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    Subversively Embroidered Money and Penny Sculptures Question Historical Narratives

    
    Art

    #coins
    #embroidery
    #metal
    #money
    #politics
    #sculpture
    #social commentary

    March 18, 2021
    Grace Ebert

    From Insurrection Bills. All images © Stacey Lee Webber, shared with permission
    Throughout 2020, Stacey Lee Webber developed Insurrection Bills, a revisionary collection of United States currency overlaid with subversive stitches: flames envelop monuments, a wall is left unfinished, and an eclectic array of face masks disguise Abraham Lincoln’s portrait. Contrasting the muted tones of the paper, the vibrant embroideries stand in stark contrast and as amended narratives to those depicted on the various denominations. “The series references feelings of anger, turmoil, and frustration during the tense political climate while recontextualizing and questioning the beloved iconography we see on our money,” she tells Colossal.
    Currently working from her studio and home in Philadelphia’s Globe Dye Works, Webber is formally trained in metalsmithing—she has an MFA from the University of Wisconsin, where she initially began using currency as the basis of her projects—and sees the two mediums as an ongoing conversation. Embroidery “allows me to work in a quieter setting outside of my metal shop acting as a sort of ying to the yang, soft and hard, masculine and feminine,” she says.
    Many of Webber’s sculptures involve soldering coins, including the copper penny works that make up The Craftsmen Series and question the value of blue-collar labor in the U.S. Comprised of hollow, life-sized tools, the collection visualizes “putting endless amounts of work into a single cent,” the artist says.
    Webber has multiple exhibitions this year, including at TW Fine Art Palm Beach Outpost in April, Philadelphia’s Bertrand Productions in October, and Art on Paper Fair in New York City this November. If you can’t see the currency-based projects in person, head to Instagram, where the artist shares a larger collection of her works and glimpses into her studio.

    “Masked Abes,” from Insurrection Bills
    From Insurrection Bills
    Detail of “Masked Abes,” from Insurrection Bills
    A ladder from The Craftsmen Series, soldered pennies
    From Insurrection Bills
    Jewelry made from coins

    #coins
    #embroidery
    #metal
    #money
    #politics
    #sculpture
    #social commentary

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    “You won’t see what I’ve become” by Beast in North Italy

    The Beast Collective has recently completed one of their largest outdoor installations to date, in the countryside of Emilia, North Italy. Entitled “You won’t see what I have become”, this giant piece is an unauthorized 6 x 18 meters paste-up on one of the bridge’s pillars that connect the industrial area to the rural one, […] More