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      Whimsical Illustrations and Motifs Dyed with a Traditional Wax-Resist Method Cover Caroline Södergren’s Eggshells

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      Art
      Craft
      Illustration

      #animals
      #eggs
      #insects
      #wax

      June 22, 2021
      Grace Ebert

      All images © Caroline Södergren, shared with permission
      Formally trained in glassblowing, Stockholm-based artist Caroline Södergren transfers her experience working with a delicate, fragile material to an ornately illustrated collection of eggshells. She adapts the traditional Ukrainian craft called pysanky, a wax-resist method that involves drawing a design on a clean, empty chicken, turkey, goose, or ostrich egg with hot beeswax. The shell is then dipped in multiple baths of dye and the seal washed away with oil to reveal the colorful, layered design—you can watch the entire process in the video below.
      The technique often is combined with folk art, although Södergren illustrates her own botanical motifs, beetles, and mythical creatures that stray from traditional designs. “You have to think before you start a pattern as the different color layers must come in the right order,” she says. “If you make a mistake with the wax, it is not possible to change, and a written line is where it is. A constant challenge that makes it so fun to work with!”
      Konsthantverkets Vänner, an organization dedicated to supporting Swedish arts and crafts, just awarded Södergren a scholarship for her batik designs. Browse available eggs in her shop, and find a larger collection on Instagram. (via Lustik)

      

      #animals
      #eggs
      #insects
      #wax

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      Flora and Fauna Converge as Fantastic Hybrid Creatures in Jon Ching’s Oil Paintings

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      Art

      #animals
      #nature
      #oil painting
      #painting
      #plants

      June 7, 2021
      Grace Ebert

      “Mother Mycelium.” All images © Jon Ching, shared with permission
      Artist Jon Ching strikes a balance between texture and color in his meticulously detailed oil paintings that make fantastic creatures—owls with plumes of mushrooms and fuzzy molds, seahorses sprouting leafy twigs, and fish with striped tulip fins—appear natural in their environments. This vague distinction between the realistic and surreal saturates Ching’s body of work, which imagines a magical ecosystem that visualizes the symbiotic relationships between flora and fauna. “I am inspired by the worldview of many Indigenous cultures that revere the natural world and see god in every aspect of our living world,” he tells Colossal. “I believe that perspective is key to their sustainable societies and one that must be reawakened in our colonized societies.”
      While he dreams up the hybrid forms, the Los Angeles-based artist still roots each piece in the existing world. He has a keen sense for finding the enchanting and unusual in his own experiences, whether from watching David Attenborough documentaries or spending his childhood in Kaneohe, Hawaii. “My more surreal creatures, where the line between flora and fauna are blurred, is in part my attempt at depicting some of this unseen magic,” he writes. “By placing them in a realistic setting among species we’re familiar with, I’m envisioning them into the real world. Maybe if we look close enough or long enough, we’ll catch a glimpse of them and my work won’t seem surreal anymore.”
      You can see Ching’s paintings at Corey Helford Gallery in Los Angeles starting August 14 and find prints, stickers, and postcards in his shop. Check out his Instagram for glimpses into his process and the real-life animals and plants that shape his works. (via Iain Claridge)

      “Sheila Ann”
      “Razzle Dazzle”
      “Sprite”
      “Aquaria”
      “Homestead”
      “Nectar”
      “Chasing Summer”
      “Puhpowee”

      #animals
      #nature
      #oil painting
      #painting
      #plants

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      More Than 750 Creatures Inhabit an Extraordinarily Eclectic Menagerie as Part of ‘The Glass Ark’

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      Art

      #animals
      #birds
      #glass
      #sculpture

      June 4, 2021
      Grace Ebert

      All images courtesy of Le Stanze Del Vetro
      Land and sea creatures alike overrun a new exhibition at Le Stanze Del Vetro in Venice. Titled The Glass Ark, the eclectic bestiary—among the more than 750 animals on view are elephants, hippos, cats, giraffes, polar bears, parrots, and poodles adorned with bows—is the expansive collection of art historian and former Louvre president Pierre Rosenberg.
      For thirty years, Rosenberg gathered the lustrous sculptures during regular trips to Venice, a region with a long history of innovative techniques and a hub for glassblowing since the 13th Century. Charming and playfully expressive, the Murano glass pieces diverge from similar collections produced in other media. “They never display fierce poses, which are typical of more traditional animalier sculptures,” a statement says, “and above all, they are never conceived as a toy.” 
      In addition to Rosenberg’s collection, The Glass Ark also features pieces from artists working today, including Cristiano Bianchin, Marcantonio Brandolini d’Adda, Franck Ehrler, Massimo Nordio, Isabelle Poilprez, Maria Grazia Rosin, and Giorgio Vigna. It runs both in-person and virtually through August 1. (via designboom)

