Architecture

The state heritage-listed Urrbrae Gatehouse at the University of Adelaide’s Waite Campus will be relocated and rebuilt “brick by brick” to make way for an expanded intersection.
Under plans before South Australia’s State Commission Assessment Panel, the historic building on the outskirts of Adelaide will be moved around 800 metres from its current position to a site near Urrbrae House, the stately home for which it served as the gatehouse. A modern extension, designed by local firm Dash Architects, will also be grafted on to the building.
Having originally proposed to compulsorily acquire and demolish the gatehouse, the state government settled on the plan to rebuild it after a backlash from the community and heritage advocates. The University of Adelaide, which owns the land, was also supportive of retaining the building in the new location.

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Urrbrae Gatehouse redevelopment by Dash Architects.

The planning application notes that the “high heritage value aspects” of the existing gatehouse will be retained as part of the relocation, while a new Welsh slate roof will match the appearance of the original. Stonework and brickwork is to be dismantled by hand to ensure no damage is done. At the rear of the building, the single-storey flat roof rear extension will feature full-height glazing, textured rendered walls and a verandah.
The final internal design layout is to be confirmed, following discussions by the University of Adelaide with the intended users of this facility – the volunteers associated with Urrbrae House and the Waite Arboretum. But at this stage, the proposed floor plan indicates offices and a meeting room in the rebuilt original section and a multi-use space with associated kitchen and toilet facilities.
Heritage SA and the local council support the proposed relocation, but some say the move will diminish the structure’s heritage value. Robert Stone, an associate lecturer in archaeology at Flinders University, told the ABC in February that any relocation would obscure the original purpose of the building. “The gatehouse was the first barrier to going into one of these stately homes, and then the driveway was second because they were never straight,” he said.
“Some are saying it should be shifted near the main house, but then it loses all its significance because the stables and carriage house are near the main house as well and you’ll get the impression this is just a worker’s cottage.”
Pastoralist Peter Waite bequeathed the Urrbrae estate, including the gatehouse, to the University of Adelaide in 1914. More

The most significant update to the National Construction Code in more than a decade will increase the required thermal performance of homes from the current level 6-stars NatHERS to the equivalent of 7 stars, according to a draft update released for public comment.
The National Construction Code (NCC) is updated every three years based on industry research, public feedback and policy directions from government.
The federal and state building ministers directed the Australian Building Codes Board to develop enhanced residential energy efficiency provisions in order to meet commitments made under the Paris Agreement to reduce greenhouse gas emissions.
As well as the stringency increase to 7-stars, the proposed changes introduce a “whole-of-home approach,” with an annual energy use budget for the regulated equipment in the home, such as air conditioning, heated water, lighting, swimming pool and spa pumps.
This approach enables trading between the efficiency of the equipment to achieve the annual energy use budget. On-site renewables may also be installed to offset the energy consumption of the equipment, but not the building fabric.
Responding to the proposed changes, Trivess Moore, a senior lecturer at RMIT University’s Sustainable Building Innovation Lab, said the likely increase from 6 to 7 stars was a critical step on the path towards “near zero carbon/energy housing.”
“An increase from 6 to 7 stars would result in an average reduction in energy for heating and cooling of 24 percent across Australia,” he said.
“The performance of new Australian housing is at least 40 percent worse than many other developed countries in similar climate zones. While the move to 7 star will close this gap, there is much more that we could be doing right now.”
“Research undertaken at RMIT University found that more than 80 percent of new housing in Australia is only built to the minimum 6 star standard, with less than 1.5 percent built to the optimal environmental and economic performance of 7.5 stars demonstrating the need to improve minimum regulatory requirements.
“Increasing the minimum star rating alone will not be enough. There is an issue across the industry with performance not matching design outcomes. Any changes to minimum performance requirements must be accompanied by greater accountability in the building industry to deliver improved outcomes.”
The Australian Building Codes Board is conducting consultation in two stages on the proposed changes. The first stage was held between 10 May and 11 July 2021 and the second is open until 17 October. This final stage of consultation seeks feedback on the energy efficiency and condensation technical provisions. More

