Council, Hill declined to comment on the move, leaving the interpretation of the cryptic gesture up to the viewer. But the artist’s previous works may offer some clues.
EJ Hill, Altar (for victors past, present, and future) in “Made in L.A. 2018” at the Hammer Museum at UCLA. Photo courtesy of the Hammer Museum at UCLA.
For the 2018 “Made in L.A.” biennial at the Hammer Museum, Hill revisited six of the seven schools he had attended in the city and ran laps around them. He later installed a model track in the galleries and, for the entirety of the show, stood atop a podium-like sculpture in the galleries.
A statement from the museum said the work “reflects both the hardships that certain bodies are forced to endure and the enormous resilience of those bodies.”
The omission of Hill’s own body from the Whitney Biennial, and his refusal this time to endure physical hardship, also speaks volumes.
EJ Hill’s contribution to the 2022 Whitney Biennial is a blank pink page in the exhibition catalogue. Photo by Paul Salveson.
It could be read as a decision rooted in self care, and a natural progression from Hill’s recent solo show “Wherever We Will to Root,” which opened at Los Angeles’s Occidental College in February, and featured a series of six floral paintings.
This departure from physical performance was about “the work of care, a therapeutic mechanism for healing, rehabilitation, and even refusal,” according to the exhibition statement.
EJ Hill’s contribution to the 2022 Whitney Biennial is a blank pink page in the exhibition catalogue. Photo by Paul Salveson.
“No more wringing myself dry. Just flowers, and clouds, and puppies, and ribbons, and pink, and other sissy boy shit,” Hill wrote in a since-deleted Instagram post that was quoted by the Art Newspaper.
The artist’s account now contains just one post, shared on April 7, of a plain pink square. It’s the same shade of “Millennial Pink,” which became ubiquitous over the past decade, as the catalogue contribution, and it, too, offers no caption or explanation.
“We admire EJ’s embrace of opacity and his questioning of what representation means at this historical moment,” David Breslin and Adrianne Edwards, the exhibition’s co-curators, told Artnet News in an email.
EJ Hill’s contribution to the 2022 Whitney Biennial is a blank pink page in the exhibition catalogue. Photo by Paul Salveson.
Hill’s pink page has a soothing aura about it, seemingly offering readers a moment to rest. Perhaps it also offered Hill a moment to recharge his creative energies for his next artistic endeavor—and it looks like a return to performance is on the horizon, with a solo show featuring an installation with a performance stage opening at MASS MoCA in the fall.
“Whitney Biennial 2022: Quiet as It’s Kept” is on view at the Whitney Museum of American Art, 99 Gansevoort Street, New York, April 6–September 5, 2022.
“EJ Hill: Brake Run Helix” will be on view at MASS MoCA, 1040 MASS MoCA WAYNorth Adams, Massachusetts, October 29, 2022–January 2024.
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At this year’s Carnegie International, the emphasis is definitely on the “international.”
“How can we think of the ‘international’ as an idea from the specific place that we’re working from?” said Sohrab Mohebbi, head curator of the 58th edition of the show, set to open this September at the Carnegie Museum of Art in Pittsburgh, Pennsylvania. 
The exhibition will seek to answer this question by tracing the “geopolitical imprint of the U.S. since 1945”—a moment that, according to Mohebbi, signals both the birth of contemporary art and the country’s ascension to global hegemonic power. 
The exhibition’s global framing is mirrored by its expansive list of participants, a lineup that includes artists both living and dead, as well as several creative collectives and institutional collections. Altogether, there are 150 names from 40 territories around the world, including Claes Oldenburg, Diane Severin Nguyen, Susan Meiselas, and Trương Công Tùng. 
Trương Công Tùng, the state of absence–voices from outside (2020). Courtesy of the artist.
That’s a huge grouping, even for a historically scopious show like the International, which is the longest-running exhibition series in the U.S. (The previous edition, in 2018, for instance, boasted 32 collectives.) 
“The show is, by design, different in almost every way,” said Eric Crosby, director of the Carnegie Museum. Among the themes animating it are “issues of artistic solidarity, reconstitution, and responding to traumatic world events.” 
Special focus will be given to “thinking historically,” the director went on, “to looking not just at the present moment but at practices that have been overlooked by art history. We want to bring those practices into the museum alongside the [Carnegie’s] own collection in a way that prompts new reconsiderations of our history through the lens of the contemporary.”
Edgar Calel, Pa ru tun che ́ (From the Treetop) (2021). Courtesy of the artist.
Édgar Calel, a Kaqchikel artist, was responsible for the show’s title: “Is it morning for you yet?” Calel was visiting Mohebbi in Pittsburgh when he explained that, for his people in the Mayan Kaqchikel community of Guatemala, it is customary not to say “good morning” but to ask, “Is it morning for you yet?”
“This really kept resonating in many ways,” Mohebbi recalled, referring again to the relativity of the exhibition’s conceit. The title, he said, “was a way for us to acknowledge this question around what is contemporary. Are we together? Are we on the same clock? Let’s check our times together.”

