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      Roby Dwi Antono “Ranger Merah” Limited Edition Print – Available May 20th

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      Indonesian artist Roby Dwi Antono have collaborated with ArtPort for his latest limited edition screenprint entitled “Ranger Merah”. In his print, a child with insidious eyes that somehow bleed innocence is portrayed with a dead dinosaur corpse behind her. She stands staring right back at the viewer, smugly wearing her prey’s head, holding the weapon with a sense of uncertainty washing over her face.Ranger Merah comes in an edition of 50 and measures 67 x 50 cm. The print is priced at 5,850 HK$.Ranger Merah will be available in May 20, 2020, Thursday 7PM HK Time (7AM NYC, 4AM LA, 9PM Melbourne, 12PM UK, 8PM Tokyo) at ArtPort website.Roby Dwi Antono is a visual artist mainly creating surrealistic paintings as well as sculptures and prints. His work opens a portal to another universe where spaceships, aliens, dinosaurs and creatures with humanly features come together. These surrealistic creations that once lived only in Dwi Antono’s imagination come to life in a new realm on his canvas.ArtPort is a publishing house established in 2020. ArtPort supplies limited high-quality editions and prints by artists from the new contemporary art wave. Created around the theme of travelling, ArtPort aims to have people on board, offering them a journey through the art world and an easy way to bring it to their homes. Each edition is a unique and exclusive collaboration between ArtPort and leading contemporary artists.Take a look below to view more photos of Ranger Merah screenprint. More

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      “Revenge Body” by Emma Stern at Carl Kostyál Gallery, London

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      Carl Kostyál London is proud to present Revenge Body, Emma Stern’s first solo show with the gallery. The exhibition is open from 13th May to 12th June 2021.Borrowing from the visual vocabulary of online niche subcultures such as fursonas, fandom and 3D erotica, Stern plays with the quasi-pornographic representation of women in the virtual world, combining traditional painterly techniques such as monochromatic underpainting and chiaroscuro with virtual 3D programmes and modelling to create eerily anonymous, finely-worked ‘portraits’, reclaiming these man-made avatars for the female domain.“What my work is most critical of is the inherent inclination toward pornographic (or at least porn-adjacent) representations of women throughout cyberspace. As our virtual selves become ever-more inextricable from our physical selves, I’m interested in how the preferences of the programmers are imposed on virtual female bodies within the largely male-dominated arena of software and technology.” – Emma Stern in conversation with Evan Malachosky, Cool Hunting, 2019.“There are recurring female archetypes that appear all throughout history but are especially pronounced in the world of 3d fandom and pornography: the cheerleader, the cowgirl, the pin-up girl, the bimbo, the secretary, the girl next door… and then when you start involving all these niche internet/gamer subcultures, you get these fantasy elements and wind up with the slutty elf, sexy centaur, the warrior princess and so on. All these characters are recognisable even if you’ve never seen them before, so they have their own narratives in a way, because they are archetypal.” –Emma Stern, De:Formal, 2020.Emma Stern (b. 1992) lives and works in Brooklyn, New York. She holds a BFA from Pratt Institute’s School of Painting. Her recent solo shows include ‘Slow Fade’, The Newsstand Project, Los Angeles (2020); ‘Works’, Jorge Andrew Gallery, Brooklyn, NY (2017); ‘Tabs’, Stream Gallery, Brooklyn, NY (2015). Stern has an upcoming solo show at Carl Kostyál, Stockholm in November 2021.Recent group shows include ‘Stockholm Sessions’, Carl Kostyál, Stockholm (2021); ‘Resting Point of Accommodation’, Almine Rech, Brussels (2021); ‘The Artist is Online’, Konig Gallery, Berlin (2021); ‘Friend Zone’, Half Gallery, New York (2021); ‘06’, PM/AM, London (2020); ‘Escapism’, Meredith Rosen Gallery, New York (2020) and ‘American Woman’, Allouche Benias Gallery, Athens, Greece (2020).Check out below for more images of “Revenge Body”Fiona, 2020. 3D printed PLA plastic, pearlescent acrylic enamel paint, clearcoat laquer.Erowid + Emily, 2020. Oil on canvas.Gabbi (Flexing) 2, 2020. Oil on canvas.Nina, 2020. Oil on canvas.Jess 2, 2020. Oil on canvas.Emily and Fiona 1, 2020. Oil on canvas. More

