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    Angelina Jolie Wants to Pick Up Where Warhol and Basquiat Left Off

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    It was a Saturday night, and behind the graffiti-scrawled facade of Atelier Jolie, her downtown creative space and gallery, Angelina Jolie was in conversation with the artist Shirin Neshat.The topics were heady: the plight of refugees, the rights of women, how to wrench meaning from exile; the value of art in all that. Jolie, ethereal in a cream dress with an embroidered capelet, was gracious. “I’m so happy to be with all of you,” she said to the invited 50 or so guests, adding that she sought community to “keep trying to understand ways to help.” For her, being an artist was a means of communication: “I want to know if you feel the same pain.”Jolie listened intently to Neshat, the Iranian visual artist and filmmaker, a striking figure with kohled eyes. “Art doesn’t come from intuition,” Neshat said. “It has to come from the life you have led. It has to relate to the world.”At the reception, notables like the musician Jon Batiste and the author Suleika Jaouad (his wife), and Jack Harlow, the chart-topping rapper, mingled amid the artwork. A Sufi dancer in a crimson gown twirled between the tagged-up walls.The artist Shirin Neshat, center, in conversation with Jolie and the moderator Claude Grunitzky. “Art doesn’t come from intuition,” Neshat said. “It has to come from the life you have led.”Argenis ApolinarioAnd Jolie, the Oscar-winning actress, humanitarian and object of global fascination, was not the red-hot center of attention. Which is just how she wants it. “I like to see what other people make,” she said. “That’s part of my creativity.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Mural by SATR in Réunion Island, France

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      During the vibrant Réunion Graffiti Festival, artist SATR painted a breathtaking mural that celebrates nature’s raw beauty and energy. Inspired by the crashing waves and striking volcanoes of Réunion Island, this artwork captures the island’s pristine landscape and spirit. The dynamic, smoke-like contours of the mural create a mesmerizing sense of motion, as if the powerful horse itself is alive and leaping off the wall. SATR’s masterful use of spray paint, combined with the striking pops of red, makes this piece truly unforgettable.SATR shared how deeply moved she was by the natural splendor of the island and the warmth of the people she met: “The crashing waves and striking volcanoes took my breath away. I’ll always remember its pristine beauty and the amazing people I met here.”SATR, who lives and works in Guangzhou, has been a key figure in street art since 2013. Known for her innovative atomization spray technique, SATR creates animals with dynamic movement and ethereal, smoky edges. Her work blends the boldness of Western graffiti with the delicate elegance of Eastern-style ink and wash painting, balancing tradition and modernity. The strong Oriental influence in her art is further underscored by the use of ancient seal-engraved signatures, a respectful nod to her roots.Réunion Island’s stunning landscapes and SATR’s singular artistry have come together to produce a mural that speaks to both nature’s power and the beauty of human creativity.Stay tuned and follow us for more street art updates from around the globe! More

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      Coverage: “Life in the Fast Lane” Tyrrell Winston Solo Exhibition at Volery Gallery, Dubai, UAE

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      Known for his ability to reimagine discarded objects, Winston brings his unique aesthetic to Volery with works that explore the emotional and physical toll of greatness. His punishment paintings reflect the endless repetition and unseen effort required to achieve success, emphasizing the sacrifice inherent in both athletic and artistic pursuits. These works are raw and deliberate, capturing the discipline and resilience needed to navigate high-pressure environments.Winston’s basketball installations—crafted from salvaged balls and nets—highlight the artist’s ongoing fascination with transformation and nostalgia. By repurposing materials that have long outlived their intended purpose, he elevates them into symbols of persistence and perseverance, challenging viewers to see beauty and meaning in the overlooked.This exhibition marks an important milestone for Volery Gallery as it continues to introduce bold and globally recognized artists to the region. For Winston, it represents an expansion of his artistic reach, engaging with a new audience while showcasing his ability to tap into universal themes.While Winston is best known for his thoughtful recontextualization of everyday items, Life in the Fast Lane reinforces his talent for combining cultural critique with deeply personal narratives. Through his work, he bridges the gap between contemporary art and popular culture, making his pieces both accessible and profound.Life in the Fast Lane has already generated buzz for its compelling storytelling and striking visuals. Visitors to Volery Gallery are invited to experience Winston’s thought-provoking works firsthand and immerse themselves in his exploration of endurance, repetition, and transformation.The exhibition will be on view until December 12, 2024.Take a look below for more photos of Life in the Fast Lane exhibition More

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      “Life in the Fast Lane” Solo Exhibition by Tyrrell Winston at Volery Gallery in Dubai, UAE

