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    “A Famous Milanese Renaissance Girl, with Red Brushstrokes, Pixel and a Pointer” by Ozmo in Milan, Italy.

    Born in Pontedera, Italy Ozmo made his first steps in the comics world, but since early 90s he soon moved his focus on writing and painting. In short time his tag would have become one of the most famous and respected ones in the Italian graffiti scene. A special reportage dedicated to Ozmo on ‘Aelle’ – the most famous urban culture underground mag in Italy – will consacrate him as one of the leading figure in the national underground writing scene.Ozmo is now based in Paris. He returns to Milan, the adopted city that has welcomed him in the most decisive years of his artistic career, and he does so symbolically bringing home a masterpiece of Italian Renaissance art: The Lady with the Ermine of Leonardo da Vinci which has been in Poland for two centuries.To dominate the view of the Milanese architecture of Corso XXII Marzo, ready to attract and direct the gaze of passers-by, from now on there will be, in fact, A famous Milanese Renaissance girl, with red brushstrokes, pixel and a pointer, a monumental reinterpretation and recontextualization of the Leonardesca Lady, unchanged in its beauty and elegance of the fifteenth century, but enriched by the journey that, through the centuries, led her to be reborn under the gaze of an artist of today, to relive in the homage that Ozmo makes to the city and its history.It is precisely in Milan, in fact, that Leonardo da Vinci creates some of his most famous masterpieces, capable of changing Italian portraiture. In this context of research and innovation, of artistic and cultural ferment, his Lady with Ermine was born.The project continues the conceptual and aesthetic path undertaken many years ago, which holds together the link between the artist and the historical, historical-artistic and cultural Italian tradition, and his ever-living desire to actualize it.  A famous Milanese Renaissance girl, with red brushstrokes, pixels and a pointer, is enriched with new artistic elements and new points of reflection.With tools typical of the computer world, such as pixels and pointers, but made with brush and spraypaint, Ozmo conceals, highlights or changes elements of the original work, bringing it into contact with the current era and the languages recognized by today’s society. With a red sign that runs along the surface, Ozmo consolidates the link between the pictorial intervention and the architectural context, and harmoniously binds all the artistic elements, giving the city a new public work.The mural  has been realized with the support of the association Street is Culture and the social cooperative of EST – Enosteria sociale , which, in a public housing in the center of Milan, recovers people from difficult contexts, and  it does so by integrating itself in the environment through the art and work. It’s precisely his mission, to bring art where it is not usable, to give life to the collaboration with Ozmo. The realization of the work was curated by Annalisa Ferraro, with the collaboration of RiparTIAMO ApsTake a look at more images below and check back with us soon for more updates. More

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    New Mural by 2501 in Bolzano, Italy

    Jacopo Ceccarelli aka 2501 recently work on a project in South Tyrol, Bolzano, Italy. He designed and painted the walls of the outdoor area of ​​the Alperia Greenpower company headquarters on Via Claudia Augusta — the project was curated by Outbox.Alperia Greenpower is an Alperia subsidiary active in the field of energy production from renewable sources and operates the Alperia Group’s hydroelectric power plants in South Tyrol.2501’s stylistic signature is characterized by the use of black and white lines and figures that follow each other and alternate in space, which is why he was chosen as the artist. Hypnotic lines and moving images chase each other on the walls of one of the Alperia offices to create a mural inspired by the world of energy. Here is how out of nowhere, between one brushstroke and another, turbines, cables, alternators and transformers come to life.In all his creations, whether it be canvas, paper, or walls, there is an obvious progression in size, detail and complexity that accompanies 2501’s works. His installations, in comparison, grant his audience a more natural, organic contrast to what is customary in his other pieces. His ability to play with different forms of media while remaining devoted to line use has allowed him to develop into the incredible artist that he is today.Check out more photos of the project below. More

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    “E SOM DAL GATTO – Struttura G069” by Giulio Vesprini in Reggio Emilia, Italy