See the full list of the participating collectives, institutions, estates, and artists below:  
Abdul Hay Mosallam Zarara 
Ali Eyal 
Võ An Khánh 
Andy Robert 
Angel Velasco Shaw 
Anh Trần 
Antonio Martorell with poetry by Ernesto Cardenal 
Aziz Hazara 
Banu Cennetoğlu 
Carlos Cañas 
Carlos Motta 
Christian Nyampeta 
Claes Oldenburg 
Colectivo 3 (Aarón Flores, Araceli Zúñiga, Blanca Noval Vilar, and César Espinosa) Dala Nasser 
Daniel Lie 
Denzil Forrester 
Dia al-Azzawi
Diane Severin Nguyen 
Doan Ket 
Dogma Collection 
Édgar Calel 
Felix Gonzalez-Torres 
Fereydoun Ave 
Giana De Dier 
Hiromi Tsuchida 
Hyphen— (Akmalia Rizqita “Chita,” Grace Samboh, Ratna Mufida), presenting works by: Kustiyah alongside Edhi Sunarso, Gregorius Sidharta Soegijo, Kartika, Rustamadji, Siti Ruliyati,  Sriyani Hudyonoto, Sudarso, Trubus Soedarsono, Zaini 
I Gusti Ayu Kadek Murniasih 
Isabel De Obaldía 
James “Yaya” Hough 
Joong Seop Lee 
Julian Abraham “Togar” 
Tith Kanitha 
Karen Tei Yamashita 
Kate Millett 
Krista Belle Stewart 
Laal Collection 
Laila Shawa 
LaToya Ruby Frazier 
Let’s Get Free: The Women and Trans Prisoner Defense Committee 
Los Angeles Poverty Department 
Louise E. Jefferson 
Malcolm Peacock 
Margarita Azurdia 
Melike Kara 
Michael Zinzun 
Mire Lee 
Mohammed Sami 
Monira Al Qadiri 
Museo de la Solidaridad Salvador Allende Collection presenting works by: Alberto Pérez, Alfredo Portillos, Anders Åberg, Anonymous women, Bat T. Tchouloun, Carol Law,  Derek Boshier, Eduardo Terrazas, Ernest Pignon-Ernest, Francisco Brugnoli, Gontran Guanaes  Netto, Hanns Karlewski, Hugo Rivera-Scott, Leonilda González, Lilo Salberg, Luis Felipe Noé, Luis  Tomasello, Maryse Eloy, Myra Landau, N. Bavoujav, Öyvind Fahlström, Patricia Israel, Paul Peter  Piech, Ricardo Mesa, Ryszard Winiarski, Sambuungiin Mashbat, SANALBAT (S. Natsagdorj, N.  Sandagdorj, N. Sukhbat), Valentina Cruz, Ximena Armas 
Nancy Buchanan 
Naufus Ramírez-Figueroa 
Nikki Arai 
Pacita Abad 
Patricia Belli 
Philomé Obin 
Pio Abad 
Rafa Nasiri and Etel Adnan 
Rafael Domenech 
Vandy Rattana 
Park Rehyun 
Rini Templeton 
Roberto Cabrera 
Rosa Mena Valenzuela
Sanaa Gateja 
Soun-Gui Kim 
Susan Meiselas 
Svay Ken 
Tei Carpenter / Agency—Agency 
terra0 
Thu Van Tran 
Thuraya Al-Baqsami 
Tishan Hsu 
Tony Cokes 
Trương Công Tùng  
Yolanda Lopez 
Yooyun Yang 
Zahia Rahmani
“Is it morning for you yet?” will run from September 24, 2022 through April 2, 2023 at the Carnegie Museum of Art in Pittsburgh, Pennsylvania.
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Three centuries ago, sweetgum trees blanketed the island of Manhattan. Next month, a grove of those same trees will pop up in Times Square, albeit upside down—a symbol of all the cultures that have been uprooted and erased by racial capitalism’s merciless march. 
The installation is just one component of a hugely ambitious—and rigorously conceptual—project by Charles Gaines. It also marks the first time the venerable artist has created public art in his five-decade-long career.
Presented by Creative Time, Times Square Arts, and Governors Island Arts, the project will move from Manhattan to Governors Island and then all the way to Cincinnati, Ohio, actualizing the route that enslaved African Americans once took along the Ohio River, seeking freedom in the North. 
Capitalism and the institution of slavery are at the heart of Gaines’s target here, but the artwork, called The American Manifest, also interrogates issues of colonization, environmental exploitation, and how the country’s unique topography, legal history, and property laws fed a system of subjugation that continues today.
“The installation,” Gaines told Artnet News, “is intended to unpack these things and show the relationship they have to each other.” 
“The entire narrative isn’t exposed in one location,” he continued. “It takes a consideration of all three locations to see the entanglement of how connected these practices have been in shaping the American institute.” 
Gaines’s installation of sweetgums, called Roots, will open in Times Square, the de facto capital of American commerce, on July 13. Inaugurating the event will be a two-night performance of an operatic piece the artist composed based on the 1857 Dred Scott decision, which held that Black people were not conferred citizenship under the U.S. Constitution. During the performances, the text of Justice Roger Taney’s decision, which Gaines calls “unbelievable” still today, will scroll down a screen mounted before the iconic Times Square billboards.
Charles Gaines in his Los Angeles studio, 2020. © Charles Gaines. Courtesy the artist and Hauser & Wirth. Photo: Fredrik Nilsen.
In October, Gaines will open the second “chapter” of his project on Governors Island: a 100-foot-long immersive sculpture meant to recall the hull of an old ship, perhaps one transporting slaves. Inside, eight motor-operated chains will rotate along at the pace of the current in New York’s harbor (roughly 2.5 knots, the artist said), while a ninth, central chain will churn at a quicker clip—the average speed (7 knots) of ships and barges.
“The middle chain points to the speed of commerce,” Gaines explained, “while the other chains reflect the flow of the river.” 
Visitors can climb atop the imposing structure to watch the chains from above or enter to view them from below. “The sound,” according to the artist, “will be massive.” He hopes the “challenging” piece, called Moving Chains, will engender a visceral response.
Come Summer 2023, Moving Chains will open on the banks of the Ohio River in Cincinnati, completing The American Manifest’s path. 
Though it may be unlikely that many viewers will experience all three stages of Gaines’s vision, Creative Time executive director Justine Ludwig said the project was “conceived so that individual elements could stand on their own as singular experiences.”
“Part of the power of public art is that visitors sometimes just happen upon the work,” she added. “It provides a truly unexpected experience that intersects with the rhythms of daily life.”
Many will have that experience, it seems. Times Square Arts director Jean Cooney expects 20 million people to encounter the first part of The American Manifest this summer alone.
“Charles [is an artist who] approaches critical and monumental topics in a way that requires meditation and attention,” Cooney said. “My hope is that even if a small portion of that audience is able to either conceptually link these narratives, or even better, experience Gaines’s installation on Governors Island or head home to Ohio and see his work there, we’ve fulfilled our responsibility as a public art organization to provide new access points for discovery and engagement.”
Chapter One of Charles Gaines’s The American Manifest will be on view from July 13 – September 23, 2022 in Times Square in New York. Chapters Two and Three will open in October 2022 and the Summer of 2023, respectively.
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Last month, New York City removed its last payphone kiosk, a relic of an analog age that in 2022 is more of a museum piece than a functional object. So it’s fitting that the phone immediately made its way into the collection of the Museum of the City of New York, where it is now on view in an exhibition celebrating the city’s pre-digital era.
Originally located at Seventh Avenue and 50th Street, the pay phone was ripped from the sidewalk following a ceremony attended by a crowd of journalists and curious onlookers on May 23.
There had always been maintenance issues with payphones, and vandalism and theft meant they were often broken, especially in the 1970s. But these coin-operated telephones were an essential utility for busy New Yorkers for decades.
“In terms of New York City history, payphones were an incredibly important for communicating and staying connected in a really fast-paced city of pedestrians and dynamic street life,” MCNY curator Lilly Tuttle told Artnet News. “You were able to make a call on every corner.”
A man poses with the last payphone kiosk in New York City. Photo courtesy of LinkNYC.
In the early 2000s, New York City had around 30,000 payphones, but that number has rapidly dwindled over the past seven years as they’ve been replaced with LinkNYC kiosks.
The payphone may have the edge when it comes to nostalgia, but LinkNYC is the clear winner when it comes to utility.
The kiosks offer free WiFi and free calls throughout the U.S. (no need to dig up a quarter from the bottom of your wallet), as well as screens featuring rotating displays of ads, artworks, New York city history, and current news. And you can even use them to charge your cell phone.
It was actually thanks to LinkNYC that MCNY was able to acquire the last payphone. The company, which had worked with the museum on some of its on-screen content, reached out to ask if the phone might be a good fit for the collection.
The last payphone kiosk in New York City is now on view at the Museum of the City of New York. Photo courtesy of the Museum of the City of New York.
“It was being uninstalled with great fanfare just as we were opening this show about pre-digital analog technology,” Tuttle said. “It was a convenient and fortuitous coincidence.”
The phone was installed last week at the entrance to the exhibition, titled “Analog City: NYC B.C. (Before Computers).”
“We spend months and months planning and designing exhibitions, and it just so happened that we had the perfect spot for it right outside the main gallery,” Tuttle added.
The museum exhibition memorializes this bygone era, and the role of technologies such as typewriters, pneumatic tubes, and even note cards and slide rules in the city’s finance, news, and real estate industries.