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      Street art meets sports culture in Tyrrell Winston’s highly anticipated solo exhibition, Life in the Fast Lane, set to open on November 16, 2024, at Volery Gallery in Dubai. Known for his distinctive style that transforms discarded objects—such as deflated basketballs and vintage sports memorabilia—into powerful artworks, Winston’s pieces invite viewers to reconsider the beauty in the overlooked and the narratives within everyday items.Life in the Fast Lane features ten new “punishment paintings” and two iconic basketball installations, showcasing Winston’s deep connection to the themes of resilience, identity, and legacy in sports. This exhibition explores the parallels between athletes and artists, highlighting the often unseen sacrifices and relentless determination that drive both to greatness.With a unique approach that combines fine art with street culture, Winston has captured the attention of major American institutions, including the Whitney Museum and MOCA. Now, he brings his celebrated work to the Middle East for the first time, creating a new dialogue within Dubai’s dynamic art scene.Adding to the exhibition’s excitement, Winston will be in attendance at the opening, alongside special guest Emeric Tchatchoua, creative director of the Paris-based fashion brand 3Paradis. This blend of art, sports, and high fashion promises to make Life in the Fast Lane an unforgettable experience.Exhibition Details:•Opening Date: November 16, 2024•Location: Volery Gallery, Maze Tower, Dubai International Financial Center•Exhibition Duration: November 16 – December 12, 2024Join us as we celebrate Tyrrell Winston’s unique vision, where the spirit of the streets meets the heart of the gallery. Don’t miss this opportunity to witness his work firsthand!Tyrrell Winston, Going Pro Is Not A Mirage, 2024. Used basketballs, liquid plastic, steel, epoxy, 111.8 x 137.2 x 22.9 cm More

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      “Tales” by Aleksi Ivanov in Bucharest, Romania

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      Bulgarian artist Aleksi Ivanov recently brought the streets of Bucharest to life with his mural Tales, as part of the BSBSA (Belgrade Sofia Bucharest Street Art) project. Known for his multidisciplinary approach and public art interventions, Ivanov’s week-long visit was filled with creative workshops, an artist talk, and the development of this expansive mural that explores shared folklore of the Balkan region.The mural, Tales, vividly represents the rich, interconnected folklore traditions of Romania, Bulgaria, and Serbia. Ivanov has skillfully woven together mythical characters and modern urban elements, including figures like Karakondzul, Rusalka, and the Giant, alongside symbolic references to vampires, dragons, and graffiti artists. He even pays tribute to the local street art scene by incorporating elements from Bucharest’s graffiti culture, like a subway adorned with tags by well-known artists Mser and Erps. These details give the mural a vibrant, multilayered appeal that invites viewers to find their own interpretations.During his residency in Bucharest, Ivanov shared his process and insights with the public. His street art workshop and artist talk allowed participants to engage directly with his experience in large-scale mural projects, public space transformations, and community-driven art. Ivanov’s dedication is clear, with each day of the project requiring up to 14 hours of meticulous work to bring the mural to completion.This initiative, made possible by the Creative Europe program, showcases the BSBSA project’s goal of fostering cultural connections and artistic expression across borders. Supported by local and international partners, Tales offers a dynamic cultural encounter, encouraging residents and visitors alike to explore the stories within the mural.Located at Mihai Bravu Boulevard in Bucharest, Tales stands as a testament to Aleksi Ivanov’s commitment to storytelling through art. To follow more about this project and others like it, visit bsbsa.org and connect on social media platforms. More

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      Book Review: ‘Rammellzee,’ edited by Maxwell Wolf and Jeff Mao

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      In the mid-1970s, a half-Black, half-Italian teenager from the projects in the Far Rockaway neighborhood of Queens started hitting the A train with a spray can. At 18, he legally changed his name to Rammellzee, and since then no conversation about graffiti culture or the late-20th-century New York art scene has been complete without mentioning his influence.In RAMMELLZEE: Racing for Thunder (Rizzoli, $65), the first major monograph on the multi-hyphenate artist, who died in 2010, the co-editors Maxwell Wolf and Jeff Mao intersperse more than a half-century’s worth of art, photos and archives with an oral history as told by the fellow artists, friends and family who knew him best.Rammellzee spray-paints the Berlin Wall in 1983, on the occasion of his solo exhibition “Gothic Futurism.”via Silvia Menzel and Rizzoli“Untitled (Bands of Steel),” painted in acrylic and spray paint on carpet, circa 1985.via the Estate of Rammellzee and Rizzoli“In the Middle of Robbin the Bank the Dam Yard Bizzard Hits Us,” 1983.via D.E.F Collection, Paris and RizzoliAs a teenager Rammellzee conceived his theory of Gothic Futurism, which saw language as a “tool of oppression” and graffiti writers as heroes in a fight to liberate the world of letters. In the ’80s he began experimenting with new materials and a more formal studio practice, producing large-scale paintings, frescoes, sculpture, music, performance art and the elaborate costumes he wore to embody otherworldly, gender-fluid characters, like “Chaser the Eraser” and “Shun-U.”“Tower of Panzerism, The S.S. Speedway,” 1984.Matt Grubb / Red Bull Media HouseRammellzee as Chaser the Eraser, c. 2000.Mari Horiuchi, vía RizzoliRammellzee was an “enigma,” Wolf writes: “manic genius, style god,” and also “irascible overlord” and “to some, simply an incoherent madman.” A pioneer of hip-hop and freestyle, he played with idiosyncratic nasal and at times comic vocal styles that were widely mimicked in early rap and would inspire artists like the Beastie Boys and Cypress Hill. He had an on-and-off friendship with Jean-Michel Basquiat, who helped produce his 1983 vinyl single “Beat Bop,” and he had a small part in the 1984 film “Stranger Than Paradise,” whose director, Jim Jarmusch, called him an overlooked genius.Rammellzee in his apartment in New York City’s TriBeCa neighborhood, c. 1991.Monica Fritz
      “He was not part of anybody’s school,” the artist Henry Chalfant says in the book. “Rammellzee literally invented his life and the compelling mystique around himself and his work. This is a quintessentially American thing.” More