    Street artist Giulio Vesprini recently worked on a project in Reggio Emilia, Italy. The mural entitled ‘E Som dal Gatto‘ was created together with the inhabitants of the neighborhood, to tell the story and its symbols.  The work was made possible thanks to the synergy between local institutions and the private world, with the aim of redeveloping and regenerating a suburban space in the city, enriching it with meanings strongly connected with the life of the place.“I reinterpreted this facade with elements of color and graphic structures that have clear references to the life of the Social Center and that emerged during the meetings held with residents of the area. In fact, yellow represents the walkway that connects the district to the Crostolo embankment, the round signs are a dedication to the game of bowls and football, green and blue are the synthesis of water and nature present in the district with a reference to the Gatto Azzurro and the crostolo stream that joins the Po river. The red, on the other hand, recalls the colors I mapped in the neighborhood.”Graziano Tura, president of the Gattaglio social center, underlined, among other things, the beauty of the common experience of members and inhabitants of the neighborhood in the relationship and collaboration with the artist: “Giulio Vesprini is now truly one of us.”With a subtle minimalistic approach, Vesprini focuses on the idea of ‘public space’ and more specifically on spaces where graphic and wall can be united at any given moment: the non-private space and space that is economically uninteresting can become utility space. His artworks are often about contact with architecture and graphic elements.By applying abstraction, he creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His practice provides some graphic tools with a minimalist approach in the world of art: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination.Credits:Artistic assistant: Daniele Peccioli-Jacopo CostaPhoto Drone: Matteo Consolini More

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    “Cannot” by Biancoshock in Lodi, Italy

    Biancoshock recently worked on a new project in Lodi, Italy. Entitled “Cannot”, this installation is a part of the artist’s ‘Nice To Meet You’ Series.Biancoshock uses elements that are easily recognizable as belonging to Western pop culture. His works can be presented as performances in which he is the protagonist of interventions on the street and in which passers-by actively participate, but also as interventions carried out directly on elements of street furniture. Soft toys, puppets, games, famous brands, objects that make up the home furnishings and everyday life are decontextualized and thanks to this conceptual and linguistic operation become other, coming to convey a message to the user through irony and provocation.His artistic project began in 2004 after a previous ten-year experience in the Graffiti world. This background spontaneously led him to live the city as a stage for his artistic actions.From the beginning, the artist expresses himself mainly through independent urban installations, different from each other in terms of technique, materials and subjects, but united by the same intent: to offer a starting point for reflection – sometimes ironically, other times provocatively – to the passer-by, trying to emotionally disturb his daily routine.Check out below for more photos of “Cannot”. More

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    “Pasta, Panda, Beretta e Mandolino – Made in Italy” by Urka in Turin, Italy

    Street artist Urka just worked on his latest mural located at Parco Dora, Turin, Italy. The mural entitled “Pasta, Panda, Beretta e Mandolino – Made in Italy” was made in collaboration with artist MrFijodor.URKA is a talented, satirical sketch artist who enjoys also creating on city walls. Based in Italy, he is a shy guy, introverted, meteoropathic and misanthropic the most of the time.  The artist likes to draw silly and satiric puppets about human behaviors.Take a look below for more photos of his latest project. More

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    “G O A L – Struttura G070” by Giulio Vesprini in Castellano, Italy

    “The park is famous for its astronomical observatory and my work pays homage to this fantastic place with its surrounding landscape by observing the moon, the sea, the beautiful countryside and the Via Lactea…” Giulio Vesprini stated.Giulio Vesprini is an artist and graphic designer who works in a variety of media. He has attended two major schools: Accademy of Fine Arts in Macerata and the Departement of Architecture in Ascoli Piceno. With a subtle minimalistic approach, Vesprini focuses on the idea of ‘public space’ and more specifically on spaces where graphic and wall can be united at any given moment: the non-private space and space that is economically uninteresting can become utility space. His artworks are often about contact with architecture and graphic elements.By applying abstraction, he creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His practice provides some graphic tools with a minimalist approach in the world of art: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination. More