A Linotype machine on view in “Analog City: NYC B.C. (Before Computers)” at the Museum of the City of New York. Photo courtesy of the Museum of the City of New York.
One artifact on view is a Linotype machine like the ones used by the New York Times, starting in the 1870s, to set type for its newspaper pages, one line at a time, melting down the lead metal type after each issue was printed.
“Prior to this, all printed materials had to be laid out by hand using individual letters. It was incredibly labor intensive,” Tuttle said. “With the Linotype, the paper could print more pages and more frequent editions. It allowed for an incredible boom in the amount of printed materials that were available around the world, and for expansion of the news media as well as literacy.”
Press room of the New York Times. Photo courtesy of the Library of Congress, Prints and Photgraphs Division.
The show may also cause visitors to consider the importance of items they’ve never given a second thought to, like the humble filing cabinet—which was actually groundbreaking in its time.
In something of a ripple effect, the adoption of the typewriter led to the production of paper in standardized sizes that could be used in the machine. That, in turn, made it possible to store paper in a standardized way.
“We have a photograph an office where paper is stored horizontally, it’s rolled up, it’s placed into a million little cubby holes in a giant desk—and then we have an example of a file cabinet, which allows you to not only store copious amounts of paper, but also to organize and access that paper,” Tuttle said.
And while the revolutionary nature of the filing cabinet may be lost on us today, the way it changed our world can still be seen in the terminology used for computer storage, in files and folders.
A paperwork crisis at the New York Stock Exchange. Photo courtesy of the NYSE Group Inc.
“The icons on your computer literally look like file folders from vertical filing cabinets,” Tuttle said. “This basic tool for storage and access, that informs subsequent forms of technology.”
“Analog City” is also interactive, giving children and members of Gen Z the chance to test out technology they may have only read about in books or seen in tv or movies.
The payphone, therefore, represents a key addition to the display.
“It was in the heart of Midtown and represents the apex of payphone use,” Tuttle said. “It was probably a real warhorse. That it went away was a symbolic moment representing the end of the era.”
The removal of the last payphone kiosk in New York City. Photo courtesy of LinkNYC.
Though this was the city’s last payphone kiosk left standing, New Yorkers with a dead cell phone battery can still make phone calls at four phone booths that dot the Upper West Side. (Thanks to a strong local fondness for the payphones in the community, the plan is to keep those booths, on West End Avenue at 101st, 100th, 90th and 66th Streets, in operation in perpetuity.)
But the ubiquity of the payphone, once a fixture of the city, is gone forever.
“It’s important to remember how much payphones were part of the urban fabric and the visual landscape of the city up until very recently,” Tuttle said. “The reality is, we didn’t carry around little tiny telephones with us for most of history. In the exhibition, we’re really hoping to remind people that communication used to be very very different in this city. We didn’t have quite the connectivity that cellphones give us, but we were still able to achieve amazing things.”
“Analog City: NYC B.C. (Before Computers)” is on view at the Museum of the City of New York, 1220 5th Avenue, New York, through December 31, 2022.
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This year’s edition of Documenta, which involves some 1,500 artists, includes a special presentation by Tania Bruguera and the Cuban collective Instituto de Artivismo Hannah Arendt (Instar) that highlights the difficulties Cuban artists are facing at home.
Among the participants is Hamlet Lavastida, the Cuban artist who was jailed in 2020 before being exiled into Poland last September. He’s showing work at this year’s Documenta as part of a collective of anti-government Cuban artists. 
Lavastida’s is not the only recognizable face. The installation also includes a drawing of rapper and activist Maykel Castillo Osorbo, who’s still in prison in Havana, alongside a multimedia timeline that charts recent events in Cuba and its ongoing political crackdown. An adjoining room has a list of artists who were or are political prisoners in the country, plus printed face masks depicting the artists on spikes.
“The political gesture with our Instar is to bring all the people who have been erased from Cuban culture, because the Cuban government says they’re not artists,” Bruguera told Artnet News, standing barefoot on a carpet installation showing a map of Cuba. “But they’re here [at Documenta], so of course they are.”
Another of Instar’s projects is a to-scale fascimile of the home used by the Espacio Aglutinador collective for alternative art exhibitions that were censored by the government. The important space in Cuba has been active since the 1990s despite attempts to shut it down.
These works, which were made collaboratively, are all on view at Documenta Halle, one of the main venues for Documenta 15, which opens to the public on June 18.
Instar was founded in May 2015 by Bruguera in Havana after a marathon 100-hour collective reading of Arendt’s The Origins of Totalitarianism (1951), which artists say is relevant to Cuban conditions today.
“Freedom is the main tool of artists,” Bruguera said. She was initially invited by Ruangrupa, the curatorial collective behind the show, and, as per this year’s collectivity concept, she’s invited scores of artists to work together.
Two of the three Instar exhibition rooms will change over every ten days throughout 100 days to maximize the platform for Cuba’s political artists. Independent theater groups and publishers are also partaking in events.
“When you’re [fighting] an oppressive state, you’re proud to be an ex-convict,” Lavastida said. “They claim we’re trying to overthrow the government, and that I was a lead part of it. It’s true.” His contribution is a large wall mural that depicts the floor plan of the political prison in Villa Marista, where he was jailed.
Bruguera praised Ruangrupa and the efforts around the exhibition.
“Everybody is working towards a common goal. It’s not that foreign to us as a concept, but it’s great to see at such a scale,” she said.
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The Metropolitan Museum of Art in New York has announced an exhibition exploring the use of color in ancient Greek and Roman sculpture, presenting pieces from the Met’s collection as they would have originally been seen in antiquity. Installed through the museums’ Greek and Roman galleries, “Chroma: Ancient Sculpture in Color” opens on July 5 and explores polychromy, the ancient practice of painting sculpture and architecture.
“This innovative exhibition will activate The Met’s displays of ancient Greek and Roman art like never before by displaying colorful reconstructions of ancient sculptures throughout the galleries,” Max Hollein, the Met’s director, said in a statement.
Marble capital and finial in the form of a sphinx. Photo: courtesy of the Metropolitan Museum of Art.
Although today we only see plain carved stone and marble, many pieces of ancient sculpture were once vividly painted, giving these works life-like features. The Met’s exhibition aims to bring wider attention to this practice by placing 15 full-size fully painted recreations—produced by Dr. Vinzenz Brinkmann, head of the antiquity department at the Liebieghaus Sculpture Collection in Germany, and Dr. Ulrike Koch-Brinkmann—alongside 40 works from the museum’s collection. Among them is a richly colored version of the Met’s Archaic-period Sphinx finial that serves as the centerpiece of the show.
Marble portrait bust of the emperor Gaius, known as Caligula, 37–41 C.E. Courtesy of the Metropolitan Museum of Art.
In addition to explaining why sculptures and architectural elements were painted in this way at the time they were made, the show will examine how polychromy conveyed meaning in both the Greek and Roman civilizations, how the practice was received in later periods. It also reveals how experts find and identify color on such ancient works in order to recreate their original painted patterns, using cutting-edge technology such as 3D imaging and art historical research.
Column-Krater ca. 360–350 B.C.E. Photo: courtesy of the Metropolitan Museum of Art
A symposium will also be held at the museum in March 2023, which will bring together curators, conservators, and scientists to discuss polychromy, and the results will be published by the Met.
“It is truly an exhibition that brings history to life through rigorous research and scientific investigation and presents new information about works that have long been in The Met collection,” Hollein said.
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Today in Kassel, the press got its first look at Documenta 15. It also got its first real sense of the show’s massive scope with the release of the full artist list.
Ruangrupa, the curatorial collective organizing the affair, invited 53 artists and collectives. Each of these, in turn, has invited their own sub-constellation of artists to work with them. In some cases, these new artists then invited still more artists.
As a result, even the gigantic roster we bring you below is not complete, as the show sprawls in many unexpected directions. Bolded names are the main invited artists, with the artists that they invited listed below each one. Those listed by themselves are not showing with other artists.

