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    Photorealistic Figures Embody Childhood Wonder in Dreamy Murals by Lula Goce

    
    Art

    #childhood
    #murals
    #photorealism
    #public art
    #street art

    January 11, 2021
    Grace Ebert

    Bronx, New York City. All images © Lula Goce, shared with permission
    From New York City to Azerbaijan to Kristianstad, Sweden, artist Lula Goce transforms blank walls into ethereal artworks that illustrate childlike wonder and growth. Her murals merge photorealistic renderings of adolescent subjects with otherworldly surroundings: plumes of flowers and vines wind around the figures, serpentine creatures emerge from the plants, and shrunken landscapes rest in the children’s hands. Serene and dreamy, the works often center on children painted in subtle tones who peer into the distance or are deep in sleep.
    Based in Vigo, Spain, Goce sells prints of her large- and small-scale works in her shop, and you can follow where she’s headed next on Instagram.

    Kristianstad, Sweden
    Belorado, Spain
    Murcia, Spain
    Vigo, Spain
    Västervik, Sweden
    Vilanova i la Geltrú, Spain
    Panxon, Nigrán, Spain

    #childhood
    #murals
    #photorealism
    #public art
    #street art

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    First Inventory of Damage to U.S. Capitol Building Released

    #masthead-section-label, #masthead-bar-one { display: none }The Presidential TransitionliveLatest UpdatesCalls for Impeachment25th Amendment ExplainedTrump Officials ResignHow Mob Stormed CapitolAdvertisementContinue reading the main storySupported byContinue reading the main storyFirst Inventory of Damage to U.S. Capitol Building ReleasedThe damage was largely limited to broken glass, busted doors and graffiti, the report said.Capitol Police surveyed the damage to an entrance to the U.S. Capitol building on Thursday, a day after a mob of Trump supporters broke in and vandalized the building.Credit…Jason Andrew for The New York TimesJan. 8, 2021, 6:07 p.m. ETThe office of the Architect of the Capitol in Washington, the office that preserves and maintains the building’s art and architecture, released Friday the first inventory of the damage sustained during Wednesday’s riot.Damage to the interior of the building was largely limited to broken glass, busted doors and graffiti, the report said, though it noted that statues, murals and historic benches displayed the residue of various pepper sprays, tear gas and fire extinguishers deployed by both rioters and law enforcement personnel. They will need to be carefully cleaned and conserved, the report said.Outside the building, two bronze light fixtures designed in the late 19th century by Frederick Law Olmsted, the American landscape architect, and that illuminate the grounds at night, were broken. The report also noted graffiti on the west side of the building near stands which are being constructed for the inauguration of Joseph R. Biden Jr. later this month.The Rotunda doors of the U.S. Capitol building sustained damage after rioters broke in on Wednesday. Credit…Jonathan Ernst/ReutersRioters who stormed the U.S. Capitol building on Wednesday afteroon overturned tables and smashed windows, but left the singular artwork intact.Credit…Andrew Harnik/Associated PressNo major artworks were reported damaged, despite the violent demonstrations inside the building by Trump supporters that took the Capitol Police nearly four hours to quell. A mob broke into rooms on the south side of the Capitol (including House Speaker Nancy Pelosi’s office), smashed windows and then marched through the National Statuary Hall, waving American, Confederate and “Trump Is My President” flags.Vandals in red “Make America Great Again” hats, many of whom photographed and recorded themselves, wreaked havoc in Congressional offices and the Rotunda. One man crammed a framed photo of the Dalai Lama into his backpack, while another smoked marijuana in a room with maps of Oregon on the wall. A 19th-century marble bust of former President Zachary Taylor was defaced with a red substance that looked like blood.Workers cleaned up broken glass and debris inside the U.S. Capitol building on Thursday.Credit…Brendan Smialowski/Agence France-Presse — Getty ImagesBut the large-scale, 18-foot paintings by Trumbull and other artists that depict scenes from the republic’s founding in the Rotunda, and the dozens of statues that fill the National Statuary Hall to the south that filled the background of many of the rioters’ photos, all appear to have escaped damage.The office noted on Thursday that many of its employees had worked through the night to clean up the trash, glass and other debris that littered the building and begin repair work.“Wednesday was a difficult day for our campus,” the architect of the Capitol, J. Brett Blanton, said in a statement. “As the Architect of the Capitol mission calls us to serve, preserve and inspire, it was particularly hard to watch the scene unfold.”AdvertisementContinue reading the main story More

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    Celebrating the Late Tamara Djurovic, AKA Hyuro, and Her Sincere, Monumental Murals

