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      “SOIN – Struttura G076” by Giulio Vesprini in Roune, France

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      “S O I N – Struttura G076” is Giulio Vesprini’s first anamorphic work made in Rouen at the Santé Rouen Normandie Health Campus curated by Olivier Landes of Art en Ville and curated produced by Métropole Rouen Normandie. A very complex work that develops on two sides, generating two distinct points of view. Side A and Side B.The mural is part of the many initiatives for the candidacy of Rouen capital of culture 2028. A beautiful experiment of art and architecture in a difficult space like this underpass. SOIN means care, the care of a space thanks to urban art that makes an important district of the city. You can see the complete wall only if you stop at a precise point.Check out below for more photos of Giulio Vesprini’s latest project.
      Curated by: Olivier Landes / Art en villeCommisionned by: Metropole Rouen Normandie / Rouen 2028Team: Hobz + Sa.va.ti + SerenaPhotos: Jean-Pierre Sageot More

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      “The Olympic Ring between Apollo and Daphne” by OZMO in Paris, France

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      OZMO, on the occasion of the Planète Périphérique Festival, the project organized by the RAS association and realized with the support of RIVP and the Mairie du 20eme,  had the opportunity to create an artistic intervention that develops on the exterior walls of an entire building located in the heart of the Python-Duvernois district, in Porte de Bagnolet, in the 20th arrondissement of Paris.The context and the formal features of the building inspired him for this project: it is impossible to think of painting on the main facade, full of balconies, windows and pillars, so he tried to find a solution that would make these elements become an integral part of the main subject: a huge, fiery red ring.For  The Olympic Ring between Apollo and Daphne   – this is the title of the work I made –  he then recontextualized Apollo chasing Daphne and Daphne chased by Apollo, the statues that the brothers Nicolas and Guillaume Coustou created for the park of the castle of Marly and that from 1940 are in the Louvre.The statues, designed and arranged so as to make a parallel run, are now depicted on the ends of the palace, one on each of the blind side walls, as directed in the opposite direction. They are reached and wrapped by the large red ring, shaded like a neon sign, overlooking the facade.This element, the real protagonist of the intervention, which unfolds along the two suspenders that join the balconies, is a reference to the busy périférique, the Parisian ring road, on which the intervention faces? Is that an answer to the huge advertising signs on the building across the street? Or is that a fil rouge? Does it evoke a track, a path or an orbit? And what possible link does it have to the red ring of the Olympics citeThe Olympic Ring between Apollo and Daphne offers itself to the passerby as an element of short-circuit and harmonization: between the two mythological figures, between the walls of the building, between the idea of the center and the suburbs, and between our perception of street art, graffiti and ancient and contemporary art in the urban context.The Intervention was presented on 13 April during the vernissage of the Planète Périphérique Festival, the extraordinary event that involved about one hundred artists who have created painted installations and interventions in the 3000 m2 of 21 apartments. The collective exhibition will be open until 7 May 2023. More

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      “Le Gang Des Potelets” by Benjamin Malick in Paris, France

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      Multi-disciplinary artist Benjamin Malick shares his project “Le Gang Des Potelets” in Paris, France. Le Gang Des Potelets is a street art concept, aiming to symbolise the society through the embodiment of Parisian poles.Benjamin gives life to his characters thanks to different technics such as scultpure, mosaic, pochoir, etc. Each piece represents different aspect of the man / woman in our society : desire, passion, history, economic and social level, culture, origins, and more.All these figures form a clan, a gang — le Gang des Potelets (The Gang of Bollards).Benjamin Malick is based between Paris, Libreville and Dubai. Born in France to French-Algerian parents, he grew up in Gabon (Africa). Enhanced by his multi-cultural upbringing, he developed a strong passion and curiosity for travels, adventures and social & environmental causes which today inspire most of his artistic work.Using a multi-disciplinary approach, he revisits cultures & traditions and combines his documentary-style photography with sculptures, street art & collage techniques. With a surreal and dreamlike touch, Benjamin Malick aims to uncover social and cultural differences; at times decrypting known stereotypes and highlighting unknown realities.Take a look below for more photos of this project. More

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      New Mural by Éric Lacan in Hérault, France

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      Urban artist Éric Lacan have worked on a new mural in Hérault, France. The mural features his signature black and white portraitures but instead of elegant female subjects this work features a skull with a beautiful floral headpiece.Éric Lacan started to draw attention to himself at the end of the 2000’s with black and white wheatpastes under the nickname Monsieur Qui. Behind his sometimes elegant, sometimes scraggy mysterious female portraits hide a subtle satire of society’s diktat around women. Graphic details like hair entangled in bramble, flowers, and words scratched on the canvas surface, cannot but bewitch passer-byes and imbue his work with a powerful, dark and melancholic romanticism.Check out below for more photo of Monsieur Qui’s  latest work. More

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      “Web 2.0” by Ludo in Paris, France

