Architecture

A $600 million health, research and education facility will soon begin construction in Sydney’s Randwick, after the University of New South Wales announced the appointment of a delivery partner and a construction partner.
The Health Translational Hub designed by Architectus and Aspect Studios, will be a key project of the Randwick Health and Innovation Precinct and is the nexus between UNSW’s Kensington Campus and several hospitals in Randwick.
The facility will bring together educational and medial researchers, clinicians, educators, industry partners, public health officials and the public.

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The proposed Health Translational Hub by Architectus and Aspect Studios. Image:

Courtesy UNSW

“A state-of-the-art facility, the Health Translation Hub will physically connect UNSW to the hospitals and enable a seamless and integrated work, research and education environment,” said UNSW vice-chancellor Attila Brungs. “We will discover unmet clinical needs faster, connect real-world health issues more efficiently to our researchers and industry partners, and facilitate a hands-on learning opportunity for our students.”
The project will create a 2,500 square metres of north-facing open public space to act as an engaging and welcoming space for staff, students, patients and industry partners, as well as collaborative working spaces, education and training facilities, research rooms, and supporting facilities such as retail spaces.

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The proposed Health Translational Hub by Architectus and Aspect Studios. Image:

Courtesy UNSW

The facility will be co-located with the new Prince of Wales Hospital Acute Services building designed by BVN and it will also create a physical link to the adjacent Sydney Children’s Hospital stage one and Minderoo Children’s Comprehensive Cancer Centre, designed by Billard Leece Partnership, via a sky bridge.
Plenary Health consortium will deliver the project with 65 percent of the 35,600 square metre facility to be occupied by the university and the remainder open to industry. Hansen Yuncken has been engaged as construction partner.
Construction set to begin in 2023 the building is due to be complete by 2025. More

A vacant space adjacent to the Perth Children’s Hospital will undergo a $4 million upgrade to create a nature playground, amphitheatre, entertainment space and a natural learning precinct. The future park is intended to offer a place of refuge for patients and their families from the clinical setting of the hospital. Designed by Hassell, the […] More

The 2022 National Architecture Awards, held at Sydney’s Taronga Zoo, marked the first in-person national awards event in two years, providing an opportunity for the industry to coalesce in celebration of this year’s most eminent and prestigious projects.
Since 1981, the National Architecture Awards have upheld excellence in the architecture profession by recognizing the strongest practitioners in the field. Dedicated to the promotion of distinction in Australian architecture, the awards program strives to positively shape the industry by acknowledging projects with positive impacts on their community.
The 2022 jury commented that this year’s entries “truly captured the spirit of Australian architecture,” with notable projects including those which are built on seminal landmarks of Australian identity, and visually and viscerally connected to place.
Bundanon, by Kerstin Thompson Architects, is steadily becoming a “reference for the holy grail of Australian architecture”, the jury said. “Bundanon is a layered work that has been sensitively handled and respects the original vision for the estate.” For its sensitive addition to the Arthur and Yvonne Boyd estate, this project was awarded both the Sir Zelman Cowen Award for Public Architecture and a National Award for Sustainable Architecture.
This 2022 jury comprised former Institute president Tony Giannone, Adrian Iredale, Caroline Pidcock, Poppy Taylor, and Tim Ross. Winners were selected from a shortlist of 85 finalists from 184 entries.
The winners are:
Public Architecture
The Sir Zelman Cowen Award
Bundanon – Kerstin Thompson Architects
National Awards
Victorian Pride Centre – Brearley Architects and Urbanists and Grant Amon Architects
Walyalup Civic Centre – Kerry Hill Architects (KHA)
Walsh Bay Arts Precinct – Tonkin Zulaikha Greer Architects
National Commendations
Kings Langley Cricket Club and Amenities – Eoghan Lewis Architects
New Farm Neighbourhood Centre – Vokes and Peters with Zuzana and Nicholas
Residential Architecture – Houses (New)
National Awards
Jimmy’s House – MJA Studio with Studio Roam and Iota
Curl Curl House – Trias

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Curl Curl House by Trias. Image:

Clinton Weaver

National Commendation
Corner House – Archier
Residential Architecture – Houses (Alterations and Additions)
The Eleanor Cullis-Hill Award
Arcadia – Architecture Architecture

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Arcadia by Architecture Architecture. Image:

Tom Ross

National Awards
Autumn House – Studio Bright
Stable and Cart House – Clare Cousins Architects
Fusilier Cottage – Bence Mulcahy
Cascade House – John Ellway Architect
National Commendation
Currumbin Waters House – Nielsen Jenkins
Residential Architecture – Multiple Housing
The Frederick Romberg Award
Quay Quarter Lanes – 8 Loftus Street – Studio Bright

