The photographer An-My Lê was born in 1960 in Saigon during the height of the Vietnam War. She knew nothing else growing up. “War was a part of life for us…it’s something we take in stride,” she told Art21 in an exclusive interview back in 2007.
She and her parents fled Vietnam, eventually landing in the United States as political refugees in 1975. Throughout her career, however, war has never been far from her mind. Although Lê describes her work as “landscape photography,” the images she captures happen to be almost exclusively the landscapes of war.
Using an old-fashioned Deardorff wooden camera, she travels to witness military exercises, battles, and their aftermath. The tool is “so cumbersome it makes me take a particular type of picture,” she told Art21.
Production still from the “Art in the Twenty-First Century” Season 4 episode, “Protest,” 2007. © Art21, Inc. 2007.
“I think my main goal is to try to photograph landscape in such a way so that history could be suggested through the landscape,” she says in the video, “whether industrial history or my personal history.” Despite her fascination with the military structure, she knows firsthand the traumatic implications of war. “It’s very complicated, it’s not black and white…and I think that’s why the work seems ambiguous,” Lê says. “It’s meant to be.”
Right now at the Carnegie Museum of Art, the most comprehensive US survey of Lê’s work is on view in “An-My Lê: On Contested Terrain.” More than 100 photographs by the artist document military training, maneuvers, and reenactments. By turning her lens on the structure of the armed forces, we are able to see the individuals at work behind the massive complex—and are forced to reckon with our own feelings toward conflict.
Art in the Twenty-First Century
Source: Exhibition - news.artnet.com
