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      Innumerable Cuts Transform Single Sheets of Paper into Exquisite Flora and Fauna

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      Art
      Craft

      #animals
      #flowers
      #paper

      November 2, 2021
      Grace Ebert

      All images © Pippa Dyrlaga, shared with permission
      Cutting ornate lace patterns, spindly roots, and scaly chameleon skin with meticulous detail, Yorkshire-based artist Pippa Dyrlaga (previously) continues to turn single sheets of paper into elaborate works. Her process involves drawing a design that typically features a floral motif before slicing each component by hand with a scalpel. Once the excess paper is removed, the resulting works unveil intricate patches of wildflowers and painstakingly sliced fur and fins.
      Dyrlaga’s works will be included in an exhibition in Paris next month, and she’s in the midst of a collaborative project with origami artist Ankon Mitra. To add one of her exquisitely cut pieces to your collection, check out her shop, and dive into her process on Instagram.

      #animals
      #flowers
      #paper

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      Wild Scavengers and Mythological Wonder Converge in Hera’s Dreamy Mixed-Media Works

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      Art

      #acrylic
      #animals
      #charcoal
      #mixed media
      #spray paint

      October 28, 2021
      Grace Ebert

      “Taking a Break From Dancing to Their Tunes,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches. All images © Hera, courtesy of Corey Helford Gallery, shared with permission
      In a poetic new series of works on canvas, German-Pakistani artist Jasmin Siddiqui, aka Hera, nods to her background in street art with sweeping, spray-painted marks, chaotic drips and splatters, and snippets of text. The gestural pieces are rooted in narrative and feature wide-eyed characters who wear headdresses of long-nosed rats, wolves, and strange, hairless creatures. In each imaginative rendering, Hera positions the possibility and wonder of adolescence alongside wild animals often deemed nuisances to human society, with “I’m fine really” displayed next to a child whose finger is snapped in a mousetrap and the title of another work, “Love Her But Leave Her Wild,” accompanying a contorted figure.
      “My affiliation is always with those who create beauty in the darkest of places. Because the gutter feels closer to my creative home than the artist studio. I come from graffiti culture,” says Hera, who’s also one-half of the street art duo Herakut (previously).  “I used to be the vulture, the raccoon, the street rat, that rummaged through leftover paint buckets left on the curbs of home renovations, treasuring other people’s trash.”
      The mixed-media pieces shown here are part of Hera’s solo show Here We Go Again, which runs November 6 through December 11 at Corey Helford Gallery. She currently has a limited-edition print of a fox-clad figure available through myFINBEC, and you can find more of her small- and large-scale works on Instagram.

      “You Live and Learn,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches
      “Smart Rats Have a Thousand Lives,” acrylic paint, spray paint, charcoal on canvas, 39.4 x 19.7 inches
      Left: “Seen It All and Still Have Hope,” acrylic paint, spray paint, charcoal on canvas, 39.4 x 19.7 inches. Right: “An Ode to You,” acrylic paint, spray paint, charcoal on canvas, 47.2 x 15.75 inches
      “I Had This Guy,’ acrylic paint, spray paint, charcoal on canvas, 27.6 x 27.6 inches
      “Love Her but Leave Her Wild,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches
      “Poetry Written in Fairy Language,” acrylic paint, spray paint, charcoal on canvas, 27.6 x 19.7 inches

      #acrylic
      #animals
      #charcoal
      #mixed media
      #spray paint

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      Fantastical Digital Paintings Position Wildlife in Unnaturally Colorful Environments