      #animals
      #birds
      #glass
      #sculpture

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      An Expansive Exhibition Pairs Two Indigenous Artists to Explore the Power of Socially Engaged Artmaking

      by

      
      Art

      #animals
      #collaborative
      #found objects
      #installation
      #portraits
      #sculpture

      May 21, 2021
      Grace Ebert

      “Each/Other,” (2021) about 700 bandannas, approximately 16 x 9 feet, a collaboration between Marie Watt and Cannupa Hanska Luger
      A monumental patchwork wolf, warriors sparring with a fang-bearing snake, and an abstract woolen tapestry made of restored blankets comprise Each/Other: Marie Watt and Cannupa Hanska Luger, which opens this weekend at the Denver Art Museum. The expansive exhibition—featuring 26 mixed-media sculptures, installations, and wall hangings—joins two of the leading Indigenous artists working today in a manner that distinguishes both the connective threads and nuances within their bodies of work.
      Situated at the center of the space is the 16-foot creature the pair created together by fashioning about 700 patterned bandannas submitted by an international crew around a steel armature. The collaborative installation, titled “Each/Other,” physically tethers Watt’s and Luger’s individual artworks while drawing on the socially engaged aspects inherent to both of their practices.

      Cannupa Hanska Luger, “Every One” (2018), ceramic, social collaboration, 12 x 15 x 3 feet. Image courtesy of Marie Walsh Sharpe Gallery of Contemporary Art at Ent Center for the Arts, UCCS, Colorado Springs, Colorado
      Based in New Mexico, Luger is a multi-media artist of Mandan, Hidatsa, Arikara, Lakota, and European descent whose projects often speak to contemporary life within Indigenous communities. For example, his 2018 piece “Every One” strings together 4,096 ceramic beads into a pixelated portrait of a young figure. Each individual orb represents one of the women, girls, and queer and trans folks who have been murdered or gone missing in Canada.
      Watt, who is a member of the Seneca Nation and has Scottish and German heritage, utilizes everyday objects steeped in historical narratives and collective memory. Whether presented through leaning, stacked towers or smaller wall hangings, the Portland-based artist primarily works with materials gathered from the community, like blankets stitched in sewing circles.
      Following the end of its run in Denver on August 22, Each/Other will visit the Michael C. Carlos Museum in Atlanta from September 25 to December 12, 2021, and the Peabody Essex Museum in Salem from January 29 to May 8, 2022. Find out more about Luger and Watt on their sites.

      Marie Watt (Seneca), “Butterfly” (2015), reclaimed wool blankets, satin binding, thread, cotton twill tape, and tin jingles, 94 x 126 inches. Image © Marie Watt
      Cannupa Hanska Luger, “This Is Not A Snake” (2017-2020), ceramic, fiber, steel, oil drums, concertina wire, ammunition cans, trash, found objects, 78 x 36 x 600 inches. “The One Who Checks & The One Who Balances” (2018), ceramic, riot gear, afghan, wool surplus industrial felt, beadwork by Kathy Elkwoman Whitman; 6-1/2 feet x 12 inches x 8 inches (each, approximate). Image © Cannupa Hanska Luger, courtesy of the Heard Museum, Craig Smith
      Marie Watt “Companion Species (Radiant)” (2017), crystal and western maple base, 8 x 27 x 16 inches. Image © Marie Watt and Kevin McConnell. Made in collaboration with Jeff Mack, Glassblower, and Corning Museum of Glass Hot Glass Team in Partnership with the Rockwell Museum, Corning, New York
      Cannupa Hanska Luger “Mirror Shield Project” (2016), drone operation/performance organization by Rory Wakemup., at Oceti Sakowin camp, Standing Rock, North Dakota

      #animals
      #collaborative
      #found objects
      #installation
      #portraits
      #sculpture

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      Miniature Scenes, Cross-Stitch Flowers, and Works from Art History Nestle into Eva Krbdk’s Tiny Tattoos

      by

      
      Art
      Illustration

      #animals
      #art history
      #cross-stitch
      #landscapes
      #nature
      #tattoos

      May 3, 2021
      Grace Ebert

      All images © Havva Karabudak, shared with permission
      Havva Karabudak, who works as Eva Krbdk, thrives on inking minuscule details. Focusing on innumerable lines and dot work, the Turkish tattoo artist (previously) illustrates textured florals in cross-stitch, realistic portraits of animals, and micro-paintings in the likes of van Gogh, Magritte, and Fornasetti. Many of the vivid renderings are small enough to fit into a perfectly round circle or a skinny stretch of a client’s upper arm.
      Karabudak’s background coalesces in her tattoos, including her formal education at the Fine Arts Academy of Ankara in Turkey and her love of textiles. “It’s pretty customary for young women to learn (embroidery) from their grandmothers in Turkey,” a statement about her work says. “As a result, tiny cross-stitch patterns were among the first tattooing styles that Eva embraced.”
      Karabudak just opened her studio Atelier Eva in Brooklyn, and although she’s currently booked, you can watch for openings on Instagram.

