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    “La Guerra Comienza Aqui” by Escif in Valencia, Spain

    Street artist Escif created a new intervention in collaboration with the Center Delàs d’Estudis per la Pau. The mural ““La Guerra Comienza Aqui” which translates to “The War Starts Here” focuses on the economic component behind all wars: the military industry has much to gain in a climate of conflict and armed violence, and also has the support of governments and financial entities. The former allocate large budget items year after year to acquire weapons and authorize arms transfers to other countries. The vast majority of banks, for their part, finance weapons production in various ways.“That is one of the interpretation that can be made of this mural: There are always those who profit from conflicts like the one we are seeing in Ukraine,” says the Valencian artist. As an example of this, from the pacifist entity they point out how “in the last week, since the Russian invasion of Ukraine began, we have seen the stock price of the large arms companies, located almost entirely in Northern countries rise”The mural, which has been painted during the last 3 days of February near the old Fe de València hospital, has as its central figure an enormous cloud of smoke like the one that could be generated by a bombardment in a war context, and on its margins you can read the phrase “the war starts here”.At the foot of the piece, feeding that smoke, we find a bill in flames that, according to those responsible for the mural, can also question at an individual level, because as research by the Delàs Center has shown, the financing of armies and weapons requires taxes paid by taxpayers and bank deposits.“The military path, continuing to spend on weapons and fueling the arms race between countries, can only result in war, never peace. As much as the opposite is repeated to us”, concludes Jordi Calvo, coordinator of the entity.Escif utilizes muted color palettes and straightforward motifs to convert walls around his home city of Valencia and other locations throughout Europe into perceptive ruminations on capitalism, politics, and society. He paints sparse scenes and objects with ties to their environment and current events, often relying on humor and wit to convey an underlying message.Active in the Valencian art scene since the late 1990s, Escif is an internationally recognized artist with interventions in recent years in art centers such as the Power Station museum in Shanghai (China, 2016), the IVAM and the CCCC (Valencia, 2017 and 2020), the Palais de Tokyo (Paris, 2018), and participation in events such as the Biennial of Contemporary African Art (Dakar, 2014), OFF Manifesta X (Saint Petersburg 2014), in the “Dismaland” project organized by Banksy in Weston-super-Mare (England, 2015) or the Lyon Biennale (France, 2019). He too received recognition for the 2020 City Hall Failure, which became symbolic of the fight against the pandemic. More

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    “Sheikh Hamdan” by Lonac in Dubai, UAE

    Among the palm trees of Al Wasl Road in Dubai, a mural by Lonac, a Croatian muralist, illustrator and painter, overtakes the horizon. He is best known for his large-scale photorealistic murals, with various murals internationally.A new mural at Al Wasl Road is a realistic representation of Sheikh Hamdan bin Mohammed Al Maktoum the son of Sheikh Mohammed bin Rashid Al Maktoum, Ruler of the Emirate of Dubai. The mural represents Sheikh Hamdan as he glances at Dubai’s horizon, capturing the vision of his father in his eyes and the future ahead of him and his country.Lonac is a highly talented artist whose amazing works can be found throughout his native country and beyond. His signature huge, eye-catching pieces – created with spray cans and brushes – are usually influenced by skateboard culture, comics, graffiti, movies, music, but also current social issues. Strong knowledge of operating painting equipment including his masterful spray can control has allowed the artist to create a recognizable body of work that ranges from monumental realistic pieces to smaller, humorous and often surreal works.Take a look below for more photo of his project in Al Wasl, Dubai. More

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    Coverage: “Childhood Memories” Group Exhibition at Volery Gallery, Dubai, UAE

