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    JOTALO Unveils a Poetic Tribute to Growth and Fragility in Villa del Río

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     Spanish muralist JOTALO has unveiled a captivating new artwork in Villa del Río, Córdoba, created for @vdrground as part of the X Bienal de Arte de Villa del Río (@xbienaldeartevdr), one of southern Spain’s most vibrant public art and cultural events.This latest mural by JOTALO presents a young woman with a firm and commanding gaze, enveloped in an atmosphere of soft floral hues and delicate light. Through carefully layered tones and a harmonious composition, the piece explores the duality between strength and fragility, growth and transience, and the natural rhythm of life.At its core, the work symbolizes the ascension of life from root to bloom, using flowers as metaphors for resilience and the continuous cycle of renewal. The upward movement of the composition mirrors both personal and collective evolution, a visual poem dedicated to growth, beauty, and impermanence.A Dialogue Between Humanity and NatureIn typical JOTALO fashion, the mural combines human presence with organic forms, merging emotional expression with environmental symbolism. The artist’s meticulous brushwork and nuanced use of color bring a sense of calm power to the wall, transforming a public façade into a reflection of contemporary human emotion in dialogue with nature.This work reinforces JOTALO’s position within the new generation of Spanish muralists who are redefining urban art in Andalusia and beyond. His approach, equal parts poetic and socially engaged, continues to enrich Spain’s cultural landscape with works that connect deeply to local communities.Community, Collaboration, and GratitudeSpeaking about the project, JOTALO expressed his appreciation for the community and the organizers:“The piece represents a young woman of firm and imposing gaze, surrounded by a sweet and floral atmosphere that conveys the strength of growth and the fragility of life, symbolized by the ascent of flowers from the root to their fullness. My heartfelt thanks to @taron79 for his dedication and kindness. It’s admirable how you bring muralism and street art to so many people. I leave with a friend and hope our paths cross again soon.”He also thanked the neighbors and locals who stopped by to watch the process, sharing conversations and encouragement that enriched the experience.About the ProjectThe Villa del Río Biennial of Art has become a cultural landmark in Córdoba, championing muralism and public art as tools for social connection. Through initiatives like VDR Ground, artists from across Spain and the world are invited to transform urban spaces into open-air galleries that reflect creativity, identity, and community pride.With this new mural, JOTALO continues to expand the visual language of Spanish street art, bridging the intimacy of human feeling with the vastness of natural cycles, an artistic statement that is both local and universal. More

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      in Art

      Decadent Alfresco Feasts Serve as Reminders of Simple Pleasures in Pedro Pedro’s ‘Picnic’

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      All images courtesy of the artist and Fundación La Nave, shared with permission

      Decadent Alfresco Feasts Serve as Reminders of Simple Pleasures in Pedro Pedro’s ‘Picnic’

      September 3, 2025

      ArtFood

      Kate Mothes

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      “I believe a picnic is a utopia,” says Pedro Pedro, whose new solo exhibition at Fundación La Nave Salinas takes its name from the titular activity. In Picnic, the Los Angeles-based artist celebrates togetherness, relaxation, and small daily luxuries as a means of maintaining balance and cheerfulness, even during challenging times.

      Picnic highlights a total of 15 new canvases. “Beneath their exuberant surfaces lies a subtle homage to the 1950s, through the depiction of mid‐century furniture and aesthetic, a lens through which Pedro critiques the relentless pace of 2025,” the gallery says. “In an age defined by nonstop notifications and doom‐scroll headlines, Pedro invites us back to a time when people savored the present moment.”

      Through a tinge of golden age thinking, paired with La Nave’s setting in Ibiza, Spain, where it perches over the Mediterannean, we’re invited to indulge in simpler pleasures like lounging on the beach and sampling from a seemingly endless array of treats.

      Using textile paint on unprimed linen, Pedro begins each work with a digital design, which he then sketches onto the substrate using chalk and fills in with color. The closer one studies a painting, the more motifs appear to replicate, like flawless and nearly identical lilies, dollops of whipped cream, orange slices, or melons.

      Just like his method, the relationship between how we read digital and “natural” imagery blurs. Half-peeled citrus, knives abandoned in pastries, and random garments suggest that whoever is enjoying the picnic has perhaps just run off to take a dip in the sea and will be back any moment.

      Mirroring the artist’s interest in utopia, an ideal and perfect society, every element of his paintings is bright, juicy, and surreally, well, perfect. He draws inspiration from the joyously rotund forms of Colombian artist Fernando Botero and the Wayne Thiebaud’s decadent pies and cakes.

      The show also taps into the ethos of memento mori, which translates from Latin to “remember you will die.” The concept was especially in vogue during the Dutch Golden Age, appearing in still life paintings in the form of motifs like wilting flowers and rotting fruit.

