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    “Street Chronicles” Group Exhibition at UrbanBreak, Seoul, South Korea

    Urban & Street Art Fair, URBAN BREAK 2022, marks its third anniversary this year. URBAN BREAK drew attention with 15,000 people attending in 2020, the first year alone. Last year, despite COVID-19 at its peak, 40,000 people visited the fair, thereby solidifying its status as one of the most prominent fairs.Rom Levy, director of StreetArtNews, co-planned the Special Exhibition of International Street Artists. Entitled Street Chronicles, the exhibition is showcasing the works of artists who were the pillars of street art techniques, concepts and different styles.STREET CHRONICLES retraces a side of Urban Art history bringing the streets of NYC and London to Seoul.Street art was considered vandalism when protesters during wars and political corruptions used the walls of their cities to comment on political and social issues with slogans and graffitis. What was initially regarded as vandalism has since become a significant art form. Murals and other forms of street art are renowned for their beautification of cities, raising awareness, and standing as witnesses to history.This proposal includes Banksy, whose identity remains anonymous to the day. His politically charged works provoke alternative viewpoints, encouraging revolution in the art world, making him one of the most controversial street artists. Banksy’s work has been breaking down the boundaries and expectations of street art critics, using many different street art mediums and styles. Banksy began his graffiti practice inspired by Blek Le Rat, one of the most prominent artists in Street Art. Inspired by what he saw in New York during his visit in 1971, Blek Le Rat started creating artworks across the streets of Paris in 1981. He primarily used stencils in his practice. His first stencils were black rats running along the walls throughout Paris. In 1983 he began to paint life-sized stencils, which became his trademark alongside his rats and have influenced generations of street artists worldwide.Also included are other notable Urban artists such as D*Face, Shepard Fairey and Invader, who all contributed to the development of the art styles and mediums. Alongside artists from the newer generation who weave the connection between street art and the wave of the new contemporary, such as Roby Dwi Antono, Andrew Hem, Lonac and Andrew Schoultz. Their work bridges contemporary art aesthetics with illustrative figuration. For example, Andrew Hem incorporates atmospheric and richly textured narratives in a vivid palette of twilight blues invigorated by fields of deep red and specks of golden light. Spirits are evoked through the visionary presentation of remembrances and dreams of his haunting impressions of civilisation and landscapes. While Andrew Schoultz’s work has a visual approach to social and political commentary. His enormous murals, paintings, installations and sculptures are heavily patterned, creating an intense and mesmerising vision of current events.Street art is dedicated to bringing art to the people, raising awareness about political and social issues, and portraying the truth of reality.‘I want the characters of the paintings to walk out of the museums to give them back to the people of the city.’ -Blek Le Rat.Tickets for URBAN BREAK 2022 are sold at KRW 20,000 for general admission and at KRW 100,000 for VIP admission. Those who have purchased VIP tickets can enter early from 12:00 pm to 3:00 pm prior to the exhibition to be open on July 21st, 2022, at 3:00 pm. Venue will be at COEX Hall B, Seoul, South Korea.You can book your tickets to this year’s Urban Break at their website. More

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    Delicate Paintings by Lee Me Kyeoung Document the Idiosyncrasies of South Korean Corner Stores

    
    Art

    #acrylic
    #painting
    #South Korea
    #stores

    October 13, 2021
    Grace Ebert

    All images © Lee Me Kyeoung, shared with permission
    Artist Lee Me Kyeoung (previously) continues her decades-long project of painting the dwindling number of Korean corner stores, rendering quaint shops in Yangsan, Gyeongju, Gunwi, Sangju, and Cheorwon as part of her ongoing A Small Store series. The delicate artworks capture the idiosyncrasies and tiny details of each locale, like a plastic washbasket left out front or signage hanging from the eaves, and the vast collection includes shops in both remote and bustling neighborhoods across South Korea. Encapsulating the unique qualities of the quickly shuttering stores, Me Keyoung’s paintings preserve their cultural legacies in detailed acrylic.
    Some of the artist’s shops are on view through November 13 at Gallery Imazoo in Gangnam, South Korea, and you see photos of the original locations and more of her process on Instagram.

    #acrylic
    #painting
    #South Korea
    #stores

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    Couple Who Defaced $400,000 Painting in South Korea Thought It Was a Public Art Project