    Last February 10th, Volery Gallery opened Childhood Memories, a group exhibition is curated by Jean Claude Geraud, the founder of City of Talents, Toulouse, a contemporary and urban art agency.Childhood Memories brings together the works of twelve contemporary artists from different parts of the world. The artworks represented are emanated from our memories as children, loaded with vivid colours, wistful eyes and universes made of our dreams and childhood cartoons.The exhibition takes the visitors through a trip of reminisces out of the current challenging times and into a hope-filled universe. On show are various styles of paintings ranging from playfully scribbled paintings, flat surfaces as well as Manga and Anime characters taking over the alternate world.The exhibition introduces pronounced international artists with their unique representation of childhood memories to the region. The lineup will include Jonathan Hadipranata; Adam Handler; Andrew Hem; Kai; Jade Kim; Diren Lee; Millo; Keigo Nakamura; Jun Oson; Ryol; Byun Se-hee and Wei Xing. Their artworks will call out the child inside each of us through their endearing characters and naïve sceneries.The exhibition will run until March 8, 2022 at Volery Gallery, DIFC, Dubai, UAE. Gallery hours: 1:00 PM – 7:00 PM.Schedule your visit here.Scroll down below for more photos of the exhibition! More

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    “The Message” by Pablo S. Herrero and David de la Mano in Valencia, Spain

    Spanish artists Pablo S. Herrero and David de la Mano have collaborated on a new mural in Torrent, Valencia, Spain. The projects is a continuation of their previous mural “The Calm”.“A sailing species brings news from the distance to land and songs of encouragement. It brings omens and the wishes of those left behind. It carries seeds that will take care of the air. It only respond  to the ultimate power.”The pictorical language of Pablo S. Herrero is linked to the code of plant forms. Trees and forests, both murals and paper, are the vehicle for show relationship between the dynamic and the static, individual and community, sustainability and resistance. His activity as a muralist, usually at off-center and marginal spaces, take the suburbs as a paradigm of the rejection that the city causes to large parts of itself.On the other hand, David de la Mano is known for his large dystopian murals featuring human and animal silhouettes and minimalist style. He creates distinctive artworks which are symbolic reflections on humankind and reminiscent of dark fairytales.The single anthropomorphic figures of the artist gather together and unite in an eternal and recurring movement; the individuals become the mass and vice versa, and they are driven by their dreams, ambitions, fears, vices, hopes, and internal conflicts.Take a look below for more photos of the mural More

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    “Employee of the Month” by BiP in São Paulo, Brazil

    Street artist BiP aka Believe in People just recently finished a new wall in in São Paulo, Brazil. The mural “Employee of the Month” was done on the facade of a 16-story building over the course of six months.With over 100 large-scale murals painted globally, from the United States, Russia and China, to several countries in South America. BiP ’s mural subjects range from historical figures, cartoons, to people in the local communities where is painting.Check out below for more photos of “Employee of the Month”. More

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    Artist Retrospective: Franco Fasoli aka JAZ