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    “Beyond Walls” by Saype in Venice, Italy

    Artist and innovator Saype presents his new creation, making Venice part of his Beyond Walls global human chain. The work, which is sailing through the Serenissima on the occasion of the Biennale Art, has been unveiled on April 21.Giant biodegradable landart painting by French-Swiss artist Saype from the Beyond Walls project on Friday April 15, 2022 on a floating barge in Venice, Italy. Extending over an area of 8 by 30 meters this fresco was created using biodegradable pigments made out of charcoal, chalk, water and milk proteins. The piece will travel in and around Venice and will be unveiled during the Biennale Arte 2022 59th International Art Exhibition. (Valentin Flauraud for Saype)An exhibition dedicated to Beyond Walls is held at Torre di Porta Nuova dell’Arsenale Nord. To open the exhibition, Karole Vail, Director of the Peggy Guggenheim Museum, and Francesca Lavazza, Board member of the Lavazza Group, will join Saype for a meeting entitled “Art and Sustainability”, a paradigm that perfectly sums up the ephemeral and striking nature of the artist’s work.  “Beyond Walls” is a monumental project launched by Saype based on a premise: the world is polarized, a part of the population has chosen to withdraw into itself. However, Saype underlines it:“I am deeply convinced that it is together that humanity will be able to respond to the different challenges it will have to overcome“.It is from this conviction that the desire was born to share a positive message of mutual aid and common effort throughout the world by symbolically creating the largest human chain ever made in the world.The project started in 2019 from Paris, at the foot of the Eiffel Tower, and travels the world from city to city with the ambition to cross the 5 continents and connect people from all over the world.Saype creates monumental frescoes on grass, earth, sand and snow. Inventor of an eco-responsible painting, he is recognized as the pioneer of an artistic movement that jointly honors street art and landart. His innovative approach and technique earned him a 2019 Forbes Magazine nomination as one of the thirty most influential people under thirty in art and culture. New York, Paris, Geneva, Cape Town, Turin, Dubaï, Nairobi, Istanbul, Ouagadougou, Miami, (…) his poetic and ephemeral works travel around the world to impact mentalities in respect of nature.Take a look below for more photos of the project. More

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    “Heavy Meal” Series by Biancoshock in Milan, Italy

    Biancoshock is back with a new series of artwork in Milan. The artist’s installations “Heavy Meal” are painted concrete backpacks that criticize the work of food delivery riders and their daily effort.“In a democratic society, job is a basic tool for civil and economic progress. What progress can there be if job’s world does not produce emancipation, growth and gratification? In example, the work of food-delivery riders is dictated by algorithms that extend the functions of control and distribution of numbers to become inaccessible, authoritarian and categorical.”“CO-BRANDING” in Milan, 2022“The algorithm imposes a path, rhythms, distances to be bridged (those between the rider and the consumer) and other unbridgeable ones (those between the rider and the management of the company that produces the algorithm and the goods to be delivered). The need to survive in this system transforms young people, students and the unemployed into ‘new generation slaves’.”“CO-BRANDING” in Milan, 2022 — Transforming the name of the 3 most famous food-delivery brands into a sentence that describes the principles of globalization. The concrete bags represent the daily effort we must make to endure the heavy consequences of the era of “I want everything and I want it now”“Every day they are forced to bear a constant burden caused by the lack of rights, by underpaid and irregular contracts, by the lack of comparison and relationship as well as the total absence of insurance assistance. And every day that backpack will weigh more and more, as if it were filled with concrete.”“JUST NEET” in Milan, 2022 — “Stop being a slave to laziness, just be a slave.”“JUST NEET” in Milan, 2022“SLAVEROO” in Milan, 2021 — “Old stone, new slavery.”“SLAVEROO” in Milan, 2021 More