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    Bars of Light Pierce a Dilapidated Sydney-Area Home in Ian Strange’s Illuminated Intervention

    
    Art
    #architecture
    #installation
    #light
    #public art
    #site-specific
    #street artDecember 3, 2021Grace EbertAll images © Ian Strange, shared with permissionTagged with graffiti and marred by a chipped facade, a stately Victorian home in a Sydney suburb is the site of a brilliant site-specific installation by artist Ian Strange. “Light Intersections II” uses angled beams of light to impale the derelict structure and permeate outer walls, windows, and the ornate, metallic railing on the second-floor balcony. Illuminating the battered building, Strange’s monumental public work is one of his many projects that explores ideas of home through architectural interventions.The artist, who lives between Melbourne and Brooklyn, relies on the concepts of drawing to inform much of his practice, with a particular focus on how single marks alter perspectives and affect understandings of the material world. He explains:The lines of light in ‘Intersections’ are an attempt to place abstracted perspective lines back into the environment. These drawn perspective lines don’t appear in nature, but are staples in both painting, drawing, and architecture, used as a way of containing, representing, and changing the natural environment.Commissioned by the City of Sydney, “Light Intersections II” follows the artist’s 2019 project that installed a similar concept throughout the galleries and around the perimeter of Melbourne’s Lyon Housemuseum. Watch the video below for a tour of the radiant home, and explore more of Strange’s work on Instagram. (via Street Art News)
    #architecture
    #installation
    #light
    #public art
    #site-specific
    #street artDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    From Intricate Stencils to Vibrant Flowers, Nine New Murals Transform Blank Facades in Tbilisi

    
    Art
    #flowers
    #murals
    #public art
    #street art
    #trompe l’oeilNovember 29, 2021Grace EbertMonkeyBird. All images courtesy of Tbilisi Mural Fest, shared with permissionSince Tbilisi Mural Fest began in 2019, the streets of Georgia’s capital have seen the towering, large-scale works of artists like Collin van der Sluijs (previously), Case Maclaim, and Faith XLVII (previously), whose celestial, intersecting circles are a highlight of this year’s event. The 2021 festival features nine pieces in total that range in aesthetic and subject matter, including a mythological, black-and-white stencil by MonkeyBird (previously), bold botanicals by Thiago Mazza (previously), and a striking trompe-l’œil papercut by 1010. Each monumental work addresses an environmental, social, or other relevant issue affecting today’s world, and you can find 2021’s lineup below. (via Street Art News)Thiago Mazza1010Faith XLVIIJDLLeft: Kade90. Right: David SamkharadzeAPHENOAH
    #flowers
    #murals
    #public art
    #street art
    #trompe l’oeilDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    13 Staircases Blanketed with Prismatic Murals Evocative of Andean Textiles Run Through Lima’s Hills

    
    Art

    #murals
    #Peru
    #public art
    #stairs
    #street art

    October 13, 2021
    Grace Ebert

    All images by Jeremy Flores, © Xomotak, shared with permission
    Artist Xomatok (previously) translates the vibrant, geometric motifs of handwoven Andean blankets, or ilicllas, into large-scale works that mark the pathways through the hilly Alisos de Amauta neighborhood in Lima, Peru. Painted during the course of two months as part of Pinta Lima Bicentenario, the 13 interventions were a collaborative undertaking by the artist and local residents, who transformed the public staircases that wind through the district into multi-level canvases. The resulting patterns are kaleidoscopic and highlight a spectrum of bright colors and symmetries often associated with the traditional textiles. In a note to Colossal, Xomatok says community members will add to the project as a way to continue celebrating their cultural history, and you can take an aerial tour of the finished pieces on the artist’s Instagram.

