For the Chicago-based artist Nick Cave, trash is treasure. In his hands, the discarded detritus of everyday life becomes the foundational element of intricately layered artworks he calls Soundsuits. The works are part sculpture and part instrument, meant to be worn (often by Cave himself), and often completely obscure the person inside.
In an exclusive interview filmed as part of Art21’s Art in the Twenty-First Century series back in 2016, Cave described creating a work to honor the slain African American teenager Trayvon Martin. The Soundsuit, in this case, consists of a hoodie, sneakers, and jeans flanked by giant gold-beaded figures.
“From a distance, it looks like this amazing sort of gold sculptural form,” he tells Art21. “Until you get up close and you realize that there is someone trapped inside.”
The homage to Martin is in keeping with the origins of the Soundsuits, which Cave first debuted in 1992 following the beating of Rodney King. With his immersive installations and raucous performances, Cave sees himself giving back to the community as a sort of “change agent.”
Right now, as much of the world remains in a state of lockdown, Cave is uploading short videos to his Instagram account as an extension of an exhibition of his work meant to be on view at the University of Virginia’s Ruffin Gallery.
Despite the show’s abrupt closure, Cave is still finding ways to use his art to help people through difficult circumstances. “I want to change our way of engaging with one another,” he tells Art21. “I want to use art as a form of diplomacy.”
Source: Exhibition - news.artnet.com