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      Art

      #animals
      #digital
      #environment
      #painting

      October 14, 2021
      Grace Ebert

      All images courtesy of Grove Square Galleries, shared with permission
      Photographic artist Jim Naughten casts a fantastical, candy-colored lens over luxuriant ecosystems and surreal animal portraits in Eremozoic, a solo exhibition on view at Grove Square Galleries through November 18. Comprised of digitally altered compositions, the series centers on rhinos, manatees, and myriad wild animals in strange, unearthly settings: a tall brown bear stands on its hind legs in a field of bright pink grass, a gorilla rests in similarly vibrant foliage, and orangutans swing through leafy branches in shades of blue.
      While the animals usually are isolated in true color, the backdrops evoke infrared photography, and Naughten’s unnatural alterations tinge the otherwise realistic imagery with magical elements. The artist says the manipulations convey humanity’s ever-growing disconnect with the environment, which he explains in a statement:
      I’m interested in how, in the evolutionary blink of an eye, humans have come to dominate and overwhelm the planet and how far our relationship with the natural world has fundamentally and dangerously shifted from that of our ancestors. I hope the work will create awareness and discourse about this disconnection, our fictionalized ideas about nature and possibilities for positive change.
      Although the pieces venture into a strange realm of kaleidoscopic details, they have biological reality at their core, and the exhibition title, Eremozoic, refers to the current era of the earth’s evolution. Biologist and writer E. O. Wilson introduced the term to characterize this “period of mass extinction due to human activity. The Eremozoic Age is alternatively referred to as The Age of Loneliness, and this sense of dislocation and disorientation is captured in Naughten’s depiction of nature as an unfamiliar, unnatural realm.”
      In addition to the collection shown here, Naughten shares a variety of otherworldly renderings on his site and Instagram. (via Creative Boom)

      #animals
      #digital
      #environment
      #painting

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    • 163 Shares159 Views

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      Colorful Strips of Metal Coil into Minimal Animal Sculptures by Artist Lee Sangsoo

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      Art

      #animals
      #metal
      #sculptures

      October 12, 2021
      Grace Ebert

      All images © Lee Sangsoo, shared with permission
      Considering his practice a form of “drawing in the air,” artist Lee Sangsoo forges colorful, spiraled flamingos, dogs, parrots, and other creatures with long strips of metal. He sculpts the minimal works with resin or stainless steel depending on the size—he uses the latter for any piece that spans more than one meter—and coats each angled side with subtle gradients or a complementary palette. Although three-dimensional and sometimes so large that they tower over the landscape, the creatures are inspired by Picasso’s small, abstract animal drawings, which the artist explains:
      Lines, planes, and colors are important elements that work in my work. The lines drawn in the two-dimensional sketchbook determine the large flow and form of the work, and it becomes three-dimensional in the three-dimensional space. The square lines are shown in various shapes and colors according to the flow and twist, and you can feel the dynamism in the still work. Also, depending on the flow, the thickness of the lines may be rhythmically thickened or thinned.
      Some of Lee’s works are on view as part of KIAF Seoul, and you can find more of the twisted menagerie on his Instagram. (via Lustik)

      #animals
      #metal
      #sculptures

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      Between Wounds and Folds: Suspended Cow Carcasses and Tree Stumps Reveal Layers of Discarded Fabric by Tamara Kostianovsky

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      Art

      #animals
      #death
      #installation
      #sculpture
      #textiles
      #trees

      October 11, 2021
      Christopher Jobson

      Photo © Etienne Frossard. All images courtesy the artist, shared with permission.
      Working with the tattered remnants of consumer culture, artist Tamara Kostianovsky (previously) asks us to question the origins, process, and disastrous results of our seemingly unquenchable desire to buy and waste. Four distinct bodies of the artist’s work spanning fifteen years have been gathered at Smack Mellon in DUMBO, Brooklyn to form Between Wounds and Folds. The textile ecosystem of cow carcasses harboring new life, vibrantly hued cross-sections of trees, and colorful birds of prey, are constructed from repurposed fabrics and discarded textiles. In this final state, the soft pieces function as an echo of their concealed beginnings. Smack Mellon shares in a statement:

      Through alternating softness and aggression, her installations identify the nuances of violence that exist between a personal encounter and its normalization on a social and ecological level. Kostianovsky’s work asks for a re-imagination of human rights and environmental redemption models in order to consider the resultant violence as part of a larger, inseparable system.

      Between Wounds and Folds is on view until October 31, and you can explore more of the Brooklyn-based artist’s work on Instagram.