      For Pedro, it’s not about remembering that life ends; it’s about consciously living it to its fullest. Thus, memento vivere, or “remember to live,” serves as a counterpoint to its weightier cousin. “Each lemon slice, half-eaten tart, or toppled wine glass is not a warning about mortality, but a luminous reminder to inhabit the present with curiosity, joy, and delight,” the gallery says.

      Picnic continues through October 31 in Ibiza. Find more on the artist’s website and Instagram.

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      in Street Art

      “Spaces & Between” by Misterpiro in Malaga, Spain

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      Esteemed urban artist Misterpiro has taken center stage at Livensa Living Málaga Feria with his latest creation, “Spaces & Between”. This striking mural isn’t just visually captivating, it embodies the very essence of connection between people and their surroundings.Misterpiro, a recognized name in the international urban art scene, has graced cities like London, Rome, and New York with his artistry. “Spaces & Between” marks his Malaga debut and signifies a significant milestone – the 13th urban art installation commissioned by Livensa Living across Spain and Portugal. Their dedication to enriching the residential experience through art is evident. The two murals themselves are impressive, towering at 3.3 meters high and stretching 23 meters long. To bring his vision to life, Misterpiro utilized a vibrant palette boasting over 40 unique paint shades.The mural isn’t the only transformation happening at Livensa Living Málaga Feria. The complex is undergoing a comprehensive renovation, with a focus on functionality as well. Recognizing the evolving needs of their residents,Livensa Living is converting 120 individual flexible accommodation units into doubles, maximizing their capacity.Beyond functionality, the renovation extends to the common areas. These spaces are being revitalized to reflect Livensa Living’s design philosophy. Expect a refreshing infusion of vibrant colors, youthful prints, and nods to Malaga’s rich culture and traditions. The goal is to foster a sense of community and well-being for residents, visitors, and the neighborhood itself.With Misterpiro’s captivating mural and the thoughtful redesign of the common areas, Livensa Living is creating a dynamic and inspiring environment for students and young professionals. Their commitment to artistic expression and community building shines through in this exciting transformation.(adsbygoogle = window.adsbygoogle || []).push({}); More

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      in Street Art

      “Layers” by SeaCreative by Cartagena, Spain

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      A captivating addition to the urban landscape of Cartagena, Spain, emerges in the form of “Layers,” a vibrant mural created by Fabrizio Sarti, known artistically as SeaCreative. This artistic intervention is part of the One Urban World 2024 festival’s mural painting section, hosted by @muchomasmayo and coordinated by @krasertres, with collaboration from the Graffiti and Street Art Service of @juventudct from @aytocartagenaes @urban.ct.SeaCreative’s artistic journey began in the early 1990s, deeply rooted in the world of writing and fueled by an irrepressible passion for drawing. By the early 2000s, his relentless stylistic exploration organically gave rise to SeaCreative, a fusion of urban art, illustration, and graphic design. Over two decades of creative output, SeaCreative has collaborated with diverse brands, galleries, associations, municipal administrations, and private entities, leaving a significant imprint on the global art scene.“Layers” in Cartagena stands as a testament to SeaCreative’s multifaceted artistic approach, inviting viewers to delve into its depths where urban aesthetics intertwine with illustrative storytelling. This mural not only enriches the visual tapestry of Cartagena but also serves as a vibrant dialogue between the artist’s evolving style and the rich cultural backdrop of the city. As SeaCreative continues to push the boundaries of urban art, “Layers” remains a striking example of how art can transcend boundaries and connect communities through its layers of creativity and expression. (adsbygoogle = window.adsbygoogle || []).push({}); More

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      in Street Art

      “High Tide” by David De La Mano in Salamanca, Spain

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      In the quaint municipality of Juzbado, located 20 km from Salamanca, a new artistic gem has emerged within its urban area. Titled “High Tide,” this mural is now a proud addition to a curated selection of works by esteemed artists such as Ampparito, Taquen, DOA, Pablo S. Herrero, and Marta Lapeña, among others. This remarkable project is coordinated by Javito and guided by the vision of Juzbado’s mayor, Fernando Rubio.Completed just a few weeks ago, “High Tide” draws inspiration from the historic “Cielo de Salamanca” by Fernando Gallego. It forms a part of the artist’s ongoing exploration of Salamanca’s rich heritage. The mural aims to underscore the enduring significance of Gallego’s work, celebrated for its historical, aesthetic, and scientific value.While the representation of constellations in “High Tide” does not strive for the same fidelity as the original mural, it serves as a bridge connecting past and present. This modern interpretation reflects our timeless fascination with stars and galaxies, illustrating how the cosmos not only broadens our horizons of knowledge but also places our existence in the vast scale of the universe.Through this mural, Juzbado embraces both its historical roots and its contemporary cultural vibrancy, inviting residents and visitors alike to ponder our connection to the celestial wonders above.Take a look at more images below and keep checking back with us for more street art updates from around the world. (adsbygoogle = window.adsbygoogle || []).push({}); More