Submissions are open for the 2022 Melbourne Design Week satellite program, with curators looking for ideas for exhibitions, launches, talks and workshops.
Running over 11 days in March, the 2022 program will further explore the 2021 theme, asking participants to “Design the world you want.”
Under the main theme are two sub-themes – civic good and making good – to provide further inspiration for applicants.
The civic good theme “encourages participants to think beyond the individual, and look to the objects, buildings, designs and services that make people feel part of a community, and importantly, serve the common interest.”
The making good theme, meanwhile, is all about the environmental and social impact of design on the planet. “Whether digital or physical, handmade or manufactured, service, system or object, making good considers the many ways in which ideas and experiments are realized through the lens of ethical and sustainable practices that rethink design processes, production and materials.”
Curation of the Melbourne Design Week program is led by the National Gallery of Victoria’s Department of Contemporary Design and Architecture team, comprising Ewan McEoin, Simone LeAmon and Myf Doughty alongside Timothy Moore, director of Sibling Architecture.
The program is split into two streams: a program of local and international exhibitions and presentations organized by the NGV, and the satellite program of events and exhibitions organized by the design community.
Events already confirmed include the Melbourne Design Week and exhibitions of collectible and limited-edition design by Sydney-based Adam Goodrum and Arthur Seigneur at Tolarno Galleries, and by Adelaide duo Daniel Emma at Sophie Gannon Gallery. The week will also include programming by Open House Melbourne and the NGV Architecture Commission by Taylor Knights with James Carey.
The satellite program includes 90 percent of all events, taking over ateliers, studios, retail spaces, universities, galleries and public spaces throughout Melbourne and regional Victoria.
Event submissions close on 23 September. The NGV is also calling for inviting designers, architects and makers to enter the $20,000, biennial Australian Furniture Design Award 2022, which will be presented as part of Melbourne Design Week. More

A 140-year-old boab tree will become the focal point of a new education and community precinct in Darwin designed by Mode.
The government unveiled the final design for the $250 million project to create a new campus precinct for Charles Darwin University after it received development approval.
The campus will occupy the site of the former Darwin Primary School and Darwin Adult Education Centre, where the heritage-listed tree, believed to have been planted in the 1880s, was a significant landmark.
“We know how special this tree is to the Darwin community – that’s why we’re ensuring it’s front and centre in the next chapter of learning on this historic site,” said professor Scott Bowman, vice-chancellor of Charles Darwin University.

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The proposed Charles Darwin University Education and Community Precinct by Mode.

The form of the campus building responds to the boab tree with a sloping facade that ensures the tree is not overshadowed and has access to the sun.
The layered facade will include louvre screens and external terrace spaces which will protect the building from the tropical heat in Darwin.
The large covered spaces will blur boundaries between inside and outside, as well as integrating the building with community spaces and providing protection from heat and storms.
“Our focus has been on developing a design that delivers a landmark building for Darwin which is climatically responsive, aesthetically appealing, and will be accessible and inviting to both students and the wider community,” said Mode principal and project director Robert McCray.
The building will accommodate a variety of innovative and flexible learning spaces and will house the university’s Asia Pacific College of Business and Law, the College of Indigenous Futures, Education and the Arts, IT teaching and the International College and Art Gallery.
“This new campus will be the jewel in the revitalized Education and Community Precinct,” Bowman said. “Being at the centre of this new precinct will help Charles Darwin University train and educate more Territorians – helping them get the skills and experiences they need to thrive in their local communities.”
The project is the centrepiece of the 10-year, $320 million Darwin City Deal, which is jointly funded by the federal and Northern Territory governments, and Charles Darwin University. Early works have begun and the project is due to be complete at the end of 2023. More

A tapestry design that depicts the geologically “youngest part of Australia” has won the $10,000 international Tapestry Design Prize for Architects. The prize, an initiative of the Australian Tapestry Workshop, invited architects from around the world to design a hypothetical tapestry for one of three sites within Phoenix Central Park, the arts venue designed by […] More

Newcastle firm Derive Architecture and Design has drawn up plans for a tourist destination and outdoor amphitheatre in the New South Wales wine region of the Hunter Valley.
The $107 million proposal calls for a 100-bed hotel, specialist food and beverage offerings, multiple cellar doors, a wine museum and a 22,000-person concert venue.
It would sit on a 105-acre site in Pokolbin on the corner of Broke and McDonalds roads, adjacent to the Roche Estate food and beverage precinct and next to the Hope Estate winery.
The developer behind the project is the newly formed Cedar Mill Group, a subsidiary of Winarch Capital, which is also behind the $235 million redevelopment of Morisset Golf Course. That development will include a 30,000-person concert venue and “Australia’s largest aquatic play park.”
Cedar Mill says the Pokolbin venue will be capable of hosting events, conferences and functions, and will attract tourists seeking “high-end visitor experiences.”
The site will play host to “local growers and operators providing boutique goods and dining experiences inspired by the local agricultural heritage and, of course, winemaking, distilling and brewing.”