    The vandalism of a piece by the graffiti artist JonOne at a gallery in South Korea has prompted a debate about contemporary art.SEOUL — The couple saw brushes and paint cans in front of a paint-splattered canvas at a gallery in a Seoul shopping mall. So they added a few brush strokes, assuming it was a participatory mural.Not quite: The painting was a finished work by an American artist whose abstract aesthetic riffs on street art. The piece is worth more than $400,000, according to the organizers of the exhibition that featured the painting.Now it’s hard to tell where the artist’s work ends and the vandalism begins. “Graffitied graffiti,” a local newspaper headline said last week.Either way, the piece, “Untitled,” by John Andrew Perello, the graffiti artist known as JonOne, is now a magnet for selfies. And on social media, South Koreans are debating what the vandalism illustrates about art, authorship and authenticity.The artwork is displayed with paint cans, brushes and shoes that the artist used when he worked on it, one of the exhibition’s organizers, Kang Wook, said in an interview. He added, “There were guidelines and a notice, but the couple did not pay attention.”Some social media users have echoed Mr. Kang’s reasoning. Others say the sign was confusing and the couple should not be blamed.Views of “Untitled,” a painting by the artist JonOne, before (top) and after it was vandalized. The extra brush strokes are hard to spot.Organizers of the “Street Noise” exhibitionA few suggest that the incident itself was a form of contemporary art, or that the couple’s abstract brush strokes — three dark-green blotches covering an area about 35 inches by 11 inches — have improved the piece.The debate is notable in part because the crime was not intentional and the painting can be restored, said Ken Kim, an art restoration expert in Seoul who has seen the vandalized work.The painting is part of “Street Noise,” an exhibition that opened at Lotte World Mall in Seoul in February and features about 130 artworks by an international group of more than a dozen graffiti artists. Mr. Kang said the staff at the mall noticed on March 28 that the painting had been vandalized, and identified the couple by checking security footage.The couple were arrested but released after the police determined that the vandalism was accidental, the local news media reported. Mr. Kang said the couple told the police that they had thought the artwork was open to public participation.The couple have not been identified and could not be reached for comment.The artist, JonOne, said in an interview on Wednesday that he was disappointed and angry that his work had been “defaced,” although some people have said the publicity could work in his favor.“Art should be religious,” he said. “You don’t paint on a church.”The artist JonOne has described his work as “abstract expressionist graffiti.”Bruno BrounchJonOne said the vandalism of his work in Seoul reminded him of growing up in New York City and the feeling that his talent was not appreciated.As a teenager, he would sign his graffiti with the tag “JonOne.” His style later became more abstract, although he continued to use graffiti lettering as the foundation for his work. Now 57 and living in Paris, he has described his aesthetic as “abstract expressionist graffiti,” a nod to Jackson Pollock and other American artists who redefined modern painting in the years after World War II.Julien Kolly, a gallerist in Zurich who specializes in graffiti art and has exhibited JonOne paintings over the years, said that they often prompted strong reactions from viewers.“Some are full of praise and others think that a child could do better,” he said. “Of course, I am in the first category.”Mr. Kolly said that he wondered why the couple who vandalized “Untitled” in Seoul thought they could “intervene” in an artwork that was hanging in a gallery — but also that he did not think they intended to “destroy” it.“I can understand that people may have thought that they could, at the very least, do better than the artist by participating in this work,” he added.Mr. Kang said a decision about whether to restore “Untitled” would be made before the exhibition ends on June 13. The restoration could cost about $9,000, he added, and the insurance company may find the couple partially liable for the cost.“But we are concerned,” he added, “because there are many comments saying that the artwork should not be restored, and remain as it is.”The couple added the three dark-green blotches that are circled in red.Organizers of the “Street Noise” exhibition More

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    Delicate Paintings by Lee Me Kyeoung Detail the Small Convenience Stores Throughout South Korea

    
    Art

    #painting
    #South Korea
    #stores

    July 20, 2020
    Grace Ebert

    “Peach blossom store” (2020), acrylic ink pen on paper, 122 × 122 centimeters. All images © Lee Me Kyeoung, shared with permission
    Peeking through peach blossoms or nestled into a snowy landscape, the tiny shops that Lee Me Kyeoung renders are found across South Korea, from Mokpo to Jeju and Seoul to Gapyeong. The artist already has spent decades speaking with the store owners and weaving their stories into her delicate paintings as part of her ongoing A Small Store series. Her most recent works encapsulate the experience of standing in front of the establishments by capturing every detail: the multicolored goods evenly stacked, advertisements posted in the windows, bikes parked out front, and the sloping tiled roofs.
    Me Kyeoung’s work recently culminated in a book detailing the still-open locations for those interested in visiting the shops in person. The prolific artist also shares updates on future exhibitions, in addition to photographs of the original stores she visits, on Instagram.

    “Jeongdeun store” (2020), acrylic ink pen on paper, 122 x 162 centimeters
    “Korye store” (2019), acrylic ink pen on paper, 65 x 65 centimeters
    “Woori store at Haenam” (2019), acrylic ink pen on paper, 56 x 115 centimeters
    “Shingur store” (2019), acrylic ink pen on paper, 75 x 135 centimeters
    “Store at Haman” (2019), acrylic ink pen on paper, 75 x 135 centimeters
    “Sinheoung store” (2019), acrylic ink pen on paper, 49 x 86 centimeters
    “Deayul store” (2019), acrylic ink pen on paper, 60 x 73 centimeters
    “Chestnut tree valley store” (2020), acrylic ink pen on paper, 120 x 180 centimeters

    #painting
    #South Korea
    #stores

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