Christian Geselle (SPD, l-r), Lord Mayor of the City of Kassel, Reza Afisina, ruangrupa, Leon Schniewind, Inhouse Desinger Documenta and Sabine Schormann, general director of Documenta and Museum Fridericianum, stand in front of the new Documenta 15 logo. Photo by Swen Pförtner/picture alliance via Getty Images.

Kiri Dalena

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Matin AbbasAlmuPauline BrämerSimon BrowneDonata ClemensZoë CochiaCristina CochiorPhilipp ColoradoFlorian CramerRieneke de VriesAngeliki DiakrousiTamara DrathSabine DühringJosefina DuxHannan El Mikdam-LasslopSelma El Mikdam-LasslopEstefaníaTilman EversJana FaßbenderPhilipp FirmbachSara HamadehCarolin Angulo HammesOle HandschugTomi HilseeNiklas HolzhauerAraby Yakoub IbrahimStefany KarghotiKhalat Khalaf KhalilHannah KoernerJulia KopylovaNorgard KrögerJudith LeijdekkersSilvio LorussoWad MabackRana MatloubTeferi MekonenStefan NadolnySascha NelleIngo NitscheChristian ReberJens RedemannRui ReisPalaver RhababaPris RoosStefan RoserCoco RuferRosalío Ochoa SaavedraRahila SahebdelFlora SaßMerlind SauerlandMayra Alejandra SchultheisSuchee SimontiFriederike SpiekerSophie SteinMeike StrickerLuca Marie TüshausOdinaka Uche-OkoloAna Maria VallejoCamilo Vega VegaDalia VelandiaAna VeraMariëlle verdijkFriedrich Carl von Uckro von UckroJan WortmannZemenu Tenagne Zeleke
BPOC Festival KasselCarl-Schomburg-Schule, KasselDeborah Manavi – Partizipative Tanzforschung zum Common GroundDiakonisches Werk Region KasselDivine Impact Church of GodEssbare Stadt e.V.,Ev. HoffnungskirchengemeindeFamilienbildungsstätte SternschnuppeGoethegymnasiumInstitut Sozialwesen der Universität KasselIslamisches Zentrum KasselJugendarbeit Wesertor der Stadt KasselKassel Kunsthochschule’s Performance and Multidisciplinary Class in collaboration with Class for Performance and Time Based Media from the Berlin University of the ArtsKita SonnenhangKulturzentrum Schlachthof gGmbHNisa e.V.Stadtteilzentrum WesertorUnterneustädter GrundschuleWalter-Lübcke-Schule

Centre d’art Waza
Agathon KakusaBodil FuruBram GootsCecile MwepuChadrack KakuleChriss KabongoChristelle NtangaChristian NyampetaDamien KahambweDenise MahehoFeza KayunguGuellord MbolelaIIunga Kangalele RichardJean-Guy MbopeyJeanne IIungaJoseph KasauKabala Mwana Mbuyi AdamoKabulo Kazadi RichardKazadi Kapenda RichardLeon VerbeekLubange Wa KangaleleLumbwe Kafwana LaurentLumuna NdalaMaman KisimbaMaya Van LeemputMichel KasongoMwewa KasongoNadine PenaNaomie Monga MasengoNontobeko NtombelOlivier BwihanganePatrick MudekerezaPierre KahengaProdige MakongaRaphael SalumuRene NgombeRichard MbuyuRita MukeboSamuel LuenbergerSari MiddernachtStephane KabilaTresor MakongaVeronique Poverello

Jumana Emil Abboud
Tareq AbboushiAli Shneina (Abu Jum’a)Lydia AntoniouIshraq AwashraAyoub YacoubCanaan Mazar’a (Abu Ibrahim)Sa’ad DagherMounya ElbakayIssa FreijYasmine HajAmal HajjajJumana Emil AbboudAmany KattomSalma KharoubaLama KhatibDanna MasadZeina NedalSourabh PhadkeSahar QawasmiRahaf ‘AlqemYazan SalemRaghad SaqfalhaitAnna SherbanyNida SinnokrotSuha ‘Atta ‘AlqamTabaraq ‘AlqemLayla TaherThurayya Shneina (Um Jum’a)Yusef Yacoub (Abu Omar)Haifa Zalatimo

Gudskul
Arab Theatre StudioAsia Art ArchiveBa Bau AirBishkek School of Contemporary ArtblaxTARLINES KUMASIEkstrak KolektifEl WarchaEssbare StadtFeinmechanikFloating ProjectGame Department Kunsthochschule KasselGrafis Huru HaraGud RnDHysteriaInfazioLifepatchLoad Na DitoNordland kunst- og filmhøgskoleOmni SpacePangrok SulapPAYONPSS DurenSalikhainSandy LoScutoid CoopSerrumStäedelschuleStuffo LabsSudut KalisatTIGA (Tindakan Gerak Asuh)TokonomaUnconditionalDesignYao Jui ChungYayasan Tonjo Foundation

Britto Arts Trust
Khabia AregMd. Aminul  IslamMd. Khairul AlamMd. Abu Sayed AliMd. Esahak  AliMd. Kased AliMd. Abba AliMd. Saheb AliRakibul AnwarMilton AnwarGeeta Rani BarmanTuton Chandra BarmanAshik Chandra BarmanBiplob Chandra BarmanAnjali Rani BarmanRupe Chandra BarmanSuhel Chandra BarmanSonji Rani BarmanParpoti Rani BarmanMonju Rani BarmanHiru Chandra BarmanMuchu Chnadra BarmanDipaly Rani BarmanBoidya Chandra BarmanBogi Rani BarmanPrakash Chandra BarmanShila Rani BarmanShimul Chandra BarmanGautam Chandra BarmanTara Rani BarmanBabita Rani BarmanMani Chandra BarmanShuren Chandra BarmanPushpa Rani BarmanMunna Chandra BarmanTayeba Begum LipiAlok Raj BongshiBithul ChichamOstina ChiranTapan C. DasBiswajit DasBipin DasTishanker DasAshim DasBishwarup DasShakil DasSobuj DasSajib DasPrasenjit DasAdhir DasJiban Chandra DasGopal Chandra DasPritan Chandra DasMani Shanker DasJubaraj DasPankaj DasJhulon DasShattarup DasSudhir Chandra DasShimul DattaShrimoti DeviLakshmi DeviProvat DlopoMd. Lal Maud FakirAnisuzzaman  FaroqueFarhana  FerdausiTarun GhoshSubol HajongAjit HajongSindhubala HajongArti HajongSopna HajongDron HajongSelim HajongBithi HajongSubitra HajongBhim HajongBinjuli HajongBondona HajongShanta HajongShikha HajongJhuma HajongJontu HajongChahela HajongBinoy HajongDipaly HajongBiswajit HajongJitu HajongAshim HalderSaidul Haque JuiseMehedi HasanEmdadul Hoque TopuImran HossainSyed Fida HossainSafiha HossainMaynul Islam PaulSarah JabinYasmin JahanMd. JaidulBipul JangchamJinnatun JannatKhushi KabirMohosin KabirRA KajolKazi Sydul KarimAzizee Fawmi KhanRaj KishoreBasu MalakarFarah Naz MoonMd. MostafaBijonti MreeRingchi MreeKhamree MreeMd. Musharaf MusaLutfun NaharNijhum Zannatun NaharEma NokrekHanif PappuTrishna PaulAbdur RabMahbubur RahmanShree RamMojes RemaBickrom RemaMoumita  RemaJewel A  RobAnimes RoyNayan RoyPijush RoyJeny RuramMonjur  SagorShimul SahaShyamal SarkerReetu  SattarShahriar ShaonArpita Singha LopaEmran SohelMohammad SultanFareha Zeba

*foundationClass
Fadi AljabourUlf AmindeAnwar Al AtrashSusan AziziYemisi BabatolaCarolyn Amora BoscoMohamad HalbouniNadira HusainAli KaafKatharina KerstenCẩm-Anh LươngAbiye OkujaguKrishan RajapaksheMiriam SchicklerHatef SoltaniVera VarlamovaNoureddin YassinMc3BArtsMohanad AlsneehOsamah AbouzorMayada Al KayalMahmoud IsmailRichard KhaldonBatoul SedawiSultan YousifBoaz MurinziKhaled MzherRena OnatAref TorkamanMarina NaprushkinaMax GrauBora YedielStefan DarabanOgün KebapçıYalçın AlayÖzdemir AdidSelim ÇakırHüseyin ÇakırHasan ÇakırDoğru Şükrü
There are also other artists who wish to stay anonymous.