    #murals
    #Peru
    #public art
    #stairs
    #street art

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    ‘Medicinal Flowers of Lebanon’ by Faith XLVII Sprout from the Damaged Streets of Beirut

    
    Art

    #flowers
    #Lebanon
    #medicine
    #murals
    #public art
    #street art

    October 7, 2021
    Grace Ebert

    Rosa Canina. All images © Faith XLVII, shared with permission
    Rosehips, horned poppies, and an African carline thistle grow from the debris and ruined buildings in Beirut following a mural series by Faith XLVII. The South African artist (previously) traveled to the Lebanese city this September as part of Underline—the ongoing project is helmed by the art collective Persona in collaboration with the Hamra-based NGO Art of Change, which is focused on using public works for protest and to spark change—to paint a collection of curative flowers that appear to sprout from the rubble.
    Contrasting their dainty forms to the rugged landscape, the metaphorical works in Medicinal Flowers of Lebanon lead “us along the brittle sites of Beirut, tracing past and present scars etched into the city,” the artist says. “Each flower urges us in a sense, towards healing as they grow out of the concrete.” The chosen botanics are remedies for common ailments, like using chicory to treat gallstones or slathering clematis paste on skin infections, and they rely on the strength of their natural properties to cure wounds that are both visible and not.

    Carlina Involucrata
    Faith’s visit to Beirut came amidst a period of crisis following the devastating port explosion on August 4, 2020, that left the country without a fully operative government for 13 months and accelerated its economic collapse. “The people of Lebanon have had many dire challenges over the decades, and the expectation for them to be resilient is exhausting,” the artist says, explaining further:
    Even in a time with four hours of electricity a day and waiting for hours for petrol that might run out before you make it to the front of the line, where your life savings are suddenly worth nothing, even in this time, there are still some rays of hope. There are many people and organizations working to improve the conditions of others. So when we are abused abandoned by the custodians of justice and governance, it is the people themselves who pick up the debris and assist each other in healing. That is what the series Medicinal Flowers of Lebanon speaks to.
    Persona and Art of Change are bringing several artists to Beirut for Underline, and you can follow those projects, along with Faith’s outdoor works, on Instagram.

    Cichorium intybus
    Clematis flammula
    Glaucium flavum
    Asphodelus microcarpus

    Clematis flammula
    The artist working on Clematis flammula

    #flowers
    #Lebanon
    #medicine
    #murals
    #public art
    #street art

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    Patterns and Geometric Shapes Disrupt Kaleidoscopic Portraits in Georgie Nakima’s Murals

    
    Art

    #murals
    #portraits
    #public art
    #street art

    October 6, 2021
    Grace Ebert

    All images © Georgie Nakima, shared with permission
    Using geometric motifs and vibrant hues that contrast their brick and concrete backdrops, multi-disciplinary artist Georgie Nakima paints oversized portraits that use color to convey “divinity, resilience, strength, and beauty.” The Charlotte-based artist, who works as Garden of Journey, gravitates toward bright reds and blues to form stripes, facial features, and various plants and animals in a manner that connects the central subjects to their environments. “The color is totally freestyle, and I really like to start with a base color or gradient,” she tells Colossal. “Especially in urban societies, it’s not always inspiring when you’re surrounded by gray and brown buildings.”
    A studio artist primarily, Nakima creates smaller works on paper in addition to her more monumental projects, all of which are tied to ideas of Afrofuturism and countering media narratives with positive messages. Her practice has evolved in recent years from strict hyperrealism to a more abstract style that uses patches of color and patterns. “It’s still proportionately realistic, but there’s more depth,” she says, sharing that she focuses equally on her subjects and their surroundings. “My murals are really playing to the ecosystem. I am a portrait artist. However, I don’t seek for my work to be focused on humans existence. (I want to) put some of the focus off of the human ego and think holistically about who we are on this planet.”
    Nakima is currently working on a piece at Mechanics and Farmers Bank, Charlotte’s first Black-owned financial institution, and you can see more of her outdoor projects, portraits on paper, and basketball court transformations on Instagram.