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Quay Quarter Lanes – 8 Loftus Street by Studio Bright. Image:

Rory Gardiner

National Award
Anne Street Garden Villas – Anna O’Gorman Architect
National Commendation
St Albans Housing – NMBW Architecture Studio in association with Monash Art, Design and Architecture (MADA)
Educational Architecture
The Daryl Jackson Award
Brisbane South State Secondary College – BVN

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Brisbane South State Secondary College by BVN. Image:

Christopher Frederick Jones

National Award
ANU Birch Building Refurbishment – Hassell
National Commendation
Ultimo Public School – Design Inc Sydney, Lacoste and Stevenson and BMC2 (architects in association)
Interior Architecture
The Emil Sodersten Award
BVN Brisbane Studio – BVN

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BVN Brisbane Studio by BVN. Image:

Christopher Frederick Jones

National Award
The Hedberg – Liminal Architecture with WOHA
National Commendation
ANU Birch Building Refurbishment – Hassell
Commercial Architecture
The Harry Seidler Award
52 Reservoir Street – SJB

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52 Reservoir Street by SJB. Image:

Brett Boardman

National Award
Queen and Collins – Kerstin Thompson Architects and BVN
Sustainable Architecture
The David Oppenheim Award
Live Work Share House – Bligh Graham Architects

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Live Work Share House by Bligh Graham Architects. Image:

Christopher Frederick Jones

National Awards
The Hütt 01 Passivhaus – Melbourne Design Studios (MDS)
Spring Bay Mill Ridge Quarters – Gilby and Brewin Architecture
Bundanon – Kerstin Thompson Architects
Heritage
The Lachlan Macquarie Award
Walsh Bay Arts Precinct – Tonkin Zulaikha Greer Architects

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Walsh Bay Arts Precinct by Tonkin Zulaikha Greer Architects. Image:

Brett Boardman

National Award
ANU Birch Building Refurbishment – Hassell
Urban Design
The Walter Burley Griffin Award
Quay Quarter Lanes – SJB, Silvester Fuller, Studio Bright, Carter Williamson, Lippmann Partnership and Aspect Studios

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Quay Quarter Lanes by SJB, Silvester Fuller, Studio Bright, Carter Williamson, Lippmann Partnership and Aspect Studios. Image:

Rory Gardiner

National Award
Walyalup Civic Centre – Kerry Hill Architects (KHA)
National Commendations
Riverside Green South Bank Parklands – Hassell
Newcastle East End – SJB in collaboration with Durbach Block Jaggers, Tonkin Zulaikha Greer and Aspect Studios
Small Project Architecture
The Nicholas Murcutt Award
Gathering Place – Penhale and Winter with Sandra Harben

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Gathering Place by Penhale and Winter with Sandra Harben. Image:

Kieran Murnane

National Award
The Dentist – Rob Kennon Architects
National Commendation
Long Beach Amenities – Preston Lane
International Architecture
National Award
Yuandang Bridge – Brearley Architects and Urbanists

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Yuandang Bridge by Brearley Architects and Urbanists. Image:

Zhu Runzi

Colorbond Award for Steel Architecture
The Foundry – Lead FJMT Studio, FJMT Studio and Sissons (architects in association to DA)
Enduring Architecture
Woolley Hesketh House – Ken Woolley
National Emerging Architect Prize
Daniel Moore, Open Creative Studio More

The Fishwick House by Walter Burley Griffin in Sydney’s Castlecrag is on the market for the first time in nearly half a century since it was purchased by its current owners in 1976.
The house was designed in 1929 by eminent architect of the Chicago Prairie School Walter Burley Griffin and his wife Marion Mahony, the first registered female architect in America.
Built on the newly developed peninsular suburb of Castlecrag at the end of a cul-de-sac, the site is identified by its irregular shape that falls steeply from west to east. On the wedge-shaped block with panoramic views over the peninsula, the Fishwick house has become a canonical instance of early-twentieth-century residential architecture and has even been attributed with the birth of modern architecture in Australia.
The house has been built predominantly out of sandstone, quarried from the natural rock escarpment onsite and on a site nearby. Rock-faced stone has been used for external walling to give the house the appearance of rising out of the rock on which it is built. This stone has also been used to form the internal walls, the grand fireplaces and the chimneys.