    
    Art

    #murals
    #public art
    #street art

    November 20, 2020
    Grace Ebert

    Argentinian artist Tamara Djurovic, who worked under the name Hyuro, died Thursday at her home in Valencia. Known for imbuing her works with sincerity, the artist utilized her large-scale pieces to capture the complexity of human emotion. Her style was distinct and subdued, and her process was informed by her concerns and questions about the world, a process she spoke of at length previously on Colossal.
    During her life, Djurovic made significant strides in the international mural community that is largely male-dominated. She completed projects across Europe, Argentina, Brazil, Mexico, the United States, Morocco, and Tunisia, many of which you can see on her site and Instagram.

    #murals
    #public art
    #street art

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    An Anamorphic Mural Transforms a Montreal Street into Undulating Sand Dunes

    
    Art

    #anamorphosis
    #murals
    #optical illusion
    #public art
    #sand
    #street art

    November 3, 2020
    Grace Ebert

    All images © NÓS, by Olivier Bousquet, Eloa Defly, Raphaël Thibodeau, Alex Lesage, and Charles Laurence Proulx
    Along the Montreal Museum of Fine Arts, sandy drifts swell and surge in a massive mural by the Canadian architecture firm NÓS. Aptly named “Moving Dunes,” the anamorphic artwork is comprised of neutral-toned lines that undulate along the walkway, creating a deceptive path mimicking deserts and beaches. Chrome spheres sporadically appear along the street in order to reflect the surrounding architecture and rippling patterns on the ground.
    The 2018 project coincided with the museum’s exhibition, From Africa to the Americas: Face-to-face Picasso, Past and Present, which prompted NÓS to evoke the perspective-bending approach of cubist painters. “Moving Dunes” was chosen after an annual call for proposals to install a large-scale artwork on the Avenue de Musée. Follow NÓS’s latest designs and illusory projects on Instagram. (via designboom)

    #anamorphosis
    #murals
    #optical illusion
    #public art
    #sand
    #street art

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    A Colorful Geometric Mural of a Cityscape Visualizes Humans’ Impact on Nature

    
    Art

    #cityscapes
    #climate change
    #flowers
    #murals
    #nature
    #public art
    #street art

    November 2, 2020
    Grace Ebert

    “Love of Nature” in Chelyabinsk, Russia. All images © Vitaly Tsarenkov, shared with permission
    Artist Vitaly Tsarenkov, who works under the moniker SY, depicts the threat of ecological catastrophe through a new mural featuring geometric flora, fauna, and objects typically found in bustling city centers. Created for the Urban Morphogenesis festival in Chelyabinsk, Russia, “Love of Nature” is a vertical rendering of the human impact on nature, with color-blocked trucks, road cones, and towering buildings near the top and a fire, flowers, and tufts of grass occupying space at the bottom.
    Based in Saint Petersburg, Russia, Tsarenkov says the 50-meter-high mural conveys that each person has the agency to protect the planet’s resources. “It’s impossible to stop all harmful factories at once, but to make the first step towards the clean Earth is not difficult and within everybody’s power just by taking the trash away after recreation in nature,” he writes on Instagram.

    #cityscapes
    #climate change
    #flowers
    #murals
    #nature
    #public art
    #street art

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    Multi-Story Murals Showcase Domesticity through Elegant Ceramic Tableware

    
    Art

    #ceramics
    #murals
    #pottery
    #public art
    #street art
    #tableware

    October 23, 2020
    Grace Ebert

    Oviedo, Spain. All images © Manolo Mesa, shared with permission
    Spanish street artist Manolo Mesa merges public and private spheres through large-scale murals that highlight simple domestic objects. The multiple-story artworks depict traditional dining scenes, from an elegant porcelain tea set to a lone jug with swirling flourishes to another vessel resting on a saucer.
    To complete a recent tableau in Oviedo, Spain, for Parees Fest, Mesa explored the history of an abandoned pottery factory in San Claudio. Event organizers gathered tableware from local residents, a collection that informed the shapes and exterior motifs of his work. “I was able to see all the evolution of this earthenware in the houses of Oviedo. I found postwar pieces, which were inherited and preserved with great affection by collectors. We saw (the) tableware of a lifetime from the middle of the century,” he writes on Instagram. Showcasing a delicate collection of vessels, the resulting mural explores an otherwise hidden facet of local history.
    Find Mesa on Instagram to view some works-in-progress and follow his ceramic-centric projects.

