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    New mural by Conor Harrington in Cork, Ireland

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    Ardú Street Art project made a triumphant return to Cork city for their second edition, bringing some of the country’s most exciting street artists to create thought-provoking, large-scale murals across the cityscape: Friz’s “Goddess Cliodhna” at St Finbarr’s Road, Shane O’Malley’s bold and bright coloured angular shapes and colours on Lower Glanmire Road, Asbestos’ “What is home?” at South Main Street.The fourth and final piece of the current series has now been revealed, painted by Cork-born, world-renowned artist Conor Harrington at Bishop Lucey Park (Grand Parade entrance). Based in London since the mid 2000s, Harrington has created street art in New York, Miami, Paris, London, Warsaw, Copenhagen, Aalborg, Mallorca, Sao Paulo, San Juan, and the Bethlehem Wall; this is Conor’s first large-scale mural in his hometown.Harrington says, “My favourite part of Cork is the English market. I used to do as much of my shopping as possible there when I lived in Tower Street, before moving to London. And every time I’m home I’m always sure to have a stroll through and soak up some of the atmosphere. I’ve used the English Market as a starting point for my mural, the gate of which is opposite my wall. It was built in 1788 and has seen us through famine, boom and bust. In my painting, a man sets a table, a composition of fruit and veg in the manner of a lot of still life paintings from the 18th Century, when the English market and much of the Grand Parade and Patrick’s Street was built. The table is overflowing with fruit, an abundance of fresh produce that has been available in the market for years. I’ve included a doll’s house on the table to illustrate how Cork is a city built on food and how our culinary scene is one of our greatest assets. I’ve also included a fire extinguisher on the table as a reminder of the Burning of Cork 101 years ago, and that although the market was mostly spared, damage was still done.In the mural I’ve played with proportion and inverted the traditional scale of figure and dwelling to exacerbate the idea of the Georgian figure as a looming power or Lord over his domain. In my work I examine the role and legacy of the empire, and try to find parallels in contemporary culture. By including the doll’s house as a reference to home, housing and the current crisis in Ireland and the abundant fruit table which is in a state of overflow and collapse, I’m asking the question to whom does power and plenty belong? Despite this historical foundation, my mural is ultimately about the balance of abundance and excess, and the fall which inevitably follows.”Many local businesses in Cork have rallied behind the work that Ardú do throughout the city, a major supporter is Pat McDonnell Paints, who supplied the artists with some of their materials for this year’s programme:“Here at Pat McDonnell Paints, we are firm believers in how paint can transform the spaces we live in. We were delighted to support Ardú and their artists bring colour and vibrancy to Cork City.140 litres of paint tinted in over 22 colours and Conor Harrington talent and vision have given us a modern day masterpiece in a corner of Bishops Lucey Park.” – Aidan McDonnell, Pat McDonnell Paints.Commissioning artwork from home grown talent of the highest level is the main aim of Ardú, which is supported by Cork City Council and Creative Ireland, and with paint generously sponsored by local businesses Pat McDonnell Paints, and spray paint from Vibes & Scribes.In order to cover total costs for this year’s event (paying for the artists fees, painting materials, maintenance,  etc.) and to help secure the future of Ardú Street Art Project, the crew need YOUR support.Ardú’s fundraiser allows for four donation options – €10, €20, €50, or €100 – everyone who donates is entered into a raffle to win a signed photo print of artwork from the 2020 Ardú series, which featured works by artists Maser, Peter Martin, Shane O’Driscoll, Deirdre Breen, Garreth Joyce, Aches and James Earley. There will be 5 winners chosen at random and each winner can select an artwork of their choice. The raffle is available to enter online via bigcartel: https://arducork.bigcartel.com/ More

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      Ardú Street Art in Cork, Ireland