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      in Exhibitions

      SOS – Dscreet

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      SOS is a new body of work from Australian artist, Dscreet. The well-toured owl lover previously painted extensively in London, as part of the infamous Burning candy Crew, a collective that included artists such as Cept, Pegs, Sweet Toof, Cyclops, Tek33, and occasionally SickBoy. Now repatriated in his home country and forced to spend hours alone during Melbourne’s draconian lockdown, drunkenly trawling Tinder, Dscreet finally put down his phone and picked up a paintbrush, putting the many bottles of booze he’d drained to better use. This is the result.
      SOS – Dscreet‘I spent a lot of time in isolation walking around alone, first depressed, then I found a way tolook at things differently.’‘The world was upside down so it was time to discover new places to keep my mindoccupied. To find new uses for the detritus in my brain and on the streets. This city becamea strange jail with one hour of outdoor time to breathe, no painting and no surfing allowed,few outlets for anyone like me who funnels freedom into my art. I felt like we were allsharing a special kind of crazy. At first I began to go a little insane, listening to the media,trying to make sense of it all, trying to deny my relative misery, but there were a lot ofconflicting stories coming out, no-one really knew what was going on. I meditated, didyoga, breathwork, exercise and then drank a lot of alcohol. I felt the same conflicting storyin myself, trying to stay healthy and positive then destroying the good work with the polaropposite force. Somehow a balance evolved, staring into the empty bottles, I decided toput them to good use and decorate them with the profound lyrics of those who have beendrunk and isolated before me, after all, many of us creative types spend even the mostnormal times in isolation, sometimes confused and conflicted. Sometimes there’s thosemoments of clarity at the end of a cycle.’‘In memoriam to my personal journey, through the schizophrenic stasis of the world, eachof these painted bottles represents a piece of my creative therapy and struggle throughlockdown. The other pieces represent found objects and prose I’ve salvaged from personalhikes through the streets and wilderness and songlists. The surfboard is a monument tothose opposing forces that keep clashing in the media and in our minds, ready to flowbackwards or forwards, I reached an acceptance that nothing can be taken for grantedanymore and nothing is absolute. I’m happy to be sober and surfing and painting again.’– DSCREETView the full catalogue here.COLLECTOR ENQUIRIES: [email protected]@backwoods.gallery@dscreetsheet
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      “Botanica Resistente” by ETNIK in Rome, Italy