    #ceramics
    #murals
    #pottery
    #public art
    #street art
    #tableware

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    Mantra’s Trompe L’oeil Murals Encase Enormous Butterflies in Vintage-Style Boxes

    
    Art

    #butterflies
    #murals
    #public art
    #street art
    #trompe l’oeil

    October 15, 2020
    Grace Ebert

    Torino, Italy. All images © Mantra, shared with permission
    Working with entomologists around the globe, the French street artist known as Mantra (previously) transforms brick facades and concrete walls into massive studies of local butterfly specimens. With framed outer edges that mimic a wooden box, the trompe l’oeil murals render the winged insects in detail, depicting their richly hued scales and delicate antennae. Each artwork features species native to the area, making it possible that a live specimen might flutter by its enormous counterpart.
    In a conversation with Colossal, Mantra said he’s harbored a lifelong fascination with entomology that stems from spending hours in French gardens and bucolic areas as a kid. “As a child, I was interested, curious, and focused on the small life forms in those places,” he says. His current practice hearkens back to those carefree hours and connects with an adolescent desire to become a naturalist. “My approach is as a scientist,” the artist says, noting that education about environmental care and issues is part of the goal.
    Although Mantra considers all insects and natural life beautiful and crucial to maintaining biodiversity, the focus on butterflies revolves around his artistic ambitions because the vivid creatures allow him to experiment with color, shape, and texture. Each specimen is rendered freehand before the artist adds detail and the illusory shadows that make them appear three-dimensional. By painting various Lepidoptera species again and again, the artist is “repeating a mantra,” a detail of his practice that informs the moniker he works under.
    In recent months, Mantra has traveled to Belgium, Denmark, and Sweden, in addition to various locations throughout France, to complete public artworks, and he’ll be in Arkansas this month for two projects curated by Just Kids. Follow all of the artist’s entomological murals on Instagram.

    Rombas, France
    Cancún, Mexico. Image by Gino Caballero
    Silkeborg, Denmark
    Las Vegas, Nevada
    Dijon, France
    Jacksonville, Florida
    Brooklyn, New York
    Dallas, Texas. Image by Chop’ em Down
    Overum, Sweden
    Indianapolis, Indiana
    Cancún, Mexico. Image by Gino Caballero
    Torino, Italy. Image by Martha Cooper

    #butterflies
    #murals
    #public art
    #street art
    #trompe l’oeil

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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    New works from E. LEE go up in Chicago

    We always love checking in with Chicago’s E. LEE. E brings creativity and thoughtfulness to every piece (whether in the street or indoors), and there’s usually more than what meets the eye.

    b-sm = 300×250; sm > none;

    E. LEE began his street art career in 2015 with a goal to impact lives with art. By taking the viewer into consideration, he orchestrates experiences using trompe l’oeil effects and pop images as symbols. In this series about cultural symbols of value, he replaces common objects with cartoon representations of currency and gold. The depth created with shadows and the fantastic scale creates a sense of awe for the viewer while the simplicity and boldness of the piece sneaks into a complex question of what we value in our culture…and why.
    First up is a work entitled “Looming Large”, in the Uptown neighborhood. The works invites the viewer to sneak a peek at a stash of massive gold coins within an otherwise unassuming building

    Next up is the complex “Your Life as a Comedy” in the Logan Square neighborhood.

    Lee tells Street Art News, “I feel this piece is very important right now. A lot of people are feeling anxious and unsafe in the current environment. A threat from nature in Covid, a threat from society with possible income and housing loss, and a large amount of social unrest on top of everything.”

    Lee continues, “This is an optimistic piece. The viewer is the protagonist and it is the story of our lives. It’s a cycle (represented by the cycle of the day) showing the metaphoric hurdles we all must overcome:
    The desert: an empty barren place with a lack of nourishment. It is loneliness and a feeling of isolation.
    The flood / ocean: turbulent water represents turbulent emotions. It is the opposite of a lack, but rather an overwhelm and possible feeling of drowning.
    Anvils floating above us on balloons: This is anxiety… the random occurrence that can fall on our heads out of nowhere (cancer, pandemic, death of a loved one)
    A Crack in the Earth: This represents us falling into a hole. A major problem or depression we have to climb out of.

    We navigate these obstacles and we get ourselves to the other side. When we do, there is more life (trees and bushes), more balance, and we’re equipped with the tools to build a little more safety for ourselves and the ones we love. The last panel represents us improving our lives, building, and the opportunity to take a breath and rest up… for the cycle and challenge will soon begin again.”

    Have a tip about Chicago street art? Contact @jreich on Instagram More