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      “ORB” by SpY in Montreal, Canada, After Its Debut in Egypt

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      SpY’s stunning “ORB” sculpture, which first captivated audiences at the Pyramids of Giza, has found a new home in Montreal’s Place des Arts. This work, blending formal simplicity with deep symbolism, explores the relationship between art, history, and urban space. The transition from the ancient Egyptian site to a modern cultural hub emphasizes its universal appeal, allowing it to engage with diverse environments and audiences.At the heart of “ORB” is the reimagining of a common urban object—the convex traffic mirror. By multiplying and arranging these mirrors into a spherical pattern, SpY transforms a mundane feature of city life into a thought-provoking work of art. The mirrored surface reflects its surroundings and viewers, creating an ever-changing interaction that evolves throughout the day, prompting contemplation on how art influences and is influenced by urban spaces.Drawing inspiration from Egyptian history, “ORB” references the mathematical and symbolic elements found in the Pyramids. The spherical form hints at the relationship between the Pyramid’s geometry and the concept of ‘pi,’ tying the sculpture to ancient mathematical principles. This connection extends to the circular mirror, a symbol in Egyptian culture linked to the sun, creation, and rebirth.The installation in Montreal highlights the sculpture’s ability to resonate in different contexts, reinforcing its status as a universal artistic symbol. Its reflective surface captures fragments of the city and its inhabitants, inviting viewers to engage in a deeper reflection on their connection to the environment and each other.“ORB” was part of the exhibition Forever Is Now II, organized by Culturvator Art D’Égypte in collaboration with UNESCO. The exhibition juxtaposes ancient heritage with contemporary art, exploring themes that transcend time and encourage us to imagine the future of humanity.Check out more photos of “ORB” in Montreal, Canada, and Egypt below! More

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      Snik – Still Life – Manchester UK

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      SNIK have made a strong return to Manchester’s Northern Quarter, unveiling a new 20-meter mural that promises to become yet another iconic landmark in the city. The artists, whose work last appeared in Manchester in 2018, have made a big move with their latest work, entitled Still Life. The mural aims to create a little oasis of calm in the busy city.Still Life blends seamlessly into the area’s creative heritage, while also offering a reminder to appreciate the beauty and tranquility that can be found in our surroundings. SNIK explain; “With Still Life, we wanted to create something that not only enhances the urban landscape but also encourages people to take a step back and appreciate the little things, the moments of calm that we often overlook.”Still Life is an ode to Manchester’s love for street art and serves as a reminder of the city’s dynamic and ever-evolving cultural scene. This new work is set to become a cherished part of Manchester’s artistic heritage, much like its predecessor, Serenity, which remains a solid fixture in the city.Snikstagram More

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      “Animated Perception” Robert Proch Exhibition in Poland

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      Together with Sainer and the Robert Proch Foundation, a retrospective exhibition, Animowana Percepcja (Animated Perception), has just opened in Robert Proch’s hometown of Bydgoszcz, Poland. Running until October 30, 2024, this heartfelt tribute to one of the most influential Polish artists of his generation showcases the breadth of his creative genius. Curated by Karolina Pikosz with the support of Przemek Blejzyk (Sainer) and the Robert Proch Foundation, the exhibition offers a comprehensive look at Proch’s artistic career.The exhibition features an extensive collection of Robert Proch’s works, gathered from the foundation’s archives and two private collections—those of Paweł Kita and Bartosz Kaczmarek. A curatorial text by Professor Jacek Adamczak from the Magdalena Abakanowicz University of the Arts in Poznań provides deeper insight into Proch’s unique artistic voice.Known for his dynamic compositions and his ability to merge painting with animation techniques, Proch’s works on display range from large-scale murals to his animations. This exhibition celebrates the innovative ways Proch captured motion and emotion, seamlessly connecting traditional forms of art with animation.With over 250 sketches, all his animations, and a curated selection of 20 of his finest paintings spanning his entire career, Animated Perception honors Robert Proch’s legacy and the lasting impact of his visionary approach to art. Photo credits: Łukasz Sowiński More