Sebastián Díaz Morales

Yasmine Eid-Sabbagh
Ahmad al-KhalilAhmed El-FaourAli al-AliBen PeléFatmeh SoleimanHamada El-JoumaaKhawla KhalafMaya ZebdawiMela Dávila FreireNailé Sosa AragónSiwar KraytemWasim SaidYasser Ibrahim

Fehras Publishing Practices
Alex Viteri ArturoCatalina FernandezCécile PerrotCharline Tsidie TezangueCornelia HerfurtnerEd HichensErdem ŞentürkEren Selin Akosman-YildizErwan DambrineEyad HoussamiFadwa MerkhanHagen VerlergerHana CopicHeidi EricksonJulian BrimmersLan NguyenMarei LoellmannMartyna Marić-BarhanovićMerve CelikyurtNancy Nasr Al-DeenNaom GorbatNazila KarimyPeimaneh YaghoobifarahRasha Qass YousefRayya BadranSina AhmadiTamir Shmeltzer Frenkel LederbergTeodora TabackiWolfgang SchlegelYuyu ElmiZekeriya Kasaboglu

Graziela Kunsch

Serigrafistas queer
Cecilia CamposAna Carolina Fernández AlonsoMariela GouiricGuillermina MonganMurilloVictoria Musotto DelrieuxMariela Paula ScafatiMoyi Schwartzer

La Intermundial Holobiente
Noelia BilliIngrid BleynatErica BohmVirginia BuitrónGabriela Cabezón CámaraLucio CapeceGraciela CarnevaleTulio De SagastizábalLucas Di PascualePaula FleisnerClaudia FontesCarla GrunauerGustavo IbarraReynaldo JiménezGuadalupe LuceroAnahí Rayen MariluánPablo Martín RuizIsabel MendozaJuan MendozaKarina MendozaGuadalupe MilesLeticia ObeidSergio RaimondiSol RéboraLuis SagastiHector (Chino) SoriaThe ten thousand thingsRal VeroniSusana VillalbaWeavers of the Tewok Cultural Centre

Party Office
Abhinit  KhannaAda NavarroAfter Party CollectiveAli Akbar MehtaAllies for the Uncertain FuturesAmrish  KondurkarAruAumAnna TjeBenji Hartc1Coranza de RobotaDhrubo JyotiDINAGrace BanuJasmine InfinitiJoey CannizzaroJuliana HuxtableJyotsna SiddharthKinkinellaMorenxxxOkhigobe Omonblanks OmonhiminPêdra CostaRamya PatnaikShaunak MahbubaniSlim SoledadTsohil BhatiaVidha SaumyaVidisha-Fadescha

Nhà Sàn Collective
Ayesha KeshaniBill NguyễnĐặng Thuỳ AnhĐạt VũĐinh Nhung (Vagina Talks / A Queer Museum)Đinh Thảo Linh (ba-bau AIR)Đỗ Văn HoàngDương Thanh QuangFlinhHelen PritchardLa MaiLại Diệu HàLaura BurnsLê Đình ChungLê Thị LươngLem Trag NguyenNguyễn Đình PhươngNguyễn Đình PhươngNguyen Duc TuongNguyễn Hoàng AnhNguyễn Hữu Hải DuyNguyễn Kiều AnhNguyễn Mạnh ĐứcNguyễn Nhật QuangNguyễn Phương Kiều AnhNguyễn Phương LinhNguyễn Quốc ThànhNguyễn Thanh TâmNguyễn Thị DiệpNguyễn Thị Thu HằngNguyễn Thủy TiênNguyễn Trần NamNguyễn Trinh ThiNguyễn Văn ThuỷNhi LêPhạm HảiPhan Đông TháiPhụ Lục (Nguyễn Huy An, Ngô Thành Bắc, Vũ Đức Toàn)Phùng Tiến Sơn with Giáo phường Kim ĐứcQuang QuangQuynh DongTaey Iohe and Cian DayritTrần Trung HiếuTrương Quế ChiTuấn Mami with Fami FarmVân ĐỗYoungsook ChoiSao La Collective (Đỗ Thanh Lãng, Nguyễn Đức Đạt, Nguyễn Kim Tố Lan)

Sa Sa Art Projects
Ang ChouleanChanveasna ChumMit Jai InnSamnang KhvayAung KoDara KongSiden KongLyna KournNge LaySokchanlina LimVuth LynoNgoc NauCarsten NicolaiSopheap PichSamnang SamKhvay SamnangPinaree SanpitakLeang SeckonJakkai SiributrThida SokLim SokchanlinaSutthirat SupaparinyaZen TheAshley ThompsonLyno VuthSophia Young

Safdar Ahmed
Alia ArdonCan YalçınkayaSafdar AhmedKian DayaniSusie HurleyMichal ImielskiMurtaza Ali JafariKazem KazemiZeina LaaliZeinab MirMNMona MoradveisiSusie NelsonSaeedMiream SalamehTabz A

Jimmie Durham and A Stick in the Forest By the Side of the Road
Bev KoskiJone KvieWilma LukatschElisa StrinnaRosca Van RooyenJoen VedelBev KoskiJone KvieWilma LukatschElisa StrinnaRosca Van RooyenJoen Vedel

Wakaliga Uganda
Assimwe ApolloBisaso DaudaCoconote studioHarriet  NakasujjaIsaac Godfrey Geoffrey NabwanaKasekende MustafaKatunda Abdul WahabKazibwe RonaldKizito Isaac NewtonLyagoba SuudiMax WincklerMbulaiteriNashibah NakibuukaNattembo Racheal MonicaNsamba FrancisSsebagenyi RonaldSsempala SulaimanWakastarz Band

Trampoline House
Carlota MirDady de Maximo Mwicira-MitaliFedaa Sultan (from Oct. 2020–Dec. 2021)Helene GrønJean Claude MangombaJoachim HamouKhalid AlbaihMorten GollMuhannad Al UlabySara AlberaniShakira Kasigwa MukamusoniTone Olaf NielsenvisAvisYong Sun Gullach (from Oct. 2020–Dec. 2021)

ZK/U – Center for Art and Urbanistics
Aline SchwörerDanijela Pivašević-TennerFrank Jimin HoppMarie Salcedo HornNelly Choné
Art AshramFlorian DietrichGeorg ScherlinKlara AdamMarkus ZimmermannNelli DavidSina AhlersVerena SeibtArved Schultze
ConstructLab    Alexander RömerCo–Re (Contextual Research)Daniela Medina-PochFrederick BeckerJan BarnerMin Kyung KimPablo Santacana LopezRedwane JabalSvenja Simone SchulteViviane Tabach
Making WavesDaniel SeipleEmily KofskyHassan AjiMomtaz DimashqiNafee KurdiGob Squad Arts Collective
IAK – Institut für Architekturbezogene Kunst TU BraunschweigSina HeffnerMax JerominFolke KöbberlingAlexa KreisslGergely LaszloBenjamin MenzelBernd SchulzMichael Zwingmann+ 140 StudierendeLea Søvsø
Madar CollectiveYong Sun GullachFedaa Sultan
Mimiferment    Reiko KanazawaMarkus Shimizu
Picnic FMAndrea GoetzkeJosephinex Hansis
PrivatOperRoland CastringiusAndrea ChudackKatharina Laura KunzTobias OpiallaLars Straehler-PohlMartina Hoffmann
ReFuncJan KörbesSchneider TM & Tomoko NakasatoZappi W. Diermaier
Selbstgebaute Musik    Lea GrönholdtMatthias KremsreiterSascha SchneiderManuel StrubeHajo Toppius
Cetka Program Barbara BernsmeierOlesia VitiukCetka Artists from Ukraine, Belarus, Russia
Timemaschine Aline SchwörerNelly ChonéFrank Jimin HoppMarie Salcedo HornDanijela Pivašević-Tenner
ZK/U – Zentrum für Kunst und UrbanistikHarry SachsJan van EschKristina MillerMatthias EinhoffPhilip Horst