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      Ardú Street Art project returned to Cork city this month with some of the country’s most exciting street artists to brighten up the city’s streets. Commissioning artwork from home grown talent of the highest level is the main aim of Ardú, a street art project launched late last year, supported by Cork City Council and Creative Ireland, with paint generously sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals, three of which are now complete, with the final wall to be finished over the coming days. First to be revealed is a depiction of the Goddess Clíodhna, by Northern Ireland based artist Friz, at St. Finbarr’s Road, Cork.Sligo born artist Friz pictured at her mural at St. Finbarr’s Road, Cork, as part of Ardú Street Project 2021.Friz’s mural is a depiction of the Goddess Clíodhna, her style was inspired by the Honan Chapel’s mosaics and Harry Clarke stained glass. Ardú continues until October 15th, with three more large scale murals by Shane O’Malley, Conor Harrington, and Asbestos. Twitter/Instagram @ArduStreetArt / Photograph by Jed NiezgodaSpeaking about her mural, Friz introduces Clíodhna, “a celtic deity who, in some stories, is the patron of Cork. She was the daughter of the sea god Manannan Mac Lir and thus is associated with the sea also. Some tales say she has three songbirds who accompany her, and when they sing it lulls people to sleep. When they wake, they are healed of any ailments they had.The Ardú team pictured at Cork’s newest mural at St. Finbarr’s Road by Sligo born artist Friz, created as part of Ardú Street Project 2021. L-R: Shane O’Driscoll, Rose-Anne Kidney, Paul Gleeson, Louise Barker, Friz, & Peter Martin.Ardú continues until October 15th, with three more large scale murals by Shane O’Malley, Conor Harrington, and Asbestos. Twitter/Instagram @ArduStreetArt / Photograph by Jed Niezgoda – www.jedniezgoda.comSome versions say the birds eat from a magical apple tree, others that Clíodhna tended to these trees. It put me in mind of Idunn’s apples from Norse mythology. It’s amazing how many of our collective stories have counterparts in other cultures. Nine apples, as that number is sometimes associated with her.She fell in love with a mortal and upon falling asleep near the shore one day her father sent a wave to carry her home. In some versions she is drowned. There is a subtle tear in her eye. She is said to be the Queen of the banshees, and I wanted to represent a small nod to that without going down a stereotypical Halloween version of a banshee.When researching, local artist and Ardú organiser Peter Martin brought the Honan chapel at UCC to my attention. It is home to some stunning Harry Clarke stained glass windows as well as a divine mosaic floor. I used Clarke’s Saint Gobnait window as inspiration for my design.”Pictured:A new mural by Dublin artist Asbestos, created for Ardú 2021, South Main Street, Cork. The giant gable end mural challenges the passerby to think about ‘What is Home?’ Do you have one, is it safe, can you afford it? Never as a country has our sense of what home means been more at threat. Ardú Street Art project returned to Cork city this month, commissioning artwork from home grown talent of the highest level. Supported by Cork City Council and Creative Ireland, with paint sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals: Friz at St Finbarr’s Road, Shane O’Malley at Lower Glanmire Road/Horgan’s Quay, Conor Harrington at Bishop Lucey Park (WIP), and Asbestos at South Main Street. For more see Twitter/Instagram: @ArduStreetArtPhoto credit: Artist AsbestosIf you take a walk down from Friz’s wall, towards the city centre, you’ll find “What is home?” by Dublin artist Asbestos. The giant gable end mural challenges the passerby to think about ‘What is Home?’  Do you have one, is it safe, can you afford it? Never as a country has our sense of what home means been more at threat… “I painted this figure wearing a cardboard box on his head to start a conversation with the public about what home means to them. As a country we are currently in an existential crisis over housing and our need to put a roof over our heads. There’s a fear and uncertainty about finding a safe space, and the system seems to be stacked in favour of the landlords.Pictured:A new mural by Dublin artist Asbestos, created for Ardú 2021, South Main Street, Cork. The giant gable end mural challenges the passerby to think about ‘What is Home?’ Do you have one, is it safe, can you afford it? Never as a country has our sense of what home means been more at threat. Ardú Street Art project returned to Cork city this month, commissioning artwork from home grown talent of the highest level. Supported by Cork City Council and Creative Ireland, with paint sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals: Friz at St Finbarr’s Road, Shane O’Malley at Lower Glanmire Road/Horgan’s Quay, Conor Harrington at Bishop Lucey Park (WIP), and Asbestos at South Main Street. For more see Twitter/Instagram: @ArduStreetArtPhoto credit: Artist AsbestosThe figure wearing the box is me, but a fictional version of myself who’s looking at the world with a naive viewpoint. So each of my masks, or personas is a character that’s asking a different question. In this case ‘What is Home?’ Home isn’t simply about where you were born, it’s where you feel you belong, where you feel safe, where you’re welcomed, where you can come back to and feel accepted, loved and part of a community. We seem to have lost sight of this recently because we’re so concerned about rent, mortgages or even having a home. Painted over 8 days in the sunshine and rain, it was wonderful to speak to so many curious Corkonians about the mural. The support has been amazing from the public and my friends and family here, Cork definitely felt like my home for a week.”Ardú Street Art Initiative 2021 – Shane O’Maley at his mural / Photograph by Jed Niezgoda – www.jedniezgoda.comAcross Leeside, on the Lower Glanmire Road/Horgan’s Quay, find the third mural by Navan-born artist Shane O’Malley. Describing his mural, Shane says:Pictured: Cyclist and passenger at Shane O’Malley new mural on the Lower Glanmire Rd, Cork, for Ardú 2021.Ardú Street Art project returned to Cork city this month, commissioning artwork from home grown talent of the highest level. Supported by Cork City Council and Creative Ireland, with paint sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals: Friz at St Finbarr’s Road, Shane O’Malley at Lower Glanmire Road/Horgan’s Quay, Conor Harrington at Bishop Lucey Park (WIP), and Asbestos at South Main Street. For more see Twitter/Instagram: @ArduStreetArtPhotographer John Beasley“The mural for Ardú street art festival explores Movement. I was drawn to the way the mural is experienced. The majority of people passing the mural would only see it for about 5 seconds. It is located at a busy junction entering Cork city, where traffic flows past the wall. People also walk past the wall and cross the road using 2 pedestrian crossings while a train line passes near the wall. Ardú Street Art Initiative 2021 – Shane O’Maley at his mural / Photograph by Jed Niezgoda – www.jedniezgoda.comThe mural is made of bright coloured angular shapes and interconnected circles that follow the over-under pattern found in Celtic Knotwork. This creates dynamic flow lines throughout the wall, so the mural feels like its got movement and is in motion. I added an anamorphic circle at the corner of the wall that is experienced when passing the mural on foot or in traffic. I wanted to create a piece which is impactful and bright, that would transform the area and visually improve people’s commute to the city.”Pictured: Renowned Cork born artist Conor Harrington working on a new mural at Bishop Lucey Park, Cork, as part of Ardú 2021.Ardú Street Art project returned to Cork city this month, commissioning artwork from home grown talent of the highest level. Supported by Cork City Council and Creative Ireland, with paint sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals: Friz at St Finbarr’s Road, Shane O’Malley at Lower Glanmire Road/Horgan’s Quay, Conor Harrington at Bishop Lucey Park (WIP), and Asbestos at South Main Street. For more see Twitter/Instagram: @ArduStreetArtPhoto credit John BeasleyThe fourth and final wall for Ardú 2021 is work in progress, currently being painted by Cork-born artist Conor Harrington, at Bishop Lucey Park (Grand Parade entrance). Conor will be working throughout this week, members of the public are encouraged to come and watch as his piece comes to life. Based in London since the mid 2000s, Harrington has created street art in New York, Miami, Paris, London, Warsaw, Copenhagen, Aalborg, Mallorca, Sao Paulo, San Juan, and the Bethlehem Wall; this is Conor’s first large-scale mural in his hometown. Pictured: Renowned Cork born artist Conor Harrington working on a new mural at Bishop Lucey Park, Cork, as part of Ardú 2021.Ardú Street Art project returned to Cork city this month, commissioning artwork from home grown talent of the highest level. Supported by Cork City Council and Creative Ireland, with paint sponsored by Pat McDonnell Paints.This year’s edition features four large-scale murals: Friz at St Finbarr’s Road, Shane O’Malley at Lower Glanmire Road/Horgan’s Quay, Conor Harrington at Bishop Lucey Park (WIP), and Asbestos at South Main Street. For more see Twitter/Instagram: @ArduStreetArtPhoto credit John Beasley More