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Cedar Mill Hunter Valley by Derive Architecture and Design.

The developer is proecting the project will bring 68,045 additional visitors to the region each year. Cedar Mill Group general manager Kyle McKendry said Pokolbin was the only remaining premium development site in the Hunter Valley wine region.
“It is 105 acres right in the centre of Hunter Valley wine country and had been held by the previous owners for over 30 years,” he said.
“Cedar Mill Hunter Valley and Cedar Mill Lake Macquarie are purpose-built, the first in Australia on this scale. Our aim is to provide an unparalleled visitor experience in the heart of the region, offering a gateway for tourists to connect with everything that makes the Hunter Valley a world-class visitor destination and event hub.”
Development plans for Cedar Mill Hunter Valley will be lodged in the coming months and the developer expects it will be open by 2023. More

The transformation of the world’s oldest surf club is a step closer to fruition now the development application has been submitted to council. Lockhart-Krause Architects’ design for the restoration and redevelopment of the historic Bondi Surf Life Saving Club was first revealed to the community in August 2020. The architect has since been working with […] More

Overlooking Victoria Park in Herston, Brisbane, the recently completed Surgical Treatment and Rehabilitation Service building by Hassell avoids the sterile, clinical environments often associated with healthcare environments, instead offering a welcoming setting immersed in the natural environment.
It’s the first building to be completed as part of the wider redevelopment of Herston Quarter – an expansive health and wellbeing precinct masterplanned and designed by Hassell.
The nine-storey 35,000-sqaure-metre building, delivered as a public-private partnership for clients Australian Unity with Metro North Hospital and Health Service, delivers 182 patient beds, 100 specialist rehabilitation beds and 56 surgical inpatient beds.

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Surgical Treatment and Rehabilitation Service facility by Hassell. Image:

Scott Burrows

Project leader Kevin Lloyd explained that the masterplan for the precinct responds to existing heritage buildings at the core of the site, including the Robin Smith Dods-designed Lady Lamington Nurses’ Home, constructed over three stages between 1896 and 1931, the late Victorian-era Lady Norman building, the 1920s Edith Cavell building and, and the Spanish Mission-style Lady Lamington towers, constructed between 1936 and 1939.
“We had this collection of really lovely building that were all underutilized and our thinking was about how we could bring life back into the heart of the campus, by activating the heritage core and bringing new users into the site,” said Lloyd.

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Surgical Treatment and Rehabilitation Service facility by Hassell. Image:

Scott Burrows

Around the edges of the site, the masterplan calls for a series of new buildings. The STARS building sits on the south-eastern corner, addressing Herston Road and mediating between the street level and the upper-level heritage core, a level change of around 25 metres.
A series of subtle level changes and pedestrian throughfares running through the building offer direct access to landscaped outdoor areas and form connections to the heritage buildings and future buildings planned to the west of STARS. Sitting between the STARS building and the future buildings, a staircase integrated with the landscape, known as the Spanish Steps, will lead from street level to the heritage core.
“It’s a kind of transitional movement, where you move through the landscape up towards the higher points,” said Lloyd. “The stair connection is in line with Herston Station, so you can come out of that station and go directly into the STARS building off Herston Road, or you can continue up the staircase and it takes you either into the Heritage core, or you can move into a transitional level that heads into the main body of the hospital.”
High traffic areas such as outpatient clinics and the day surgery are located on the building’s lower levels for ease of mobility, while inpatient areas are on higher floors with direct access to the landscaped outdoor decks.

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Surgical Treatment and Rehabilitation Service facility by Hassell. Image:

Scott Burrows

Therapy gyms and recovery areas are integrated with the 100 rehabilitation beds and positioned along the Herston Road facade to maximize views and light and support patients through their rehabilitation.
As well as connecting to the heritage buildings through subtle spatial planning, the STARS building references design features of the historic buildings in its built form.
“The expression of the base of the elevation relates back to some of the modelling within the Lamington Tower buildings,” said Lloyd. “It’s obviously a new building but there’s a reference back to the past.”
A landscape courtyard sits at the heart of the STARS building and every part of building has been designed to have some connection to landscape.
“As you move around the edge of the building you’re constantly referencing back to the landscape,” said Lloyd “When you’re within the building, you can orientate yourself by your position and your relationship back to the courtyard.”
“That feeds into the psychological effects of connecting with landscape and the importance of that connection to patients’ recuperation. That whole thinking process is really, really important and that’s going to be present not just in the STARS building, but all future aspects of the masterplan.”
The $340 million STARS facility opened to patients in March. More