      #animals
      #art history
      #cross-stitch
      #landscapes
      #nature
      #tattoos

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      A 15-Meter-Tall Squirrel Rests on Its Bushy Tail to Peer into a Chongqing Botanical Garden

      by

      
      Art

      #animals
      #installation
      #public art
      #squirrel

      April 30, 2021
      Grace Ebert

      “Shiny Squirrel” (2021) in . All images courtesy of Studio Florentijn Hofman, shared with permission
      The oversized animal menagerie by Florentijn Hofman that includes a fox, octopus, and reclining bunny now has a new member. The Dutch artist recently completed a 15-meter-tall squirrel caught peeking into a botanical garden in Chongqing, China. Covered in 16,500 metal discs and propped up by its extraordinarily bushy tail, the cheerful creature waves at the visitors indoors and even flashes a peace sign with its paw.
      “Shiny Squirrel” was commissioned by Hongkong Land Chongqing and produced with Art Depot. Check out Hofman’s Instagram to see photos of the playful installation in progress.

      #animals
      #installation
      #public art
      #squirrel

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      Monumental Murals of Anatomical Creatures by ROA Celebrate Puerto Rico’s Biodiversity

      by

      
      Art

      #animals
      #murals
      #public art
      #Puerto Rico
      #street art

      April 26, 2021
      Grace Ebert

      Red Tail Hawk in Humacao, November 2018. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Belgian street artist ROA (previously) has been touring Puerto Rico painting his signature monochromatic menagerie around the island. Depicting both native creatures like parrots and seahorses and invasive species like lionfish, the massive pieces celebrate the region’s biodiversity and the biologists and conservationists working tirelessly to preserve it. Many of the murals are anatomical and juxtapose life and death, a recurring theme in ROA’s body of work and one that’s apparent in his most recent rendering in Isla de Cabras. Spanning 160 feet, the massive artwork positions a plump, wrinkled manatee alongside a lengthy skeleton.
      The ongoing project has produced 15 murals so far and is a collaboration with Elegel Group. You can find out more about the impetus behind each animal on Instagram. (via Street Art News)

      Manatee in Isla de Cabras, April 2021. Photog by Four Two Photography
      Puerto Rican Parrot in Utuado, July 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Octopus in Playa Escambron, July 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Lionfish in Naguabo, June 2019. Photo by Pedro “Huck” Rosa, image courtesy of Taller 2C1, shared with permission
      Seahorse in Playa Escambron. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Snail in Aibonit, January 2019. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Monkey in Naguabo, November 2018. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Lizard in San Juan. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission
      Tortuga. Photo by Edgardo Santiago, image courtesy of Taller 2C1, shared with permission

      #animals
      #murals
      #public art
      #Puerto Rico
      #street art

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      Flora and Fauna Intertwine in Delicate Mixed-Media Artworks by Teagan White

      by

      
      Art

      #animals
      #birds
      #colored pencil
      #gouache
      #mixed media
      #nature
      #painting

      April 19, 2021
      Grace Ebert

      “Oasis,” watercolor and gouache on paper, 20 inches x 20 inches. All images courtesy of Nucleus Portland, shared with permission
      Sinuous branches half-submerged in water, fish swimming through the treetops, and plant life spearing small birds compose the intricate entanglements rendered by Teagan White. Through gouache, watercolor, and colored pencil, the artist merges plant and animal life in delicate scenes that focus on the interconnectedness and beauty of the natural world.
      Having just moved to the Pacific Northwest, much of White’s work draws on their years spent biking throughout the Midwest and viscerally experiencing life and death on the region’s roadways. The artist describes their recent series, Things As They Are & As They Could Be, which includes many of the mixed-media pieces shown here, as “meditations on peril and possibility; what has been lost and what remains; dystopian presents and improbable futures.” It’s on view now through May 3 at Nucleus Portland.
      Find glimpses into White’s process and see works-in-progress on Instagram, and pick up prints, stickers, and other goods in their shop.(via Supersonic Art)

      “Citadel,” watercolor, gouache, and colored pencil on paper, 20 x 20 inches
      “Yield,” watercolor and gouache on paper, 11 x 14 inches
      “Waver,” watercolor and gouache on paper, 8 x 10 inches
      “Wander,” watercolor and gouache on paper, 8 x 10 inches
      “Territory,” watercolor and gouache on paper, 18 x 24 inches

      #animals
      #birds
      #colored pencil
      #gouache
      #mixed media
      #nature
      #painting

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