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      Vanguard – Bristol Street Art: The Evolution of a Global Movement

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      Vanguard in partnership with Vans presents Bristol Street Art: The Evolution of a Global Movement – an exhibition exploring the instrumental role of Bristol’s creatives in the development of British Street Art, from the 1980s to the present day. The seminal works, notable moments, key events and extraordinary artists belonging to Bristol’s dynamic history are highlighted in this comprehensive and compelling exhibition, which examines the creative response of the city’s pioneering underground scene throughout the UK’s turbulent social and political history and considers the drive for social change underpinning the work of many of today’s street artists. From anarchist origins in the ‘80s and ‘90s through to the explosion of the scene in the early ‘00s, the exhibition brings together one of the largest collections of original works and memorabilia ever seen in the UK. Beyond Bristol, Vanguard explores the evolving disciplines of British and Irish artists moving from the street art conversation to bridge contemporary fields by fusing traditional techniques with new technologies. The exhibition also reflects on how a new generation of global creatives are advocating for social and environmental awareness through art on the streets. From bronze sculptures to immersive displays, Vanguard reveals a host of new original pieces, as well as rare and unseen works, including bespoke edits from the iconic filmmakers and photographers who documented the unfolding scene. As part of the exhibition, Vanguard will also launch a series of exclusive releases from some of Bristol’s finest creatives, including: 
      An accompanying book featuring worldwide academics, film directors, writers, artists, creatives and specialists reflecting the evolving momentum of the movement 
      An exclusive album featuring some of the tracks which formed the roots of the world-famous Bristol Sound 
      Artist led merchandise from various artists featured in the exhibition Outside of the exhibition, Vanguard has partnered with Vans to launch an exciting city-wide, community-based outreach programme running throughout the duration, aligning with the United Nations 17 Sustainable Development Goals (SDGs). The outreach programme hopes to promote discussion and participation at the intersection of culture and sustainable action and will include art activations, workshops, panels and film screenings. Exhibition Highlights New and unique works by Bristolian, British and international artists include: 
      New and original works from Adam Neate, Andy Council, Antony Micallef, Bill Posters, China Mike, Conor Harrington, Dale VMN Collins (formerly known as Dale Marshall), Dicy, Eko, Feek, Filthy Luker, Inkie, Lucas Price, Lucy McLauchlan, Matt Small, Mau Mau, Mr Jago, Paris, Rowdy, Sickboy, Swoon, Will Barras and Xenz 
      A life-size bronze sculpture of an old favourite from Nick Walker 
      Kineta Hill and Karen Dew’s photographic projections, Watching Paint Dry, female documenters of Bristol’s scene 
      Iconic photographs of the 80s from Beezer 
      A bespoke five-minute edit of the film Wild Style by Charlie Ahearn 
      A bespoke seven-minute film by Scottish filmmaker Doug Gillen of Fifth Wall TV with an original score by drum and bass producer and DJ Krust 
      Matthew Smith’s rare images of the 90s – the time of rave and the Criminal Justice Bill 
      Carrie Hitchcock and Yan Saunders’ unseen photographic archive 
      Legendary photographer Henry Chalfant’s unseen photographs of his time in Bristol for Spraycan Art Further details on the Vanguard book, album, outreach events and artist releases will be released shortly. Vanguard | Bristol Street Art: The Evolution of a Global Movement M Shed, Bristol, BS1 4RN Saturday 26 June 2021 – Sunday 31 October 2021 Admission £8 adult* / £7 concession* (*Tickets include £1 voluntary donation to Bristol Museums www.www.instagram.com/vanguardstreetartwww.vanguardstreetart.com More