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      Recently, the urban artist ETNIK, flanked by Mirko Pierri, curator of urban art for the a.DNA association, was finally able to start transforming the facade of the Liceo Scientifico Statale Francesco D’Assisi, between via Castore Durante e Viale Palmiro Togliatti, in Rome. The work, entitled “Botanica Resistente” was created in the days around April 25th, the “Liberation Day” in Italy, which commemorates the end of the Nazi’s occupation and the liberation from Fascism.The title refers to the original name of Viale Palmiro Togliatti which, until about 1979, was known as Viale della Botanica. A direct reference, therefore, to the toponymy that characterizes the whole district of Centocelle with its streets named after plants, trees, and flowers. Etnik’s work is undoubtedly based on the irremediable antithesis between architecture and nature: in the mural concrete blocks, asphalt and artificial works succumb to natural elements, giving life to a slow but gradual reconquest of spaces taken from nature. But “Botanica Resistente” has multiple readings.Those plants and flowers represented by the Italian urban artist, known and respected all over the world, also want to symbolize the ability to react of the inhabitants of Centocelle after the fires at La Pecora Elettrica, at the Baraka Bistrot, and other local shops in 2019. The symbolism used is a tribute to those who take action in their territories in defense of the common space for the dissemination of culture, inclusion, and social interaction. A feeling that is also the engine of the Uno, nessuno, Centocelle project. The light that is rekindled, the letters that thanks to the interaction come back to compose a collective story, culture as a tool.After five days of work in progress, the work is finished. Some hidden details are indirect references, such as the blank pages of suspended books. They are small dedications wanted by the artist, which can only be grasped by those who have lived in those places. “I wanted to symbolize a rebirth – explained Etnik – a breach in the concrete as a glimmer of possibilities to overcome this long dark period. The blank pages that I inserted in detail of the mural are still to be written – he concluded – a way to entice to leave negative events behind to move forward and write a better story.”The work is representative of familiar urban corners, on the border, where between asphalt and concrete, spontaneous plants are in a constant struggle for survival. “Living the streets to fight the social isolation and the speculative and criminal control of the neighborhood is necessary”, explained Mirko Pierri of a.DNA Project. “A similar work can and must support the inhabitants of the place that hosts it because telling about their actions enhances their constancy – he outlined – which is fundamental for the defense and survival of the identity of a territory”Check out below for more photos of “Botanica Resistente”. More

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      in Street Art

      Discovering Banksy – Part 7

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      Arguably the most controversial street artist in the world, the works of Banksy have become a subculture in their own right. Banksy’s works are well-known for being political and thought-provoking at the same time. The anti-establishment slant together with his creativity made him reach this level of popularity.Banksy is without doubt among the most gifted minds and has expressed his thoughts through his graffiti. Take a look below and enjoy these quotes and sayings by Banksy.“Do not punish yourself”, 2005Artwork from Los Angeles Series, 2003Japan, 2002Graffiti work in Los Angeles, USAMural done on Melrose Ave in Hollywood, California. It depicts the famous sidekick Robin with the quote “NO MORE HEROES”.Bristol, England, Late 90’sThis is a very obscure early Banksy stencils from the late 90s in Bristol. The text is paraphrasing a quote from the film director David Puttnam “Nowhere in the world will you find a statue of a critic, or the biography of a committee”.Early London, UK work, 2001Quote from Los Angeles show, 2006“Fame is a basic human right” Los Angeles, USA, 2006“You looked better on myspace” another work from Los Angeles, USA, 2006Early piece of Banksy from Glasgow, Scotland,“Lying to the police is never wrong”Banksys “The Bear and the Bee” in Kensington Park Road, LondonThis piece is found on the side of a trash container in Notting Hill, London.  It is a parody of a La Fontaine fable.“If you win the rat-race, you’re still a rat”London, United Kingdom, 2004A love poem by Banksy form Los Angeles show, 2006Last image is Banksy’ s take on romance injected with his kind of humour. More

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      D*FACE “Death and Glory” Limited Edition Sculpture – Available May 6th

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      Atelier Kismet collaborated with D*Face (Dean Stockton), one of UK’s most prolific Urban Contemporary artists. Entitled, Death & Glory, this collaborative piece represents the third iteration of the original D*Face artwork under the same title. Now released in miniature, the piece features a hidden incense burner chamber inside the ceramic model, bringing the sculpture to life as it smokes and fumes with the incense of choice.The sculpture represents a significant landmark in D*Face’s career as it was the opening statement to his first solo show Death & Glory, StolenSpace Gallery, London (2006). Featuring a police car smashed under the weight of the iconic D*Dog, the work reflects on the recklessness of the police force actions in law enforcement and is a statement of the artist’s reaction against such conduct.“Death and Glory” sculpture is an edition of 75 with measurements as the following:D*DogCeramic with Platinum Coating19 cm x 11 cm x 12.5 cmPolice CarGlazed and Hand Decorated Ceramic24 cm x 10 cm; height: 7.5 cmBox28.6 cm x 27.6 cm; height: 21.2 cmDean Stockton, also known as D*Face, is one of UK’s most prolific Urban Contemporary artists. Taking the public streets as his canvas, he blends art, graffiti and design to create murals that at the time, preceded Urban Art’s emergence as it is known today. The artist describes his work, often characterised by vibrant hues and sharp lines, as ‘aPOPcalyptic’. D*Face seeks to pick up from where the masters of 1980’s American Pop Art left off by subverting everyday images and icons, criticising the consumer dominated world and encouraging the viewer to carefully consider what otherwise might be taken for granted.Check out below for more images of “Death and Glory”.The sculpture will be available on May 6th, Thursday @ 5PM UK Time at Atelier Kismet. More