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      in Street Art

      “Scar” by David de la Mano in Salamanca, Spain

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      In a heartfelt homage to the enduring spirit of women, artist David de la Mano unveils his latest creation, the “Scar” mural, gracing the walls of The House of Women “Clara Campoamor” in Salamanca. Inspired by the moving verses of Louise Glück’s poem “Dress,” the mural stands as a tribute to the strength and beauty found within life’s challenges.Nestled in the heart of Salamanca, the mural serves as a visual testament to the journey of healing and self-discovery. With his distinct style marked by intricate linework and emotive symbolism, dela Mano breathes life into Glück’s evocative words, crafting a narrative that speaks to the resilience of the human spirit.My soul dried up.Like a soul thrown into the fire,but not completelynot until annihilation. Thirsty,went ahead. twitchy,not because of loneliness but because of mistrust,the result of violence.//.The spirit, invited to leave the body,to be exposed for a moment,trembling, like beforeof your surrender to the divine;The spirit was seduced, due to its loneliness,for the promise of grace.How are you going to trust againin the love of another being?//.My soul withered and shrank.The body became too much of a dress big for her.And when I regained hope,It was a completely different hope.“Dress”Louise Glück (1943-2023) USATake a look below for more photos of David de la Mano’s recent work. (adsbygoogle = window.adsbygoogle || []).push({}); More

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      in Street Art

      “LA JOTA” Urban Postcards G085 by Giulio Vesprini in Zaragoza, Spain

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      Renowned street artist Giulio Vesprini has recently unveiled a captivating mural as part of the Asalto Festival in Zaragoza. Nestled in the enchanting “La Jota” neighborhood, this masterpiece finds its canvas amidst a place rich in history and architectural charm. La Jota, with its roots dating back to an ambitious 1947 housing project, was envisioned as a garden city, where modest-sized homes would be complemented by communal gardens or orchards.The visionary project aimed to provide affordable housing for local workers, with meticulous planning by architects José Beltrán and Fausto García Marco. The neighborhood’s name pays homage to the construction company, “Obras y Construcciones Damán,” situated on Avenida Castaluña.Giulio Vesprini’s contribution to this historic locale transcends traditional boundaries, adding a contemporary layer to La Jota’s narrative. Through vibrant strokes and imaginative design, the mural not only revitalizes the neighborhood’s aesthetic but also serves as a tribute to the visionary spirit of its post-war architects. As spectators traverse the streets of La Jota, they are greeted by a visual feast that seamlessly intertwines the old and the new, a testament to the enduring impact of art on community and urban landscapes. The Asalto Festival has once again become a platform for artistic expression, bringing together history, architecture, and modern creativity in the heart of Zaragoza.Photo credit: Marcos Cebrian More

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      in Street Art

      “Vía Oeste” by Pablo S. Herrero in Salamanca, Spain

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      Pablo S. Herrero’s recent project, “Vía Oeste,” has brought three stunning murals to the picturesque town of Villavieja de Yeltes in Salamanca, Spain. Titled “Ilex Umbra,” these murals pay tribute to the significant oak trees in the area, offering a poignant connection between art and nature.However, beneath the surface beauty, these murals also shed light on the challenges faced by this region, including depopulation and the controversial fight against a proposed uranium mine, which many argue offers false promises of a brighter future.In a region grappling with the exodus of its young population and the looming specter of environmental degradation, Herrero’s murals serve as a powerful reminder of the enduring beauty and importance of nature. Through “Ilex Umbra,” he highlights the significance of these ancient oaks and the urgent need to protect them. In doing so, Herrero’s art not only captivates the eye but also sparks crucial conversations about the intersection of art, nature, and the future of this beautiful yet challenged town in Salamanca.Scroll down below to see more photos of Pablo S. Herrero’s most recent project, More

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      in Street Art

      “Breathe” by David de la Mano and Pablo Herrero in Salamanca, Spain

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      Street artists David de la Mano and Pablo S. Herrero worked on a new project  involving a mural and graffiti workshop related specifically to stonecutter marks. It was held last May 13 in Villamayor, a municipality historically known for its quarries and for being the one used historically in the monumental Salamanca.The graffiti workshop consisted of taking stonemason marks as the main axis, and around these, reproductions, interpretations and free marks were created.Attendees created their own stencils, painted freehand and combined techniques. About 40 to 50 people participated, mostly children from 5 to 14 years old.The workshop is a project of The PICA association, organized by the Town Hall of Villamayor and the Department of Culture.David de la Mano is known for his large dystopian murals featuring human and animal silhouettes and minimalist style. He creates distinctive artworks which are symbolic reflections on humankind and reminiscent of dark fairytales.On the other hand, the pictorical language of Pablo S. Herrero is linked to the code of plant forms. Trees and forests, both murals and paper, are the vehicle for show relationship between the dynamic and the static, individual and community, sustainability and resistance. His activity as a muralist, usually at off-center and marginal spaces, take the suburbs as a paradigm of the rejection that the city causes to large parts of itself.Take a look below for more photos of the project. More