      Photo © J.C. Cancedda
      Photo © Roni Mocan
      Photo © Etienne Frossard
      Photo © J.C. Cancedda
      Photo © Etienne Frossard
      Photo © J.C. Cancedda
      Photo © J.C. Cancedda
      Photo © J.C. Cancedda
      The artist in her studio © J.C. Cancedda

      #animals
      #death
      #installation
      #sculpture
      #textiles
      #trees

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    • 213 Shares99 Views

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      An Eerie, Fairytale Forest and Silhouette Creatures Sprawl Across a Three-Story Mural by David de la Mano

      by

      
      Art

      #animals
      #forest
      #murals
      #narrative
      #night
      #silhouettes

      September 30, 2021
      Grace Ebert

      All images by Sol Paperán, Nicolás Pezzino and David de la Mano, courtesy of David de la Mano
      Set against a forest in shades of blue and white, a dark, twisted fairytale lines the entrance hall of the Catholic University of Uruguay. The three-story mural by David de la Mano is titled “Cosmos” and uses the Spanish artist’s signature silhouette figures and thin, branch-like lines to create a sinister narrative consumed by mystery and disorder: hybrid creatures escape down a stairwell, an army marches along the balcony, and myriad characters twist and flail in chaotic clusters.
      Completed with the assistance of artist Andrés Cocco, the large-scale piece is derived from the shared etymological root of “university” and “universe,” which means a totality or everything that exists. “Cosmos” evokes Fernando Gallego’s 15th-Century painting of constellations and the zodiac that once cloaked a vaulted ceiling at the University of Salamanca library in de la Mano’s hometown, although this new iteration is devoid of stars. “It is a work full of mystery… There is my own iconography. There is the idea of ​​migration, a constant in my work from years ago,” the artist says in a statement. “The stars were replaced by two forests. There is a dark forest that does not let you see, and there is a clear forest in which the light comes.”
      After spending years in Uruguay, de la Mano is back in Salamanca, and you can follow his works on Instagram.

      #animals
      #forest
      #murals
      #narrative
      #night
      #silhouettes

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    • 163 Shares199 Views

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      Seven Origami Animals Transform New York City’s Garment District into a Vibrant Menagerie

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      Art

      #animals
      #origami
      #public art
      #sculpture
      #street art

      September 24, 2021
      Grace Ebert

      All images by Alexandre Ayer/Diversity Pictures for the Garment District Alliance, shared with permission
      Thanks to Gerardo Gomez-Martinez (aka Hacer), the public plazas on Broadway in New York City’s Garment District are now a zoo of origami-style animals. The Mexican-American artist installed a series of powder-coated steel sculptures that loom over dining areas and walkways as part of Transformations. Commissioned by The Garment District Alliance, the project consists of seven creatures that vary in size, including a yellow dog, a magenta elephant,  a green bear cub, and two turquoise rabbits and coyotes, one of which extends 14 feet from nose to tail.
      If you’re in Manhattan, stop by the plazas between 36th and 39th streets before November 23 to see the bold animals in person. (thnx, Laura!)

      #animals
      #origami
      #public art
      #sculpture
      #street art

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    • 163 Shares189 Views

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      Flora and Fauna Intertwine with Strands of Hair in Miho Hirano’s Dreamy Portraits

      by

      
      Art

      #animals
      #oil painting
      #painting
      #portraits

      September 15, 2021
      Grace Ebert

      “Heart Beating” (2020), oil on canvas, 33.3 x 33.3 centimeters. All images courtesy of Gallery Sumire, shared with permission
      Wrapped within the piecey curls surrounding Miho Hirano‘s subjects are twigs, vine fragments, and clusters of pink blossoms. Using a cool color palette tinged with blues, the Japanese artist (previously) paints ethereal, introspective portraits of women enveloped in movement whether through small fish swimming around their torsos or branches growing from under their hair. Hirano tells Colossal that she tends to center her oil-based works around finding harmony and the inevitability of change, particularly in relation to life’s fragile nature.
      Many of the pieces shown here are on view at Beinart Gallery in Melbourne, and Hirano is currently preparing for a solo show in London next year. You can see more of her dreamy paintings on Instagram.

      “Blooming Relaxedly” (2021), oil on canvas, 41 x 32 centimeters
      “Rest” (2021), oil on canvas, 41 x 32 centimeters
      “My Wishes” (2021), oil on canvas, 33.3 x 33.3 centimeters
      “Fragrance” (2021), oil on canvas, 53 x 45.5 centimeters
      “Spring Breeze Blowing Through” (2020), oil on canvas, 33.4 x 33.4 centimeters

      #animals
      #oil painting
      #painting
      #portraits

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