INLAND
Miguel  “El Pajarito”Sabina AguileraRubén AlonsoJuan CasillasVienne ChanFranz de HamiltonAlvaro FierroYona FriedmanMax GmürEugénie GoldsternOscar HagermanPeter HodgsonR. R. HofmannManolo HuguéUgo La PietraStina LarssonLASACarl LumholtzJohann  Melchior RoosYou MiFernando MoroFrida NavratJosé Ortiz EchagüeJaakko PallasvuoKibandu Pelo-EssoTom PhilipsonTito RivasMarth SitánachiHito SteyerlJohn UsherSusana VelascoBedwyr Williams

Sourabh Phadke
*foundationClass*collectiveJumana Emil AbboudEugene AndrePeter AnhaltLydia AntoniouMarwa ArsaniosElke Charlotte AvenariusKarin BoenningerNatascha BurkChenfeizi ChenGuanting ChenQiaohui ChenXinyu ChenYige ChenZijin ChenYasmine Eid-SabbaghGozde FilintaMartin FokkenIssa FreijJakob GebertLeah GordonIswanto HartonoJonas HohmannZhenwu HuFangqiang HuangYanyijia HuangAnne JacobiLara KhaldiElvyn KompiYifan LiDavid LoescheBaldwin MaslimValerie MeyerDina MimiDaniella Fitria PraptonoMalene SaalmannTeguh SafarizalMelissa SchmidtChristine SeefriedZiyuan ShaoViola SommerfeldMichael WeberDavid Zabel

Abdul Dube

Cem A.

LE 18
In the first circleFrancesca MasoeroLaila HidaNadir BouhmouchSoumeya Aït Ahmed
In the second circleAmine LahrachAudi George BajaliaCarlos Perez MarinMontasser DrissiShayma Nader
From our wider circleAbdellah HassakAhmed BennysAhmed BouananiAhmed BoughabaAli EssafiAlioucha TaziArchives Bouanani CollectiveAssia DjebarAWALBasma RkiouiBenjamin VerhoevenCaravane TighmertCorinne WissElisa ZorziFarida BenlyazidFiras HamdanGroccoHadia GanaHamza AzeroualHicham BouzidImane ZoubiJumana Emil AbboudKhadija El AbyadLe BrouillonLéa MorinLes Mamans Douées
Louisa AarassM’barek BouhchichiMeriem BenmhamedMeryem FekhariMohamed OubenaalMounir RahmouniNabil HimichNassim AzarzarQANATReem ShadeedRim MejdiSara FrikechSofia FahliSoufiane LakrakTamo ChikerTekchbilaToufiq EnnouriTouda BouananiTroupe AsnimerTroupe Cheikh HammouUntitled duo (Soukaina Aboulaoula, Yvon Langué)Yasmine BenabdallahYassine RachidiZakaria AlilechZakia Kadiri

Wajukuu Art Project
Alexis TeyieArts Taste Curiocity (at&c Nairobi)Becki WaweruBlackink FilmsCharles Muthumbi GithinjiDaniel OndiekiDauti KahoraEmmaus KimaniEric Gitonga Mong’orionFedaa Sultan
Freshia  NjeriJoseph WaweruJoseph Ndung’uJosphat KimathiKimani KinyanjuiLawrence (Shabu) MwangiLazarus TumbutiLewis KimoneMercy WambuiNgugi Waweru
Paul IrunguPeter AchayoRose JepkorirSitawa NamwaleVictor Chege GatugiWambui NgomboWambui NgomboYong Sun Gulach

Sada
Ali EyalSajjad AbbasBassim Al ShakerLayth KareemSarah MunafRaed MutarRijin Sahakian
The Institute of People Oriented Culture Taring Padi
Fitriani  Dwi KurniasihDodi IrwandiSri MaryatoYusuf MohammadHestu NugrohoAris PrabawaBudhi PrakosoNur Seto SetiawanAlexander SupartonoLidija Triana DewiBayu WidodoSurya WirawanDhomas Yudhistira Sugijanto

Putra Hidayatullah

Siwa Platform – L’Economat at Redeye
Marwan AkroutiLassad BeldiYagoutha BelgacemMouna BelhouchetNoura Ben AliSamir Ben BoubakerHaythem Ben BousahaSalim Ben MohamedOkacha Ben SalahSophie BessisMalek BouaoniLaid BouoniLaurence ChableHoucine ChraitiMarianne DautreyAli DhahriJean Michel DiazFakhri El GhazelTahar EzzeddiniHoucine EzzediniMohamed Amin EzzediniJean Pierre HanHamouda JarrarMuntasser KramtiMohamed LabidiMatheiu LontanazaAtef MaatallahFatima MachouchRochdy MachouchAbdelhamid MansouriAicha MansouriHelmi MbarkiArafat SadallahImen SmaouiSaad TabbabiFrancois TanguyNadia TaziLoup UbertoRai UnoFarid YahyaouiHaytham ZakariaChemssedine ZitouniMohamed ZnaidiSalah Znaidi

Nguyễn Trinh Thi
Jamie Maxtone GrahamLê Quang MinhLê Thuận UyênNguyễn Xuân SơnPhạm Chí KhánhPhạm Hoàng Gia KhangUông Thanh Ngọc

Komîna Fîlm a Rojava
Mohammad HamanAbdi Hussien IbrahimHamo MahmoudMohammad SevinazHinde Shero

Baan Noorg Collaborative Arts and Culture
Alfred BanzeAwika SamukrsamanChia Wei HsuChristine Falk
Dangchanok PongdamJiradej MeemalaiKrittaporn MahaweeraratLiam Morgan
Pakchira ChartpanyawutPornpilai MeemalaiShih-Tung Lo

The Another Roadmap School
Cairo Working Group
Andrea THALRana ELNEMR
Johannesburg Working Group
David ANDREWPuleng PLESSIERangoato HLASANETumi MOGOROSI
Kampala Working Group
Emma WOLUKAU-WANAMBWAKitto Derrick WINTERGREEN
Kinshasa Working Group
Cédrick NZOLOJean KAMBA
Lagos Working Group
Abiodun AKANDAAyo ADEWUNMIOlutayo AJEPeju LAYIWOLAQuadri OLUWASEGUN
Lubumbashi Working Group
Chadrack KAKULEChristelle NTANGA
Patrick MUDEKEREZAProdige MAKONGARita MUKEBOSari MIDDERNACHTStéphane KABILAVéronique POVORELLO KASONGO
Maseru Working Group
Lineo SEGOETEZachary ROSEN
Nyanza Working GroupChristian NYAMPETAChrista UWASE

Erick Beltrán
Benjamin DeistCecilia VallejosEduardo Barrera ArambarriFranca BrockmannKatharina Stadler
Matthijs de BruijneMonika PieniazekNina ShumannNuria Rojas CastanedaPol Aumedes (La Sarandaca)
Ramon Aumedes (La Sarandaca)Tim RudolfVeronika BarreraYianqian XuZora Lotta Joest

Amol K Patil
Aji S DharanAjith A SDas RollschuhmagazinKumar MisalKundan ShanbhagLinojoe Raju
Parul SinhaPoonam JainRohit VarekarSachin KondalkarSachin Pitale
Saviya LopesVinit DhariaYALGAAR Sanskrutik Manch,IndiaYogesh Barve

