“Untitled” (2022), ballpoint pen on paper, 8.9375 x 10.9375 inches. All images courtesy of Sugarlift, shared with permission
Through ballpoint pen drawings and hazy oil paintings, Mexican-American artist Nicolas V. Sanchez (previously) conjures childhood memories, instances of intimacy, and a sense of yearning. Sanchez, whose works vacillate between the incredibly realistic and the dreamlike fog associated with recollection, finds his subject matter in the unassuming and every day. He fixates on the texture of a horse’s short coat and wrinkled neck, the way sleeping children hang their limbs haphazardly off the edge of a couch, and how sunlight permeates sheer curtains scrunched together on a rod.
No matter the medium, Sanchez’s works often evoke his upbringing in the Midwest and his experience as a child of Mexican immigrants. Many of the pieces shown here are included in the artist’s solo show belongings at Sugarlift, which considers connections to histories, ancestors, and geographies. “‘Belonging to’ is always in relation with an enduring sense of to ‘be longing’ for connections that transcend singular explanation,” a statement says.
belongings is on view through June 16 at the New York City gallery, and you can peek into Sanchez’s painstaking process on Instagram.
“Mariana” (2022), ballpoint pen on paper, 9.25 x 7.25 inches
“Untitled” (2022), oil on canvas, 96 x 78 inches
“Untitled” (2022), oil on canvas, 96 x 144 inches
“Untitled” (2022), oil on canvas, 96 x 108 inches
“Grandpa” (2021), ballpoint pen on sketchbook, 3.5 x 5 inches
“Family Wall” (2021), ballpoint pen on sketchbook, 3.5 x 5.5 inches
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Source: Art - thisiscolossal.com