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      Street artist Ludo is back with a new mural in the streets of Paris, France. The mural entitled “Web 2.0” features a variation of his famous BTC Flower but instead of the bitcoin symbol, it displays an infinity sign with a tombstone below in which the words “R.I.P. Web 2.0” is written.Ludovic Vernhet, known by the name Ludo and sometimes even referred to as Nature’s Revenge, is an artist born and raised in Paris.His is all about connection between nature, animals and new technologies. It’s all about the world surrounding us. Mixing robotic and natural elements, Ludo questions us about our reality. Without condemning he is putting in highlight topics such as global warming, capitalism, globalization, ecology and the place of the human being among nature. More

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      Infrared Light Enhances Versailles, Provence, and the Beaches of Normandy with Dreamy Shades of Pink

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      Art
      Photography
      #France
      #infrared
      #landscapesNovember 29, 2021Grace EbertAll images © Paolo Pettigiani, shared with permissionPreviously having captured the Dolomites and New York City’s Central Park in a candy-colored glow, photographer Paolo Pettigiani now adds urban and rural France to his ongoing collection of infrared images. The magical series documents the rolling lavender fields of Provence in watermelon hues and Versailles’s landscaped terraces or the Gothic abbey of Mont-Saint-Michel in bright, saturated tones. Pettigiani shoots each location with a full-spectrum camera that unveils otherwise invisible wavelengths and enhances the trees, grasses, and stone surfaces that reflect infrared light with varying shades of pink.See more from the France Infraland series on Pettigiani’s Behance and Instagram, and shop prints of the surreal landscapes on Lumas.
      #France
      #infrared
      #landscapesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      “Tursunay Ziawudun” by Mahn Kloix in Marseille, France

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      Street artist Mahn Kloix recently worked on his latest mural in Marseille, France. Located on 200 meter sqaured wall of the telecoms operator Orange and now dominating the scene is a portrait of Tursunay Ziawudun, a Uyghur who testified on her ordeal in the “camps” Chinese.Suspended from his ropes, the artist put the finishing touches to his portrait on October 7, on the immense facade of this building, rue Félix-Pyat, in the heart of one of the poorest districts of the second largest city in France. . And he signed his work on October 8 with a simple stencil, “Tursunay Ziawudun, by Mahn Kloix”.No message beyond this name and face, which the artist painted from an image from a BBC documentary where this 43-year-old woman recounts the rapes she suffered in one of the “camps” set up by the Chinese regime in the western region of Xinjiang, first in 2017, then in 2018.Several human rights organizations have accused Beijing of interning at least one million Uyghurs in Xinjiang in “re-education camps”, subjecting some to forced labor. Amnesty International has denounced “crimes against humanity”.Beijing denies this figure and talks about “vocational training centers” to support employment and fight Muslim extremism in this province which had been affected by attacks attributed to Uyghurs.Under an almost transparent lace veil, the look is soft. With his hand on the cheek, Tursunay Ziawudun seems “looking to the future”: “One of my challenges”, Mahn Kloix explains to AFP, “it is to talk about negative things without falling into the negative, to always give an image of hope”. This woman’s journey has been “violent”, explains the 40-year-old artist, who spent two years in Beijing, when he was still a graphic designer and above all a long-haul traveler. It was through this BBC documentary that he discovered Tursunay Ziawudun’s ordeal. “It took me to the guts.”“This is perhaps the hardest scar to forget”, explains this Uyghur survivor, in her testimony, reviewing her three gang rapes: “I don’t even want those words to come out of my mouth anymore, (…) in fact their goal is to destroy us all”, she asserts, about the Chinese regime’s policy towards the Muslim community in Xinjiang.“My theme today is oppressed minorities”, he explains. On a wall in Marseille, he paints Nüdem Durak, a Kurdish singer imprisoned in Turkey. On a garage door, still in Marseille, it is Yulia Tsetkova, a Russian activist prosecuted for defending the rights of women and LGBT people. In Eauze (Gers), Greta Thunberg, the young Swedish environmental activist. In Paris, on the WALL (Modular, Urban, Reactive) of Oberkampf, a kiss is scandalous, that of Shaza and Jimena, two women who had to flee Dubai where homosexuality is punishable by death.With Tursunay Ziawudun, it is another resistance that he highlights. “Paint this portrait on the walls of the historic telephone operator in France, in the country of the motto Liberty, Equality, Fraternity, the country which asserts itself as guarantor of human rights but which continues to trade with China, that makes perfect sense! “, he pleads with irony.Mahn Kloix originally began painting in urban spaces in New York City. Heavily influenced by the street art scene, Kloix’s contemporary fluid and free figuration is also expressed on canvas and paper. He pays tribute to young protesters in Istanbul, Tunisia, and Athens by conveying their similarities in his works. Their portraits are a leitmotif to highlight human and environmental struggles.Take a look below for more photos of “Tursunay Ziawudun”defaultdefaultdefaultdefaultdefaultdefaultdefaultPhoto credits: Fabrice Calmettes More