Atis Rezistans (Resistance Artists)
Adriana BenjaminAndre EugeneBastian HagedornCamile CheddaCarima NeusserCatherina BarichDemar BrackenridgeEdouard Duval-CarrieElizabeth WoodroffeEvel RomainHenrike NaumannHerold Pierre LouisJean Claude SaintilusJean Jonas LabazeJean Louis HuhtaJean Muller MilordJean Robert PalenquetJerry Reginald CheryJohn CussansKatelyn AlexisLLaura HeymanLeah GordonLondel InnocentLouis KervansMario Pierre LouisMartina VaninMichel LafleurNanne BuurmanPatrick EliePedro  LaschRoberto N PeyreSheldon GreenSimon BenjaminTom BogaertVivian ChanWesner BazileWhit ForresterWilerme Tegenis

ikkibawiKrrr
Cho Jieun
Jungwon Kim
Gyeol Ko

Alice Yard
Ada M. PattersonAmanda HernandezBlue CurryBruce CayonneCass’Mosha Amoroso-CentenoChristopher CozierCo-rd Ltd.Gwladys GambieKaryn  OlivierKriston ChenLuis Vasquez La RocheMichelle EistrupNicholas LaughlinNicole DelgadoOneika RusselRaquel Vasquez La RocheRazia BarsatieSean LeonardShannon AlonzoTessa MarsVersia Harris

Archives des luttes des femmes en Algérie 
Awel HaouatiLydia SaïdiSaadia Gacem

Subversive Film
Aoe TanamiFadi Abu NemehMasao AdachiMustafa Abu AliCasey Asprooth JacksonElettra BisognoDon CatchloveJim CranmerDoha Film InstituteGent and GEM Kab ConcordiaVictor HaddadBilal Hibri
Riuychi HirokawaSamir R. HissenTom HollymanIwanami ProductionsKASK School of the ArtsHatsuyo KatoKristine KhouriKitchen BXLJack MadvoT. MakiMonica MaurerMineo Mitsui
Rami NihawiSamir NimrSami SalamoniRasha SaltiGhaleb ShaathIsmail ShammoutBaker SharqawiSharjah Art FoundationSHIRAKKhaled SiddikWakamatsu ProductionsSabih Al Zoohiri

Agus Nur Amal PMTOH
lumbung Story Gudskul
Adji UtomoAldinoArie “ABG”Budi “Bungen” MuliaDoni BusatwegoDwi “Ube” Wicaksono SuryasumiratGreistina KusumaningrumHady SuharyadiIndriatma SitorusJufi Iqbal (Suara Djaya)MushowirNissal “Lindung”  Nur AfryansahNovi Elisa SuryaNugraha SalimOshan NurisaPanji “Jin” Purnama PutraRino AditiaSalman HaniefTopan “Opang” DarmawanWiratamaWiratamaGesyada SiregarJJ AdibrataLibby DavitriMG Pringgotono
lumbung Story Jatiwangi art Factory
Adji UtomoAhmad sujaiAldizar Ahmad GhifariAlma NoxaAnzar “Aaf” Agung FauzanArie Syarifudin (Al Ghorie)Arief Yudi RahmanBayu EdmandaBunga SiagianDadang Sugiyarto
Dedeh MarwiahDeden ImanudinDiah MardiahDoni BusatwegoEl GeaGinggi Syarif HasyimGreistina KusumaningrumIbu DarminiIbu Nia MardiyaniIlla Syukrillah SyarifIsmal MuntahaKiki PermanaLibby DavitriAldinoMikayanti EngkusMini RukminiMiningsihMushowirNissan “Landung” Nur AfryansahNugraha SalimOshan NurisaPanji “Jin” Purnama PutraRino AditiaRohanahSalman haniefSuniTedi EnUun UnayahWiratamaYati Sumiati
*Gerak-Gerak Pictures*Tritangtu
Agung M. AbulAry “Jimged” SendyBopikBudi “Bungen” MuliaBudi SetiawanGreistina Kusumaningrum
Julian RiezkyLibby DavitriMuhammad RevaldiPaniSaleh HusseinUju
Cast:Agung ‘Abul’AniBaharDianDikaElsaEnjenErosFarisIinJohaniMang EdieNetiNurRohaniSantiSariTetiUjuUunWiiwinYati
Mechanic Object
Arief AttoFathan MubinAldinoOshan NurisaPutra Hidayatullah

El Warcha
Aziz AissaouiAziz RomdhaniBenjamin Perrot
Chiraz GuellelaMarlene HalbgewachsNaomi Nantois Meadow
Radhouane BoudhraaSelma Kossentini

Richard Bell
Alethea BeetsonSutapa BiswasTania BrugueraDigi Youth ArtsDave FernandoGary FoleySylvia McAdamAlan MichaelsonJosh MilaniWanda NanibushThe Black ArchivesVivian Ziherl

Asia Art Archive
ArahmaianiAung KoJosef NgJyoti BhattK.G. SubramanyanKarla SachseKo Siu Lan
Lawan JirasuradejLee WenMa LiumingMaung San OoMoe SattNilima SheikhNitaya Ueareeworakul
Phaptawan SuwannakudtPhyu MonRay LangenbachSanmuShu YanWomanifesto

The Instituto de Artivismo Hannah Arendt
Tania BrugueraCarlos Cárdenas CárdenasChrisAminta D’CardenasGretell DomenechSolveig FrontAnaeli IbarraHamlet Lavastida Lavastida
Camila LobonLeila MonteroClaudia Patricia OliveraLeonardo OtañoUlises PadrónJuliana RabeloMarta Maria Ramirez

Chang En-Man
Han Fang Wang
Shueh Ching Lu
Ting Tsou

Nino Bulling
Samandal Comics x Nino BullingMloukhiyyé Al-FilBilge EmirMichel EsselbrüggeAki HassanNour HifaouiJoseph KaiBea KittelmannRomy MatarNygel PanascoBarrack RimaJo RüßmannNatyada Tawonsri
Comic Artists’ UnionSheree DomingoTinet ElmgrenBilge EmirJul GordonEva GräbeldingerMarc HennesJiaqi HouIlknur KocerStefanie LeinhosAnsgar LorenzEva MüllerMalika TeßmannChiny UdeaniMarijpol
Exhibition Hafen 76Katja Lonzeck – textile designMarlene Oeken – scenography

Victoria Lomasko

The Black Archives
Brian ElstakDion RosinaIris KensmilJaasir LingerJessica de AbreuMitchell EsajasRaul BalaiRossel ChaslieSerana Angelista

Hamja Ahsan
Zahedi AbbasUddin AlaBullivant CerieYusuf-Pankhurst HodanDawud NadeemBarylo William

Chimurenga
Akin AdesokanBianca Van RooiBogani KonaChantal Bouw
Graeme ArendseMamadou DialloMoses MarzNomaliqhwa Hadebe
Ntone EdjabePura Lavisa

Jatiwangi art Factory
ADANYAHAndzar Agung FauzanAldizar Ahmad GhifharyKetut AminudinAriswandiBeningMing ChowTarsono D. MardianaDartoFaniGetotMuhammad Ilham SamudraDeden ImanudinKarissyaEman KurdimanAna Merliana
KarissyaMayor StaffPipin Muhammad KaspinIsmal MuntahaTatita Na SaeInin NastainTamyiz Noor RamadhanAlma NoxaAlfiza Nur Aisyah IrmandaElgea Nur BalzarieTedi NurmantoGilang PramudithaPandu RahadianKiki RasmadiRifayantiDeden Sambas
Prabowo SetyadiYuliati ShalihatBunga SiagianKarna SobahiSubitaAhmad SujaiPepep Syaiful HidayatGinggi Syarief HasyimArie SyariefudinIlla SyukrilaLoranita TheoAhmad Thian FultanArief Yudi RahmanIka Yuliana