    #murals
    #portraits
    #public art
    #street art

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    Vibrant Murals by ‘Bicicleta Sem Freio’ Burst with Pop Culture and Cartoon Characters

    
    Art

    #murals
    #public art
    #street art

    October 4, 2021
    Grace Ebert

    Jerusalem. All images © Bicicleta Sam Freio, shared with permission
    Brazilian artists Douglas de Castro and Renato Reno (previously) are the duo behind Bicicleta Sem Freio, who paint large-scale murals that surround their subjects with a chaotic mix of cartoon characters, squiggly splashes, and brightly colored plants and animals. Their streetside pieces, which can be found in cities like New Dehli, Jerusalem, and Fortaleza, Brazil, balance local culture and references to popular imagery and tropical landscapes. “Our work is influenced by the ‘80s and ‘90s global and Brazilian pop culture,” they tell Colossal. “We both enjoyed watching cartoons and television shows when we were younger, and we are also deeply inspired by nature. ”
    Rendered in vibrant blocks of color, Bicicleta Sem Freio’s murals depict a range of subject matter from the native plants of New Dehli to a project honoring people with disabilities in La Solana, Spain. Prior to working on a piece, the pair immerse themselves in the contemporary and historical aspects of the community to draw in mainstream and unconventional references. “We also engage with the locals and ask them about the type of music they listen to and what are the typical animals from the region. This information is crucial for us and ultimately informs our final design… It’s a weird and fun mix,” they share.
    De Castro and Reno are currently in São Paulo working on a piece for NaLata Festival before heading to the U.S. next month. You can find limited-edition prints on JustKids, and follow the artists’ upcoming projects on Instagram.

    La Solana, Spain
    Gôiania, Brazil
    Portugal
    Goiania, Brazil
    Fortaleza, Brazil
    New Dehli

    #murals
    #public art
    #street art

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    Seven Origami Animals Transform New York City’s Garment District into a Vibrant Menagerie

    
    Art

    #animals
    #origami
    #public art
    #sculpture
    #street art

    September 24, 2021
    Grace Ebert

    All images by Alexandre Ayer/Diversity Pictures for the Garment District Alliance, shared with permission
    Thanks to Gerardo Gomez-Martinez (aka Hacer), the public plazas on Broadway in New York City’s Garment District are now a zoo of origami-style animals. The Mexican-American artist installed a series of powder-coated steel sculptures that loom over dining areas and walkways as part of Transformations. Commissioned by The Garment District Alliance, the project consists of seven creatures that vary in size, including a yellow dog, a magenta elephant,  a green bear cub, and two turquoise rabbits and coyotes, one of which extends 14 feet from nose to tail.
    If you’re in Manhattan, stop by the plazas between 36th and 39th streets before November 23 to see the bold animals in person. (thnx, Laura!)

    #animals
    #origami
    #public art
    #sculpture
    #street art

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    A Public Art Project Linking Environmental Concerns and Social Justice Brings Eight Murals to Essex

    
    Art

    #climate crisis
    #murals
    #public art
    #street art

    September 7, 2021
    Grace Ebert

    Aches. All images by Doug Gillen and courtesy of Re:FRAMED, shared with permission
    A spate of public art is flooding the streets of Basildon in Essex, England as part of a new initiative that falls at the intersection of social and environmental justice. Throughout the summer, curators Doug Gillen and Charlotte Pyatt, who are operating together as Re:FRAMED, tasked eight artists with creating large-scale murals and smaller painted works as part of Our Towns: Climate. The resulting pieces reconsider some of today’s most pressing issues through the lens of local art and include a glitched technicolor horse by Aches, INSA’s floral windows, and Michele Curtis’s bright message of support.
    Established by the government to house relocated Londoners following World War II, Basildon is marked by its Brutalist architecture and a lengthy history of braving devastation. “This sentiment forms the heart of the Our Towns programme, engaging culture to consider new solutions to old problems in addressing our relationship with public space and each other,” a statement says.
    Our Towns will kick off in-person programming on September 11 with workshops, tours, and live artmaking, and you can follow its progress on Re:FRAMED’s Instagram.

    Insa
    Gabriel Pitcher
    Franco Fasoli
    Erin Holly
    Marina Capdevila
    Michele Curtis
    Erin Holly

    #climate crisis
    #murals
    #public art
    #street art

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