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The large entrance hall features floor-to-ceiling pillars, painted the deep greens and browns of Australian eucalypts, with metallic gold highlights. Image:

Tamara Graham

As well as its sandstone rockface, the home is renowned for its split floor levels and its boundary-pushing interior design innovations. Its notable features include open planning, a spacious colonnaded reception area and a sunken study.
The study can be opened fully to the entrance hall through a pair of double glass doors – a concept that did not become popular until mid-century. In the large entrance hall, floor-to-ceiling pillars were painted the deep greens and browns of Australian eucalypts, with metallic gold highlights.
On the first floor are four bedrooms and two bathrooms, including the master bedroom, which incorporates a unique semicircular design with a row of north-facing windows that provide ample natural light and bush views.
Added to the NSW State Heritage Register in 2006, Fishwick is a rarity as one of only 13 remaining Griffin-designed houses. It was carefully restored over more than 30 years and will require regular maintenance in future.
The home will be listed on the Modern House website, with viewings available by appointment. More

The Australian Institute of Architects has announced the shortlisted for the 2023 Dulux Study Tour. Thirty early career architects will progress to the next stage of judging: Lavanya Arulanadam – City Design, The City of MelbourneGabriella Avenia – HassellMontgomery Balding – ArchierEdwina Brisbane – Cumulus StudioEllen Buttrose – People Oriented Design PODJames Connor – Card […] More

Final designs have been completed for an expansion project of the Godinymayin River Arts and Cultural Centre in the Northern Territory, and a local construction company has now been appointed to carry out the upgrades. Designed by Darwin-based Troppo Architects, the expansion encompasses a new outdoor amphitheatre and upgraded facilities, a new office annex, a […] More

Buchan will lead the design for the Australian Pavilion at Expo 2025 in Osaka on behalf of the Australian Department of Foreign Affairs (DFAT). The World Exposition is held every five years as a global gathering of more than 150 countries, dedicated to finding solutions to pressing contemporary issues. Countries are invited to build pavilions […] More

The Australian Institute of Architects has announced the creative team for Australia’s exhibition for the 2023 Venice Architecture Biennale.
Anthony Coupe, Julian Worrall, Ali Gumillya Baker, Emily Paech and Sarah Rhodes were selected by the Institute’s Venice committee for their proposal “Unsettling Queenstown.”
The exhibition proposal explores ideas of decolonization and decarbonization, coupled with regeneration and revitalization, which responds to the overall theme for the Biennale set by curator Lesley Lokko, “Laboratory of the Future.”
Taking the example of Queenstown in Tasmania, emblematic of a settler town “built on resource extraction and labour exploitation”, the exhibition ponders the post-colonial future of this town and similar examples around the world.
Australia’s pavilion at the Giardini will be transformed into an immersive experience with a floating “ghost” in Tasmania’s colonial history.
“Queenstowns are real places but they don’t even have proper names. They are just outreaches of the monarchy and colonialism,” explained Anthony Coupe.
“They are resource driven places and some of them are collapsing – the resources have run out and you’ve got communities that don’t know what to do with these towns,” he continued.
“Particularly at the end of this second Elizabethan age, it’s cast a whole spotlight on the monarchy and what it does and what the legacy is for Australia.
“The whole of Europe is based on the low labour rates of colonial outposts. These are the global issues that we like to think about. We also like to think about how they play out at a local level.”
The exhibition will comprise four elements centred around an “ethereal and uncanny” replica of the arched belvedere of the colonial Empire Hotel in Queenstown, which will be reconstructed in woven mesh and will float above the floor of the Australian Pavilion.
“We’re unsettling Queenstown by chopping it off at the foundations, so to speak,” Coupe said.
The creative team will also seek oral histories from First Nations peoples and Queenstown residents whose voices will play through the ghost of the Empire Hotel.
“We’re very much interested in this area around temporality and narrative. So to some degree it’s about understanding that past in a different way and rethinking its history so that there’s possible different futures,” Coupe said.
On the floor will be the a layered map of Queenstown “with streets, buildings, and mining infrastructure inscribed on the underlying landform with its topography, waterways, and vegetation, overlaid with an abstract net of property boundaries, cadastral grids and survey points.” Aboriginal place names will be projected onto this ground layer.
On the walls will be projections of landscape photography of Country as it has changed over time, and an “open archive” of “exemplars and techniques from contemporary architectural practice, assembled in response to a call and response, gathered and interpreted by the Creative Directors.”
Coupe explained, “What we’re trying to do is invest ourselves and Australian architects in a conversation around what decolonisation might mean in architecture.
“Our callout, our survey of work is focused on tactics rather than exemplar projects. This is our ‘laboratory of the future’ to some degree. It’s a conversation.
“We’re calling out for projects that deal with ideas of incorporating First Nations knowledge, that provide listening and dialogue, that make spaces that are inclusive, that connect with time, memory and experience, and incorporate processes to enable change. As we do this we uncover what the tactics are and this can inform a framework.” More