OFF-Biennale Budapest
OFF-Biennale Core Team
CuratorsNikolett ErőssEszter LázárHajnalka SomogyiEszter SzakácsBorbála SzalaiKatalin Székely
Team  András BognárDina DarabosDominika SzabóSzabolcs Vida
What ifs and why nots: OFF-Playground
ArtistsArchitecture Uncomfortable Workshop (Dénes Emil Ghyczy, Lukács Szederkényi)Ádám KokeschEva KoťátkováIlona NémethThe Randomroutines (Tamás Kaszás, Krisztián Kristóf)Recetas Urbanas (Santiago Cirugeda,  Alice Attout,  Carlos Vázquez Gardón,  Garazi Merodio Ayarza, Ania Jaca Sanz de Arellano, Jorge Barroso (Bifu), Martina Helmke,  Emilien Le Goff,  Mario Bestion, Isadora Grumiaux)
Contributors and partnersEdible City (Maximilian Mechsner)Kassel University (Prof. Dr.-Ing. Stefan Körner, Dr.-Ing. Florian Bellin-Harder)LABAK (Michal Marcinov, Katarína Stanislavová)   Marián RavaszUnterneustädter Schule, Kassel
One day we shall celebrate again – RomaMoMA
ArtistsDaniel BakerJános BalázsRobert GabrisSead KazanxhiuDamian Le BasMałgorzata Mirga-TasMara (Omara) OláhTamás PéliSelma SelmanCeija Stojka
Co-curatorsDaniel BakerEthel   BrooksTímea  JunghausMiguel Ángel Vargas
ConsultantsEszter GyörgyAngéla KóczéAnna Lujza SzászTeri Szűcs
PartnerERIAC – European Roma Institute for Arts and Culture
ContributorEast Europe Biennial Alliance
One the same page – OFF-Curatorial Practice
Rita KálmánLívia PáldiKatarina Šević

Project Art Works
Kate AdamsAida AshallConnor AshleyLuke BebbHelen CarltonJohnny  Caroll PellPaul ColleyAndrew CooperTim CorriganJessica Courtney BennettOliver CrowtherNatalie DanceMark DanielsSara DareDion DownesSarah DunnStanley EllisGemma EvansAmy FentonPatricia Finnegan
Siddharth GadiyarDavid GeallJo GoldmanJack GoldsmithCharlotte HanlonLucy JenionNeville JermynAnnis JoslinEden KöttingThomas LeporaLucyHolli MacnamaraClaire MatthewsLeila McmillanLouise NewhamSean OrmondeIndia O’SullivanMagda PataSharif PersaudPhoebe Ellen Prebble
Peter QuinnellGabriella RapisardaMichelle RobertsWendy RoutleyGeorgie ScottCarl SextonMaya Shapiro SteenWill ShepherdGeorge SmithSam SmithDarryl SpencerEsther SpringettCharlotte StephensMartin SwanSarah TKatie TaylorCharlie ThomasChristopher TiteAnnie Rose WallerMarion Willis

Pınar Öğrenci
Ayşe DorakDidare İşleyenNuriye İşleyenNeşe Polat

Cinema Caravan
Akira OkuraDanuraga SastrainingEikou HaraguchiEisuke OgawaGen NagashimaKazuaki Komiya
Keita YamadaMasaya KobayashiMichinori MaruMizuki NishimuraNaoito ItoRai Shizuno
Satoru SegiSolar DarmikaTakashi KuribayashiTatsuya Sano

Arts Collaboratory
Arts Collaboratory School hosting Team
Adrian Milk Jimar
Alex Rubela
Alvaro Castillo
Ana Milena Garzon
Andres Villalobos
Arts Collaboratory members and ekosistems
Binita Shrestha
Darina Kaparovaa
Dasha Chernysheva
Diego Teo
Geral Faun
Jaza

Marwa Arsanios
Marwa ArsaniosAmani DagherMaya DghaidiDr. Joanna DoummarKatrin EbersohnMazen HachemFamilies of Mamlouk and MohamadNancy NasseredineWissam SaadeWael Yammine

The Question of Funding
Eltiqa exhibition researchAdele JarrarMohammad Amal NazeehNicola GrayShayma Al BessSiwar KraitemZiad Haj Ali
Eltiqa Exhibition artistsDina MatterMohammad Al HawajriMohammed AbusalRaed IssaRauof Al Ajouri
Childern booksHadeel BadarniHassan ZahredddineHatem ImamLarissa BenderMona KareemOmar LayzaSahar AbdallahSamir SkayniStudio SafarYousri Al Amir
DayraAbdelwahab ZoabiBasel NasrIbrahim OwaisMutsaem JobranQusai JodeSami KhaldiShurouq QawariqStudio Kawakeb
WebsiteArine AprahamianFarah FayyadHussein Nassereddine
How to work togetherAkef DarawshehFadya SalfitiFayrouz SharqawiHadeel YaqoubHussam GhoshehIman HammouriLina Isma’ilMajid DoghlasNisreen MazawiRami MassadRaya Ziada
AKA NetworkCollective of collectives based in Kassel
Baskom and Jam on Jam on Jam on JamDaniel Aguilar RuvalcabaDiana CantareyJulian Abrahamözgür atlaganSimnikiwe BuhlunguSungeun Lee
Question of FundingAmany KhalifaLara KhaldiNoor AbedRayya BadranYazan Khalili

Cao Minghao and Chen Jianjun
Chi XinanFAN XiaoJianjun ChenKathryn WeirKonchok PalsangLaura NingLiu Man-kun
Minghao CaoHai RENTao GuWan LiYang LinqingYin ChunMi You
Yu JiahuaYu BiaoZhang XuehuaZhou YufeiZhou LaiZhu Dan

Saodat Ismailova
Aïda AdilbekBenazir IbraimovaDana IskakovaMunis JurayevaTokzhan KarataiNazira KarimiDaria KimJazgul MadazimovaZumrad MirzalievaTillaniso Nuregdi
Daria NurtazaIntizor OtaniyozovaAziza PulatovaDiana RakhmanovaDilda RamazanMukhiddin RisqiyevOdina RisqiyevaDiana UMadina Zholdybekova

Black Quantum Futurism

The Fondation Festival sur le Niger
Abdoulaye CamaraAbdoulaye KonatéAdama KeïtaAmaichata SalamataAttaher MaigaAwa DiarraBourama DiarraBréhima CoulibalyCheick Amadou Tidiane SeckCheick Oumar SissokoDjoulaye Samuel CoulibalyElisée SangareFatoumata Tioye Coulibaly
Gaoussou DiaoIbrahima WaneKalifa DembéléLAMINE DiarraLassina KonéLosso Marie Ange DakouoMadou TounkaraMahamadou DrameMama KonéMamou DafféMariam KonéMohamed DoumbiaMoise  Sagara
Moussa Boubacar DiarraN’Dji Yacouba TraoréN’Fana DiakiteSalia MaléSalif BerthéSalomé DembéléSamba TouréSeydou CamaraSouleymane OuologuemTieble TraoréYacouba MagassoubaYaya CoulibalyZakaria Konaté

Keleketla! Library
Malahlela MaloseHlasane Rangoato

Dan Perjovschi

The Nest Collective
J.P. WaitheraJim ChuchuNjeri GitungoNjoki NgumiNoel KasyokaSunny Dolat

FAFSWAG
Elyssia Wilson HetiFalencie FilipoHōhua Ropate KureneIlalio Loau
James  WaititiJermaine DeanMoe Laga-ToleafoaNahora Ioane
Pati Solomona TyrellTanu GagoTapuaki HeluTim Swann
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