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      “Carbon Dioxide & Calathea Makoyana” by Fabio Petani in Gorle, Italy

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      Italian street artist Fabio Petani just worked on his new project entitled “Carbon Dioxide & Calathea Makoyana” s part of the StreetArtBall Project. It was created to fuse street art and sport in support to the community’s urban regeneration.This initiative conveys the rebirth after the terrible period of the pandemic, which hit their area particularly hard, and on the other hand, attention to the environment.Fabio Petani’s works are characterized by a disarranged harmony of lines, shapes and volumes, which complement each other through the use of faint and harmonious colors, blended into breaking elements. His research analyzes the chemical and molecular aspects of objects giving rise to a lengthy operation of reconstruction of the elements in the periodic table. An increasingly detailed production that brings out an ever-changing organic complexity.Each chemical element, just like each plant, is somehow connected to the environment, the space or the context in which the wall is made. The importance of the connection between work and context is evoked also by his works on wood, paper and other alternative materials. It is through the employment of such materials that Fabio Petani tries to get carried away by the matter, aiming at ending the periodic table with a cluster of artworks able to tell a story about the alchemy between art, chemistry and nature.Check out below to see more photos of the project. More

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      “#PRLOVE” and “MANATEE” by ROA, in Puerto Rico

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      Internationally renowned artist ROA is painting his animal murals in a roadtrip across Puerto Rico. He has completed over 15 murals and has just finished his largest on the Isla de Cabras; an infant manatee with an adult skeleton.His initiative #PRLOVE, seeks to generate awareness of the animals and to celebrate the biodiversity of Puerto Rico. It highlights the individual animals that live here and the biologists and contributors that work to preserve the species and environment.#PRLOVE is an ongoing effort with many potential facets and programs and is produced in partnership with Puerto Rico’s Elegel Group. It is supported by Coqui Charities and is in collaboration with natural resource agencies, NGO’s and independent groups, including DRN, Conservación ConCiencia and the Caribbean Manatee Conservation Center.The 160’ x 25’ mural on the World War II concrete gun battery Fort Amezquita, on the edge of Isla de Cabras, is ROA’s largest to date in Puerto Rico and marks the 15th piece done by the artist here. Other murals painted across the Island with the help of NGOs and experts in wildlife conservation include the crested toad in Guánica and the Puerto Rican parrot in Utuado (both produced in collaboration with the Department of Natural and Environmental Resources); the tiger shark in Río Grande and the lionfish in Naguabo (both done in collaboration with Conservación ConCiencia.The manatee mural was painted with insight provided by experts from the Manatee Conservation Center, the financial support of Coqui Charities and the assistance of the Municipality of Toa Baja, which holds jurisdiction over Isla de Cabras.Street artist Roa is a muralist from Ghent, Belgium, he is primarily known for his strong obsession for animals and rodents. He often combines life, death, and life after death in his murals, which quickly distinguishes him amongst traditional muralists. His animals are painted to include skeleton and internal organs, making the sight even more realistic.Internationally, ROA has created over a 1000 murals on the streets of cities across Europe, the United States, Australia, Asia, New Zealand and Africa.Take a look below to see more photos of “#PRLOVE” and “MANATEE”. More