    Born into a family of artists, Franco Fasoli is one of the first urban artists to practice in Buenos Aires in the 90s under the name JAZ. He quickly evolves towards muralism, evolving towards a stylized figurative style. Today he is one of the best known and most talented artists on the Argentinian scene.One of the main features of his latest work is the exploration of different scales and materials for his pieces. From large-format paintings in public spaces to small works on bronze or paper, the fluctuation of contexts and resources has been the fuel of his art. The tension between the global, dominant culture, and the sub-cultures as a space of resistance, has been the subject of study in his work, both at the conceptual level and in his actions throughout his career.Mural in Barcelona, Spain, 2021Tigers, wildcats, and animal-human hybrids make frequent appearances in the graffiti, murals, paintings, sculptures, and collages of Franco Fasoli. The combats of zoomorphic characters in his works usually question the themes of the quest for identity and social divide.The artist over the years has exhibited in numerous countries worldwide, as he participates to international festivals and constantly works towards the productions of mural interventions.Check out below some of our favorite works from JAZ.“The Rapture” in Madrid, Spain, 2015On “The Rapture” JAZ ttok a break from his current style inspired by the sharp collage works, the images depict majestic Minotaur carrying and grasping the muscly horse. Using minimal color palette consisting of dark brown and black, the pieces look like blown up chalk drawings on a blank white paper. With these works the artist is commenting on the aggressive and survival lifestyle of modern world while using an icon of Spanish culture that is the bull.In his own words “Painting murals was alway my best way to communicate with people, explore the B sides of the cities and become a little part of them. It’s like a sport, a social exercise, a gift.”Mural in Berlin, Germany, 2014“Eat This” in Cozumel, Mexico, 2015JAZ has completed his giant mural for SeaWalls and PangeaSeed which just took place on the streets of the island of Cozumel in Mexico. The SeaWalls Street Art festival aim is to help saving Mexico’s Oceans and Endangered Marine Life, One Public Mural at a Time. The Argentinean muralist super impressive and vibrant piece warns us against harvesting sharks fins for soup.Mural by JAZ in Buenos Aires, Argentina, 2014Mural by JAZ in Buenos Aires, Argentina, 2014With this mural in Buenos Aires, JAZ teamed up with Pastel in their home town of Buenos Aires and created this double piece.Using different color palette for each of the images, they created these two piece that look like a mirrored image at a first glance. With Jaz’ signature anthropomorphic characters, juxtapozed with Pastel’s floral imagery, the piece has a strong contrast effect. Both color wise between two pieces, but also with easy, calming feel of the flowers and plants, against aggressive looking characters depicting football hooligans.Mural in Villa Soriano, Uruguay, 2013Mural in Cape Town, South Africa, 2013JAZ worked on a mural in Cape Town for the excellent Acrylic Walls Project last 2013. Through blending unconventional materials such as bitumen (asphaltic paint and petrol), he always delivers a huge mural that resemble a delicate watercolor.Mural in Barcelona, Spain, 2015Mural in Montreal, Canada, 2015Mural in Kyiv, UkraineMake sure to check out and follow our #FrancoFasoli page for more updates on the talented artist! More

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    Myneandyours in Doha, Qatar

    Our friend Myneandyours recently returned from the lovely city of Doha in Qatar where he worked his magic on a brand new mural.Invited by the good people from POW! WOW!, the British artist brought to life a super fun and vibrant piece which will surely be enjoyed by the locals for years to come.Based in Dubai, UAE, Myneandyours has been painting around the middle-east for several years and he continues to positively impact changes in visual landscapes in cities around the world.Check back with us soon for more updates from Urban Art in the Middle-East…POW WOW Festival Doha at Al Sadd Metro Station 2021 More

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    “Everything is Relative” by PEJAC in Madrid, Spain

    If ever there were an artist capable of switching seamlessly between indoor and outdoor practice, Pejac would instantly spring to mind. Following his much-acclaimed fourth solo show in Berlin at the end of 2021, he kicked off 2022 working on the streets of Madrid. When working in the urban space, one of the elements that most distinguishes Pejac is his ability to find poetry where there is none and this is the essence of his latest intervention in the Carabanchel neighborhood in Madrid, literally. Located in the south of the city, this traditionally working-class neighborhood is one of the most diverse areas of the capital. Paying homage to the local residents, Pejac has created a minimalist artwork charged with surrealism, a piece that spreads over the side wall of the new VETA Gallery – a symbol of the cultural and artistic transformation that the neighborhood has undergone in recent times. With his intervention, the artist not only resists restoring that which appears to lack value, but also carefully enhances the imperfections of the wall. With the goal of focussing attention on what already exists, Pejac deemed it sufficient to add discreet touches to the existing texture of the wall. Next to the areas of the wall where the paint has fallen off, the artist has depicted tiny groups of people who, in a collective and organized way, carry these “empty spaces” as if they were valuable objects.With this artistic intervention, Pejac invites the residents of Carabanchel to look at these patches of broken paintwork with pride and a fresh perspective. Perhaps it is his way of singing the praises of the history of the neighborhood and its residents, of what is authentic.The artwork can be found at:Calle de Antoñita Jiménez 39, Madrid 28019, Spain More